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55 pages 1 hour read

V. E. Schwab

A Darker Shade of Magic

Fiction | Novel | YA | Published in 2015

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Themes

Choice and Consequence

In the interconnected Londons, even seemingly minor choices can have major consequences that ripple across the worlds. Generations before the story begins, Black London fell to corrupt magic, and Red London decided to seal itself off rather than fight the darkness alongside White London. As a result, White London became a cold and cruel realm in the aftermath. In a way, Astrid and Athos’s villainous plan is a revenge plot centuries in the making. They weren’t born when Black London fell and Red London retreated into itself, but they inherited a world ravaged because of other domains’ choices. In Chapter 11, Astrid explains the reasoning behind the Dane twins’ attempt to conquer Red London: “It made of us a shield, and now it thrives while we perish. It seems only just that I should take it, as reparation. Retribution” (301). The twins believe that they deserve to rule Red London because Red London is, in their minds, the reason their White London is so desolate. Astrid and Athos’s plot shows how far-reaching and destructive consequences can be.

Rhy’s choices give the Dane twins a foothold in Red London. Rhy Maresh, frustrated at his powerlessness, accepts a necklace from White London because he believes it will make him stronger. Rhy’s intentions are not malicious: He wishes for power, but it is because he does not want to depend on Kell’s protection, rather than out of any innate urge to dominate the worlds. Nonetheless, this necklace allows Astrid to take control of him and endanger Red London, and he is, once again, dependent on Kell Maresh to come to the rescue.

Schwab further develops the theme by fashioning a protagonist and deuteragonist who must contend with the consequences of their actions. In Chapter 5, Lila Bard steals the black stone from Kell. The theft is the work of a moment, but this choice forever alters the course of Lila’s life. The black stone is a catalyst for many significant events for Lila. Her theft of it leads to her discovery that magic is real, and it inextricably ties her to Kell, which puts her on Holland’s radar. This later leads to Barron’s death, which leaves Lila with no home to return to once her and Kell’s quest is complete. In Chapter 13, Lila reflects on the consequences of her actions as she fights for her life against Astrid: “Perhaps she never should have stolen the damned stone, but even here, and now, facing death in the form of a pale queen, she didn’t regret it” (367). Lila embraces the negative consequences, even the imminent threat of death, because her choice also yielded positive results. Namely, she finds the freedom and adventure she yearns for.

Like Lila, Kell accepts the consequences of his choices, but he does so with great guilt and regret rather than exhilaration. Kell’s smuggling is an act of treason, and his beloved brother begs him to stop over and over: “[E]very time he traveled, he had to endure Rhy’s questioning and with it, the reminder that what he was doing was foolish and wrong” (52). This habit of Kell precedes the beginning of the book, which adds depth to Kell’s background and defines his personality. Kell has grown used to his dangerous actions having little to no consequences, and the defiant freedom he feels from smuggling outweighs the risks of alienating himself from his family. Despite Rhy’s reminders, Kell continues breaking the law until he unwittingly destroys the balance between the worlds. To make things right, Kell puts his own life in jeopardy and is even willing to remain in Black London forever, in order to safeguard the stone and ensure it does not end up in the wrong hands. Kell makes grievous errors in judgment, but he strives to correct his mistakes through courage and self-sacrifice.

Power as a Path to Corruption

Throughout the novel, power tempts characters down the path of corruption. Centuries before the story starts, the people of Black London destroyed themselves and their world by succumbing to their greed for magic: “The people fed on the magic and the magic fed on them until it ate their bodies and their minds and then their souls” (23). While Black London serves as a cautionary tale to all the worlds, there are those who refuse to learn from their history. The novel’s antagonists, Astrid and Athos Dane, are power hunger incarnate. They seize the throne of White London by killing the former leader, displaying immediate brutality. In order to keep their crowns, they use magic to strip their subjects, including Holland Vosijk, of free will: “In Red London, using magic to control, possess, or bind the body and mind of another person was forbidden. Here, it was yet another sign of Athos and Astrid’s strength, their might—and therefore right—to rule” (90). Athos and Astrid are the cold, dominating parallel to King Maxim and Queen Emira, who treat Kell more or less like a family member.

In the end, the Danes’ corruption ushers in their undoing. The king and queen are so accustomed to uncompromisingly clawing for power that they cannot cooperate with one another. Their subjects allow Kell and Lila to attack the twins because they have no loyalty to their cruel leaders. Holland, an Antari as powerful as Kell, allows Kell to strike him down in their final battle because he cannot break free from the Danes’ control on his own, and he no longer wishes to be used as their weapon. Athos, in particular, is killed when his own creation turns on him, signifying that for all that the Danes liberally exert their control, even they are not powerful enough to subdue magic.

The novel’s protagonist must also contend with the corrupting influence of power. As an Antari, Kell is one of the strongest characters in the book. He wields magical abilities that others can only dream of, including healing and traveling between worlds. For characters like the Danes, such power would be used to conquer the other Londons. Kell, however, places his considerable abilities at the service of Red London’s rulers rather than seeking advancement for himself. However, even the self-sacrificing Kell is not immune to the siren song of the black stone, which is “capable of creating anything and razing everything” (213). The Black Stone serves as a motif for this theme and gradually gains greater and greater sway over Kell until it threatens to overtake him completely. This fate is foreshadowed by other minor characters who come under the stone’s influence and lose their lives because of it.

In Chapter 13, Kell engages in a mental battle with the stone’s dark magic, which is known as Vitari. He finds the strength to defeat Vitari by remembering his brother: “If he died, so would Rhy. He couldn’t stop fighting” (376-77). Kell’s love and loyalty give him the strength to dispel the stone’s magic, rendering the most dangerous and corrupting object in the novel harmless: “There was nothing to it now, no hum, no urge, no promise. It was just a piece of rock” (383). Kell’s self-sacrifice and triumph over the stone serve as a rebuke to those who only use their powers to serve themselves. 

The Nature of Family

Kell and Lila must both navigate complex home lives to discover what family truly means to them. These bonds shape many of their decisions throughout the story, and the pair’s influence on each other steadily alters their views on their familial connections.

Kell has no memory of his biological family. He doesn’t even know the name he was born with or which world he’s from. The only family he knows is the royal family of Red London. At the start of the story, Kell feels like an outsider among the royals and suspects that the king and queen took him to the palace when he was five so that they could use him for his Antari powers. At 19, he confides his difficult feelings to Prince Rhy: “But I’m not family, Rhy [...] I’m not truly a Maresh, for all that the king and queen have offered me that name. I feel more like a possession than a prince” (52). Although the king and queen do not treat Kell the way the Danes treat Holland, Kell is still highly conscious of his place within their home, and he does not fully trust their kindness and generosity. Importantly, Kell’s misgivings about the royal family’s motives do not extend to Prince Rhy, whom he protects with absolute love and loyalty no matter the cost to himself.

Meeting Lila causes Kell to think of his family from a new perspective. The young woman, who has suffered from want for much of her life, accuses him of self-pity and ingratitude: “‘You have a house if not a home,’ she spat. ‘You have people who care for you if not about you’” (235). Lila’s scathing words lead Kell to a greater appreciation of the comforts and privileges he enjoys among the royal family, and his penitence over smuggling the stone motivates him to do whatever he must to protect his home. Although Kell remains uncertain that his adoptive parents truly love him, he decides that his love for them is enough to make them family.

Lila is uniquely qualified to help Kell reflect on the nature of family because of her own complicated background. Her mother died when she was young, and her biological father “tried to sell [her] flesh to pay his tab” when she was 15 (250). Early on, Lila fights off unwanted sexual advances from another man, which shows that her life has been, and continues to be, difficult, dangerous, and lonely. In Grey London, her sole source of love and family is her father figure, Barron. The generous and patient innkeeper offers Lila a chance at an honest life, and his door is always open to her even after she steals from his customers and throws his kindness back in his face. Lila prizes nothing higher than her freedom, and Barron respects this by becoming her metaphorical “anchor, there and ready when she wandered back, which she invariably did” (208). Unaccustomed to love from her biological family, Lila struggles to make sense of Barron’s concern for her. After Barron dies trying to protect her from Holland, Lila tells Kell, “He wasn’t my family. Not really” (249-50), as though she is trying to convince herself as well as Kell. Despite these defensive words, her clenched jaw, reddened eyes, and resolution to kill Holland reveal the truth. Lila doesn’t claim Barron as her family because they aren’t related, but she cannot hide the depth of her love for him, and she deeply mourns his loss. Through Kell and Lila’s stories, Schwab shows that family is defined by love, not blood.

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