48 pages • 1 hour read
James BaldwinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
While Ida meets with Ellis, Vivaldo goes to the bookshop where he works. After his shift, Cass invites him for a drink. Vivaldo is taken aback by her youthful appearance, reminding him of when she was “the most beautiful, the most golden girl on earth” (171). They talk about youth, which distracts Vivaldo from his jealous thoughts about Ida. Cass reluctantly talks about the problems in her marriage to Richard. Vivaldo tries to focus on Cass but his imagination strays to Ida, conjuring up thoughts of her with Ellis. Vivaldo invites Cass to supper with him; she admits that Richard is a “little jealous” (175) of Vivaldo, who has retained his artistic credibility. Vivaldo admits that he suspects that Ida is having an affair with Ellis. They discuss their various romantic failures and suspicions. When Cass goes to the restroom, Vivaldo thinks about his relationship and his arguments with Ida. When Cass returns, she confesses that she is considering an affair. Instead, she decides to see a movie so says goodbye to Vivaldo and hails a taxi.
Cass rides the taxi to the cinema, but when she arrives she cries because she remembers that she cannot stand the movies. She watches a movie anyway, all the while thinking about calling Eric. When she finally calls him, he agrees to meet with her. Cass buys a bottle of scotch and walks to Eric’s apartment. Once inside, they drink whisky and talk about Eric’s play. As they talk, Eric admits that Cass makes him feel things he never thought he would feel again. As he sits beside her on the bed, she feels a rush of complicated emotions. Eric tells Cass about Yves and his memories make Cass think about “her privilege” (184) as a straight white woman. After they have sex, they lay together in the bed. After midnight, Cass prepares to leave. They each tell one another that they “feel wonderful” (186) and he walks her to the nearest taxi.
After leaving Cass, Vivaldo calls the restaurant where Ida works only to be told that she did not arrive for her shift. He drinks alone in a bar and ruminates on his suspicions that Ida is with another man. Realizing that he lacks a male friend, he thinks about calling Eric. Instead, he walks through the Village until he runs into his old girlfriend, Jane, who is with another man. After an awkward exchange, Jane invites Vivaldo to drink with them and teases him for dating an African American girl. Vivaldo declines the offer and begins to walk home. He eats in a diner and calls home again without an answer from Ida. He continues to drink and thinks about women, Cass, and Richard. He speculates that they are now “all equal in misery, confusion, and despair” (191). Still unable to contact Ida, he walks to his regular bar where he has an open tab. He sits and drinks with people he does not know well. When he offers to buy them alcohol, they offer him marijuana. After midnight, they leave the bar for an apartment where they smoke marijuana and listen to music. Eventually, they decide to continue their party on the roof. They sit and stare at the stars. Vivaldo thinks about Ida, remembering the songs she sings and wondering whether the lyrics can help him to decipher her. When one of the men makes sexual advances, Vivaldo explains that his “time with boys was a long time ago” (200). Instead, they lay together on the rooftop, feeling the influence of the drugs. Eventually, Vivaldo leaves and returns home, imagining what Ida will say to him when he walks through the door.
By the summer, Vivaldo and Ida are beginning to discover that their shared apartment is too cramped. Both continue to work menial jobs while pursuing their artistic ambitions, but the small apartment means that Vivaldo cannot write to his satisfaction nor can Ida practice singing without arousing the neighbors. Vivaldo suspects that Ida is having an affair with Ellis, but he is terrified to mention it. Occasionally, they go out with Eric and Cass, who have continued their own affair. Ida disapproves of the married woman’s affair while Vivaldo is happy she has embraced a more dangerous part of her personality. On their way to watch a movie with Eric and Cass, they bicker about the affair. Vivaldo suspects that Ida resents Eric for his relationship with Rufus. Vivaldo suggests that Ida has never forgiven him for Rufus’s death; she retorts that he still does not understand “how white people treat black boys and girls” (205). Her comments anger Vivaldo, but their discussion is interrupted by the arrival of Eric and Cass. Eric announces that he has been cast in a film adaptation of Possessed by Fyodor Dostoevsky. Ida and Vivaldo congratulate Eric, though Vivaldo feels “a mighty tug of jealousy and fear” (207). They enter the cinema and watch a film in which Eric has a small role.
After the movie, they go to a bar. After one drink and some hesitant small talk, Cass and Ida leave. Eric and Vivaldo continue to drink at Eric’s apartment. While they drink whisky, Vivaldo asks whether Eric is in love with Cass. He admits that he is not, though he wishes he were. They talk about love, sexuality, and Rufus. After explaining his struggles, Eric mentions that Yves is due to arrive in New York. He is unsure about his future with Yves even though they are very much in love. Eric’s affair with Cass, he admits, complicates his relationship with Yves. Soon, he will have to tell Cass about Yves’s arrival, and he is not sure how she will react. Vivaldo admits to similar doubts about his relationship with Ida, as he has no idea how to navigate their racial differences. He asks Eric about Rufus and shares a memory about their friend: when Rufus was still with Leona, he threatened to kill Vivaldo but afterward Vivaldo glimpsed a tenderness and a need for companionship in his friend’s eyes that still haunts him. Eric and Vivaldo sit in the dark room and drink together until dawn. When Vivaldo falls asleep on the bed, Eric undresses his friend and then lays beside him, thinking about Yves’s letter.
After leaving Eric and Vivaldo, Cass and Ida agree to have a drink together. As they share a cab to a bar, Cass senses that Ida needs to talk. Ida admits that she cannot see herself ever marrying Vivaldo. Not only is Vivaldo white, but he could not recognize her brother’s evident suffering even though they were friends. If Vivaldo could not understand pain that seems so obvious to her, Ida says, she does not know how he can ever really empathize with her. They talk about how white people will never truly understand the struggles of African Americans because they experience the world in such a different way. Ida suggests that her relationship with Vivaldo is as doomed to fail as Cass’s relationship with Eric. They arrive at the bar, still debating the complexities of the Black experience in America. Ida reveals that she is meeting Ellis at the bar, so they are led to Ellis’s table at the back of the room, where he sits with one white couple and one Black couple. They discuss Richard’s novel and Richard while Cass carefully examines the others at the table. Ida takes Ellis to dance. Cass watches and makes irreverent and barbed conversation with the others. She turns her attention back to the spectacle of the young, attractive Ida leading the older, married Ellis through an energetic dance. He cannot match her exuberance and Cass wonders whether Ida is somehow mocking or punishing him. After the dance, Cass makes her excuses and leaves. Ellis walks her to a taxi, and she rides home contemplating her sense of shame and her love for Richard and Eric. She wonders about her future and whether she could ever endure the reality of being a divorced woman. When she reaches her apartment, she finds Richard asleep on the sofa. After she checks on the sleeping children, he wakes up and they talk. He has “a great many questions” (232). As he interrogates her, she takes a defensive posture, and she remembers the early stages of their relationship. Richard knows about Ellis’s affair with Ida, which makes him suspicious about Cass’s behavior. He suspects that Cass is having an affair with Vivaldo as she has “always admired” (234) him more than she admires Richard. Cass denies sleeping with Vivaldo. As Richard begs Cass to return to him, she admits to her affair with Eric, claiming that he has “a sense of himself” (236) that Richard lacks. Richard becomes angry. He slaps Cass across the face twice and insults her before he collapses on the sofa, ashamed. Cass washes the blood from her face, thinks about her future, and sits in the kitchen, waiting for Richard “to rise and come to her” (237).
Vivaldo is used to show the limitations of seemingly progressive people who struggle to empathize with victims of discrimination. Eric, however, shows the ways in which oppression can provide insight into the lives of others. As a bisexual man, he has lived for a long time in defiance of heterosexual society and its expectations of heterosexual behavior. Having experienced the prejudices of society in one respect, Eric is better equipped to understand other prejudices that exist. He formed a closer bond with Rufus than any of Rufus’s white friends, as his experiences of prejudice gave him insight into the burning pain that defined Rufus‘s life. Vivaldo has lacked this understanding throughout the novel, but the night he spends with Eric provides him with some understanding of what it means to operate outside of society’s expectations. Vivaldo experiences empathy with Ida and Rufus through his experiences with Eric. He glimpses a world and a life lived outside the boundaries of the conventional, showing the ways in which prejudice and oppression can shape a person. Vivaldo spends one night with Eric, but it is enough to change his perspective. Even the most fleeting glimpse into the world beyond the straight, white male is enough to kindle Vivaldo’s empathy and change him forever.
Eric’s status as an actor contrasts with Vivaldo and Richard’s status as writers. For Richard and Vivaldo, writing is a way to completely create characters. They are responsible for the portrayal of society, and they feel a responsibility to achieve some kind of artistic merit or statement with their work, even if Richard suspects that his work is lacking in this regard. As such, they feel a sense of responsibility for each and every word they put on the page. Eric’s relationship with art is different. He is an actor, a person who performs work written by others. He is not burdened with the same sense of responsibility that plagues Richard and Vivaldo. Rather than portraying (or at least trying to portray) an entire society, Eric empathizes with and portrays an individual. His role as an actor makes him naturally empathetic toward individuals in a way that neither Vivaldo nor Richard can understand. This natural empathy allows Eric to form close bonds with people who experience prejudice while the novelists struggle. Richard never truly understands, which is reflected in his work, and Vivaldo only comes close to an understanding at the end of the novel, by which time he is still trying to translate his newfound empathy into fiction. The characters’ different relationships to their art influences the way in which they form relationships with one another.
Richard hits Cass and brings a symbolic end to one of the few successful relationships in the novel. While most relationships end in sudden tragedy or betrayal, the marriage of Richard and Cass has slowly crumbled into an unrecognizable form. They once loved each other and believed that they knew each other innately, but they demonstrate that they do not understand each other or themselves. Cass loves her children, and she loves Richard, but she does not love the life they have made for themselves. She feels a yearning for artistic expression and a bohemian lifestyle that is more akin to Vivaldo’s life than her own. As such, she pushes the boundaries of what she can do in an attempt to alter her life and to retrieve the sense of youth and adventure marriage has taken from her. At the same time, Richard fears he has lost Cass’s respect. He does not believe his work has artistic merit and believes that Cass will not respect him as an artist. However, Richard’s worries are more related to his own insecurities. He does not respect himself, and he projects this fear onto his wife, turning his own worries into hers. Cass does not know what she wants from life while Richard does not understand himself. Their marriage collapses slowly and then all at once as a result of these misunderstandings. Not only do the characters feel alienated from one another, but their lack of familiarity is also due to their alienation from themselves.
By James Baldwin
American Literature
View Collection
Contemporary Books on Social Justice
View Collection
Friendship
View Collection
LGBTQ Literature
View Collection
National Suicide Prevention Month
View Collection
Popular Study Guides
View Collection
Pride Month Reads
View Collection
Sexual Harassment & Violence
View Collection
Valentine's Day Reads: The Theme of Love
View Collection