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58 pages 1 hour read

Mary Jane Auch

Ashes Of Roses

Fiction | Novel | YA | Published in 2002

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Chapters 21-26Chapter Summaries & Analyses

Chapter 21 Summary

Gussie returns home with Jacob Gerstein, a cutter from the factory. He brings a sewing machine that Rose can borrow for a week to practice. Rose initially has difficulty working the foot pedal and running the fabric under the moving needle. Rose also finds Jacob handsome and wonders if he is courting Gussie. Jacob promises to bring some fabric scraps for Rose to practice with, saying that the men at the factory aren’t inspected as closely as the women are when they leave. The women are also paid less. Jacob leaves shortly after Mr. Garoff returns home. Mr. Garoff thinks that Gussie spends too much time working on union issues, which he believes are bound to be unsuccessful.

Chapter 22 Summary

Despite gaining confidence with the sewing machine, Rose is intimidated by the prospect of working in the large Triangle factory. When they meet other seamstresses, Rose learns that Gussie lost her position as a sample-maker on the eighth floor because she came in late on the day she went with Rose to confront Moscovitz. The demotion also comes with a pay cut. Rose notes that there is a line of workers waiting to use the elevators to enter the factory. The women use the elevators in the morning but must use the stairs at the end of the day. The doors are locked at eight in the morning and are not unlocked until the lunchbreak at noon. If a worker is late, they will be locked out until then. It is Rose’s first-time riding in an elevator. In the factory, Gussie shows her how to press down with her foot on the treadle to connect with the power that operates the machines. With trepidation, Rose starts working. Suddenly, the needle goes through her finger three times, and she sees blood on the fabric. Gussie and another woman bandage her hand, consoling her that everyone has this same mishap at some point. Rose despairs and wants to go home, but Gussie encourages her.

Chapter 23 Summary

That night when Mr. Garoff sees Rose’s bandaged finger, he argues with Gussie in Yiddish, though Rose is not sure why he is upset. Maureen does not like her school because the teacher is trying to make the children into Americans. She would rather be working. Rose tells her that many girls back in Ireland would beg for that opportunity. The next day, Rose climbs the steps to work instead of using the elevator and starts to enjoy the work. At lunch, Gussie has union business to attend to, so Rose plans to eat at her machine like she sees other women doing. Two other women invite her to eat with them, so she joins them. They are also named Rose: Rose Bellini and Rose Klein. They all decide to go by their last names to avoid confusion. Klein plans to find a beau for the other two women. Rose enjoys their company greatly. The next day, they discuss dime novels. Rose has never read one, so Klein and Bellini lend her a book to take home. They also invite Rose to the nickelodeon to see a movie. Rose worries about the expense and is not sure what to do with Maureen, but Klein and Bellini convince her to bring Maureen along. Rose feels like her American life is finally starting and plans to write to Ma about the experience.

Chapter 24 Summary

At the end of the workday, Rose sees Gussie talking to other workers about the union. She feels that Gussie is so involved in her union duties that she never has any fun. She also looks older than her 18 years. Rose enjoys working at the factory. One day, Klein offers to help her buy more stylish yet affordable clothes once she gets paid. Rose decides to walk home with Klein and Bellini instead of Gussie. When Klein sees that they live near each other, she suggests walking together in the morning, too, but Rose feels that she should go in with Gussie. Because Klein and Bellini both live with their families, Rose imagines how life could be if her whole family would live there together. At home, Maureen is happy about the plans to go to the nickelodeon. Gussie, however, disapproves of spending money on such frivolous things. She points out that she had the heel of her shoe mended in a way that will make the shoes last a long time for five cents, the same price as the nickelodeon.

Rose invites her to join them, but Gussie declines. She also criticizes the dime novel she sees in Rose’s bag and sets the heavy tome Women in Industry in front of Rose, praising it as more important reading. They discuss why Gussie is so concerned about workers’ rights. Gussie explains that her father came over from Russia eight years earlier, but the poor working conditions caused his sight and stamina to fail, so Gussie now supports him. When Rose points out that the Triangle factory is a good place to work, Gussie explains that the Triangle fails its workers by refusing to pay overtime and holding dance parties for the scab workers during the strike. The company also skirts the law about required space for workers by counting the headspace of the high ceilings. Rose dismisses Gussie’s concerns.

Chapter 25 Summary

Outside the nickelodeon, Rose watches as Klein flirts with two handsome boys. Bellini tells Rose that they never let the boys pay for them because then the boys will expect favors from them. Rose is flustered when Jacob approaches her, and she can barely make conversation with him. However, he seems more interested in whether Gussie is there. In the theater, Rose starts laughing in amazement at The Lonedale Operator, her first moving picture. She quiets, though, when an usher threatens to kick her out for disturbing the other viewers. When she and Maureen return home, Mr. Garoff is upset that Gussie worked at the factory on Shabbes (the Jewish sabbath) and stayed late for union business. He explains that she used to have a choice about working on Shabbes. Rose wonders if Gussie’s demotion the reason why she now works on Saturdays. When Gussie returns home, she confirms this, explaining that she has to work the extra day to make up for the pay cut. Mr. Garoff accuses her of acting like their non-Jewish boarders, but Gussie defends Rose and Maureen, saying that they’re good people.

Chapter 26 Summary

Rose finishes reading the dime novel over the weekend. The sisters go window-shopping and walk to the East River, which makes Rose recall the swimming rivers, segregated by sex, that they visited in Ireland. At home, Rose writes her first letter to her parents, omitting the fact that they are living with Jewish people. Back at work on Monday, Rose receives another dime novel, and Bellini chides her into agreeing to see another nickelodeon feature that weekend. Klein counts all the women named Rose at the factory: 17. Two days later, Rose sees a group of young girls enter the factory floor with a man. Maureen is among them. Gussie tells her that the man is a subcontractor who finds girls willing to work for less money. Gussie prevents Rose from confronting Maureen right then and there, as Maureen will cause a scene and Rose will lose her pay and possibly her job. When Rose confronts Maureen at home, they get into a physical fight, but after Maureen gives up the struggle, she lays out her case for why she should work instead of going to school, asserting that her entire salary help them save money so that their family can return to America. Realizing that she cannot physically keep Maureen in school, Rose relents.

Chapters 21-26 Analysis

Rose’s American life starts to develop more along the lines of her expectations about America. She has some new experiences, which hint at the promises her new country may hold for her. The events in this set of chapters give her “warm glow” because she “finally had somethin’ to write to Ma about” (172). The steady work gives her a sense of freedom and belonging and hints at her future.

New things and different ways of doing things can also be a bit frightening until one is used to them. Rose encounters both types of novelty in New York. First, she must learn to use a sewing machine to work at the same factory as Gussie. Working the foot pedal and adjusting to the speed of the needle takes some practice, noting that the treadle “took off like the horses on a fire wagon” (150). After a week, she is more confident but still hopes there will be a position for her at Triangle where she can sew by hand. The machines at the factory are even more intimidating, as the treadle does not move the needle but connects the machine to the power supply. In her anxiety, she sews into her finger three times. She wants to give up, to “to run out of the room and keep runnin’,” but Gussie and the other workers assure her that mistakes like that have happened to everyone (164). Indeed, she persists and comes to enjoy the work. Working in such a large factory is also new to her, as is the elevator. After one ride, however, she opts to take the stairs, not trusting in the contraption, feeling that it “didn’t seem natural havin’ a little room hauled up a cable” (158). The importance of the elevator will come later.

As Rose begins to regard the men around her as potential romantic prospects, her interest in men like Joseph contrasts sharply with her disdain for the boys she once knew in Limerick, and this difference in her attitude indicates that she is committed to building a long-term life for herself in America. In earlier chapters, Rose criticizes boys in Limerick for being dull or unattractive, but the wider world of New York offers an equally wide variety of potential mates. Additionally, her new friends Klein and Bellini help to shape her concept of what her American life could be, both with Klein’s flirtations with boys and with their boisterous friendship. In these two women, Rose finds an unexpected camaraderie amidst a life filled with uncertainty, and as the women link arms and sing while walking home, or share their lunches together, or make plans to go shopping for fashionable clothes, Rose finds a new level of assimilation into American culture that surprises and delights her. The trips to the nickelodeon therefore become emblematic of the perceived glamor of this new lifestyle, and Rose is left “breathless” (188) by the spectacle of moving pictures. For the first time since arriving in America, Rose engages in frivolity and is not entirely consumed with worry over meeting basic needs.

However, one unfortunate side effect of these new experiences is that she also starts to think more negatively, or at least critically, of Gussie, whom she believes is far too serious. Gussie, however, has a purpose: She wants to make working life better for everybody. It is also significant that just like Rose, Gussie is the sole earner of her family in America and is saving money to bring the rest of her family to New York. In many ways, she represents an image of the person that Rosie will eventually grow to be once she has gained some experience, for unlike the protagonist, Gussie has endured the bitterness of seeing how good, hardworking people like her father are cheated and forced to work in poor or even dangerous conditions. At this point in the novel, Rose has experienced only a small fraction of such injustice and therefore views it as someone else’s problem. Gussie’s dedication to union issues also allows the author to foreshadow the trouble that will soon ensue at the factory, for the descriptions of the crowded working conditions hints that calamity will soon strike. Tension is further heightened when Rose brushes off Gussie’s concerns, saying that she likes the coziness of the overly close quarters. When Gussie tells her, “We’re jammed in hip to hip at the floor level. You may not mind it now, but wait till you see how it feels in the heat of July” (182), this reference to heat and the dangers of crowding builds suspense, as does the fact that the women only have one exit from the building. With these details, the author consciously creates a scenario that mirrors the historical Triangle Shirtwaist Factory Fire. Ironically, Rose will come to understand the importance of Gussie’s union work only after it is too late.

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