55 pages • 1 hour read
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Lauren is exhausted from packing to leave Salcombe. She will never be returning to Fire Island. At the traditional end-of-summer Labor Day talent show for the kids, she and Jen are friendly—close, even—and their husbands are cordial to each other. The show opens with a dedication to Susan, but only Susan’s particular friendship group seem to feel any sorrow for her death. Lauren slips out and goes to the bar, thinking about how innocent she was at the start of the summer. Since then, Susan has died, and Lauren has been indirectly involved. Robert comes in, and Lauren notices that Micah, who has been tending bar, is hesitant to approach him. Lauren and Robert chat briefly, and Lauren is surprised to learn that Robert has accepted a job with Larry Higgins to learn about finance. Lauren is still attracted to Robert, and he suggests that they might still get together on the weekends.
Lauren recalls her memory of the night of Susan’s death. At the time, she understood Jen’s motive for the affair, but she reflects that unlike Jen, she herself at least had the grace to sleep with someone outside of their mutual friend group. However, she finds Jason’s actions to be inexcusable and wonders what is wrong with him. The night of the storm, when she saw him with Sam, she was overcome with rage. She ran at him and shoved him backward, and he crashed into Susan on her bike and knocked her off the boardwalk. Susan lay under her bicycle with her neck broken. Looking up, Lauren saw Robert turn his bike and speed away. No one else saw him. Sam checked Susan’s pulse and reported that she was dead. The group decided that they couldn’t afford to be connected to Susan’s death because it would ruin their lives and their children’s. They agreed to say, if asked, that they were all having a movie night together. Jen took that opportunity to tell Jason straight out that their affair was over. She also told Sam that she loved him.
In the days after Susan’s death, Jason has seemed more interested in Lauren than ever before. They are even strangely excited by their shared secret.
Coming back to the present moment, Lauren decides not to continue her affair with Robert, for she loves her comfortable life more than she is attracted to him. Lauren sees Rachel and notices that she is limping. Lauren is disgusted by Rachel’s malice in deliberately sabotaging two marriages.
Lisa and Emily became friends in Salcombe when they were both newcomers. They are gossiping now about the Parkers, the Weinsteins, and Rachel Woolf. They have noticed that Rachel has been avoiding her usual crowd. They have also noticed that Sam and Jen seem to be reconciled and that Jen and Lauren seem unusually close lately. They are surprised, for they never believed that Lauren and Jen had ever really been friends. Lisa remarks that throughout the winter, she always tries not to forget Salcombe’s specialness. Emily replies that she is glad they have each other and dismisses everyone else in Salcombe as being irretrievably erratic.
Rachel sprained her ankle when she fell off the boardwalk on the night of the storm. She is hiding the injury now because she doesn’t want anyone to know that she was out; she hopes to avoid anyone questioning her about what she saw. She feels that she is being rejected by everyone and regrets revealing Jen and Jason’s affair. She especially resents that both couples seem stronger than ever now. She is also missing her sisters in California. Feeling lonely for the old crowd, she sends a text to Lauren, hoping that Lauren will forgive her.
She thinks back the fatal night of Susan’s death. After Rachel fell off her bike, Robert found her and helped her back to her house. She asked him why he went to Susan’s house, but he did not answer. The next day, she learned about Susan’s death. Afterward, Rachel tried to start a rumor that Susan had been depressed.
Now, Rachel gets a visit from Sam. He asks her what rumors are going around about Susan’s death. He also makes love to her. Afterward, she tells him about Robert’s actions that night. He seduces her again, and she admits to having seen the four of them together and hearing a scream, but she didn’t see what happened. She asks if Sam and the others killed Susan. He tells her that if she never says anything to anyone about what she saw, they can be together any time she wants.
Jen is exasperated with Sam, for he keeps nagging her, insisting that they need to know why Susan was out in the storm that night. Jen just wants to get home to Scarsdale and forget all about the summer. She has been steadily manipulating Sam toward a reconciliation. She knows that she will have to be more careful in the future to make sure that he never discovers any of her affairs. Now, Sam comes into the bedroom looking strange and disheveled. He tells her to take Robert out for drinks so that he will have time to break into Robert’s house. He explains what Rachel told him, and Jen agrees to distract Robert.
Jen meets Robert at the yacht club, and during their conversation, she suddenly realizes that Robert must have been embezzling from the tennis club, and that Sam must now be looking for the ledger. Jen meets Sam at Robert’s house. Sam has found the ledger. He tells Jen that he doesn’t know if he can ever get over her betrayal. She assures him that he will, reflecting as she kisses him that he is much simpler than her. Together, they destroy the ledger.
Robert arrives and finds them with the destroyed ledger. He tells them that he didn’t kill Susan and that he may be a thief, but he isn’t a murderer. Jen claims that she has a plan to make sure that no one will be blamed for Susan’s death.
Brian Metzner was also out in the storm on the fatal night and saw the accident in which Susan fell off the boardwalk. He knew that he should help, but he did not want to get involved.
The narrative shifts to Sam’s perspective on recent events. Sam has been frantic over the fact that they left Susan that night and believes that they might have been wrong to assume that she was already dead. Instead, they left the scene of a crime. He now feels compelled to find out what really happened. It is a distraction from trying to understand his dysfunctional marriage. He feels dirty after having used sex to manipulate Rachel, with whom he has no intention of becoming permanently involved. His next move is to search Robert’s house. When he finds the ledger, he concludes that Robert must have been embezzling and that Susan caught him. If Sam turns over the ledger to the police, Robert will undoubtedly tell the police about the rest of them being at the scene.
Then narrative shifts to Jason, who feels relieved that he is no longer obsessing about Jen and darkly thrilled to think that he has gotten away with murder. He has been thinking about Sam more than anything else. Now that Sam hates him, Jason feels closer to his former friend. Jason wants a new start, something fresh in his life. He wants to return to Salcombe as a new man. Now, he is waiting with everyone else at the dock for the ferry, looking forward to next year. When he sees Sam, he lies and tells his former friend that his affair with Jen was not about Sam, but about Jen. He reminds Sam of their childhood and says that he has never felt closer to anyone than he was to Sam in those days.
Sam takes Jason aside and tells him to go home because something is going to happen, and it shouldn’t happen in front of everyone on the dock. However, it is too late for Jason to avoid the fate that awaits him. With tears in his eyes, Sam tells Jason that whatever he does, his best course of action is to deny everything. As the ferry pulls in, police disembark and arrest Jason for Susan’s death. Sam quickly declares himself to be Jason’s lawyer and goes with him.
Micah’s parents are driving him back to Yale. He feels sick with the knowledge that he knows a secret that would probably ruin the community of Salcombe. He learned from Larry Higgins that Robert was embezzling and that Susan was onto him. A few days later, Susan died, and now Micah feels complicit in her death. He decides to keep the knowledge to himself and find some way to atone for the omission. Maybe he will find some way to use his education to fight oppression somewhere. He reminds himself that he is young; he has plenty of time to figure it out and choose another way of life.
Robert is reveling in his new life as Larry’s protégé, learning the ins and outs of finance. He is never going back to Salcombe and its “bad, bad people” (253). Walking down the street, he literally bumps into Lauren. Robert has heard from Larry that Jason and Lauren are still together and have bought a house in the Hamptons. With Sam’s help, Jason was cleared of the charge of murder in Susan’s death. It transpires that Jen had tipped off the police, telling them that Jason had been seen alone on the boardwalk that night. Sam and Jen are now getting divorced, and Rachel has moved to California to be near her sisters.
Lauren walks away, and Robert tries again to suppress his memory of the night that Susan died. After helping Rachel home, he went back to the scene and found that Susan was still alive despite her broken neck. The ledger lay nearby. He took the ledger and suffocated Susan; she seemed to accept her death without resistance.
Part 5 is about image—or the creation and maintenance of the characters’ various micronarratives after the destabilizing fact of Susan’s death throws everyone into disarray. The initial reaction of the Parkers and the Weinsteins to the accident—the action that ultimately kills Susan—is to flee the scene of the accident, imagining that their involvement will ruin their lives and the lives of their children. By “lives,” of course, they merely mean “image.” In reality, they would be interviewed by police, answer all the questions, and Susan’s death would be correctly ruled as an accident. Ultimately, the couples’ real fear is that they will be asked what they were doing out in the storm. If they answer truthfully, their various infidelities will be exposed, destroying their carefully crafted images as Salcombe royalty. As Lauren says to Jen, she doesn’t care about the reality of Jason’s betrayal, only about the damage to her image, and when all four individuals abandon Susan, it is clear that the sole motivating factor in their behavior is to preserve their good standing in the eyes of Fire Island society.
This concern with image pervades every aspect of the two couples’ relationships with one another as well. For example, Lauren’s concern is mainly for her own reputation, but she also feels injured by various betrayals of the metanarrative of loyalty. She is disgusted with Rachel for deliberately trying to destroy two marriages out of malice. Previously, Rachel was loyal to Lauren alone and benefited from Lauren’s social influence. Rachel has now endangered Lauren’s reputation and exposed other betrayals that Lauren would rather not have known about. Lauren would rather have maintained her image than known the truth about Jason’s infidelity. Lauren doesn’t blame Jen for the affair because she and Jen were never close enough that there would be any expectation of loyalty. Instead, Lauren’s greatest sense of injury lies in the fact that Jason betrayed her by sleeping with a member of their closest social circle. For herself, she recognizes a level of betrayal in her affair with Robert, but in her mind, going outside their social circle reduces the expectation of loyalty. Jason has betrayed the expectation of loyalty to both his wife and to the friend who has been a source of unwavering loyalty since childhood. Thus, in her mind, Jason’s infidelity far outstrips her own.
In accordance with the theme of The Consequences of Moral Relativism, Jen describes Sam as “simple,” for his belief in overarching metanarratives reflects a naïve oversimplification of the world, causing him to divide people’s behavior into binaries: right versus wrong, good versus evil, or loyalty versus betrayal. As Jen understands, however, the stance of moral relativity is far more complicated. Part of Sam’s personal narrative is that he is a moral person. Therefore, grand narratives of right and wrong and truth are still important to him; he needs to understand the meaning of what happened on the night of the storm. In the process of discovery, however, he ironically compromises himself further. He uses Rachel’s infatuation with him to manipulate her (breaking his own marriage vows in the process), and he also breaks into Robert’s house and allows Jen to talk him into framing Jason for Susan’s death. Sam doesn’t recover his belief in universal right and wrong until he has a last-minute attack of conscience and tries to protect Jason from public humiliation and defend him after the inevitable arrest. His subsequent divorce from Jen confirms that he has fully rejected her philosophy of moral relativism.
Through all this conflict, Robert himself is the true murderer yet slinks away from the situation without suffering any consequences; in fact, he even gets to pursue his job opportunity with Larry. Although he is uncomfortable with his violation of the social metanarrative against murder, he nonetheless insists to both Jen and Sam that he is not a murderer. In this moment, he is not simply denying his guilt to them in order to escape immediate consequences. Instead, his denial runs far deeper. He is also saying that although he committed murder, he is not the sort of person who murders people. He is telling himself that his personal micronarrative (a focus on his image) is more real than the bald, objective fact that he did indeed murder Susan in cold blood.
Even the story’s minor characters do not escape some sense of culpability, for Micah, who is privy to all the secrets and lies in Salcombe, also makes the decision to place image over truth. However, unlike the main characters, he feels himself to be morally compromised by his decision because he still values the grand narratives of truth and justice. He tries to resolve his discomfort by rationalization, resolving to align himself with nobler metanarratives in the future. Thus, Micah and Sam both illustrate one of the virtues of the postmodern focus on micronarratives. Neither character is particularly good or bad, but they have both made mistakes and violated their own sense of ethics. Even so, they still have the option and the power to change their behavior in the future. Other characters choose not to change, instead reestablishing their sense of moral relativism in an attempt to duck the consequences of their own actions.