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Amy Anne Ollinger is a nine-year-old Black American girl who lives with her family in a subdivision in Raleigh, North Carolina. Her family members include her parents and her two younger sisters, Angelina, age 5, who devotes time and energy to her goal of being a pony, and Alexis, the “middle sister” (21), who practices ballet daily on Amy Anne’s side of the bedroom they share. Flotsam and Jetsam are the family dogs, two Rottweilers who add to the chaos and disruptive environment of Amy Anne’s home. Amy Anne often finds that she, as the quiet sibling, must balance the chaos of her sisters, such as setting the table for Alexis because she is busy with ballet, or squishing against the door in the backseat to appease Angelina’s demands to not be touched. If there is an argument with either sister, Amy Anne’s parents expect her to behave as the mature one. Meanwhile, Amy Anne struggles to find any privacy or workspace of her own in the house.
Amy Anne loves to read. She owns only a few books of her own but utilizes the school library every day, both to check out books and to use as a quiet, peaceful place to sit and read. In fact, she tells her parents that she attends a variety of afterschool clubs and takes the late bus home—what Amy Anne does, however, is find her favorite spot in a corner of the library and read every afternoon. One of the reasons From the Mixed-Up Files of Mrs. Basil E. Frankweiler is her favorite book is because the main characters run away successfully, something Amy Anne would love to try to escape the turmoil and lack of attention shown to her at home.
At the beginning of the novel, Amy Anne is quiet and tends to want to blend into the crowd. She has a good friend in Rebecca Zimmerman but is not particularly close to any other students. She has a noticeable habit of elaborating a response to a person’s actions or words in her head but never actually saying it. Her inability to speak up and truthfully say what is on her mind causes her frustration and pain. For example, when she plans to speak at the school board meeting but cannot, she feels she let down her father, her family, her librarian Mrs. Jones, and mostly herself. Additionally, when the school board bans the book she went there to save, she begins to feel a personal responsibility for its loss from the school library shelves. This obligation is what prompts her gradual entry into the world of rebellion and rule-breaking as the BBLL takes shape. Amy Anne’s focus remains fervently on one guiding principle: that those who want to read a book should be able to do so (unless their own parents say no)—so much so that she cannot see the potential risks she takes or betrayals she carries out until authorities find her “illegal little library” (163). Her own transformation takes place without her realizing it, and when it hits her that the BBLL is not just an idealistic reaction to Mrs. Spencer’s rashness and the school board’s unfair practices, but a very concrete one with formal consequences, she simply stands and cries. She is suddenly unrecognizable to herself and to her family: “My parents looked at me like they’d never seen me before” (162). She refuses to implicate her friends and so bears the punishment alone. Her emotions prompt a dramatic decision: “[…] I was done speaking up. For good” (164).
Like many heroes/heroines whose quest takes similar shape, Amy Anne must retreat and regroup to gain perspective and clarity. She weeps for her role in the BBLL, thinking over the course of her three-day, no-books-allowed suspension that she deserves her lot in life and vowing to return to her quiet, no-trouble ways. This low point in her character arc juxtaposes with her turn of spirit once back at school when she realizes that not only are the student readers not angry with her, but they look to her more than ever as a leader of the cause. She rallies with a new confidence, and from that moment, instead of vague movements based on ideals, she makes determined and fully conscious decisions to save Mrs. Jones and the freedoms of her school library, come what may in terms of consequences. Losing the hard toil of a week spent on Request for Reconsideration forms to Angelina’s shredding is a momentary lapse in her growing maturity, but she recovers quickly and takes the reins in solving the problem.
By the story’s resolution, a much more poised and self-assured Amy Anne takes the podium at the school board meeting, now a girl who can bring the hasty adults back to their senses through logic and facts. Amy Anne’s coming-of-age is apparent at the close of the story when she symbolically earns her own bedroom from her parents, but she still has plenty left to learn in her growing-up years—her father tells her she is not yet old enough for The Hunger Games.
Trey is in Amy Anne’s fourth grade class at Shelbourne Elementary. He is known for his cartooning ability; last year, he drew classmates and teachers as animals representing their personalities. These drawing were a hit with everyone except Amy Anne; Trye drew her as a mouse and she has been bitter about it ever since. Trey is the son of Mrs. Sarah Spencer, PTA President who wants books she considers inappropriate banned from the school library. He tries to engage with Amy Anne throughout the story, especially once their teacher pairs them in a social studies project. She does not offer details, though, on why she does not like him. Amy Anne would like to trust Trey, but she cannot determine if he is a spy for his mother or disagrees with her principals.
Trey is a dynamic character like Amy Anne; he gradually reveals more of his true self and allows his feelings against the banning of books to become more evident. Amy Anne eventually learns that, far from her first assumptions, Trey did not turn her in for loaning him a banned book. She also accepts that Trey’s talents and strengths make victory possible in their fight to bring back the books and Mrs. Jones. Trey accepts by the end of the story that his feelings and views are different from those of his mother. Rather than sit idly by her side any longer, he appears in public in opposition to her at the school board meeting and begins using his father’s name (“McBride”) on his First Amendment Comics series. Trey fulfills the role of a suspected Shadow archetype (in opposition to the protagonist) but turns out to be an Ally to Amy Anne and the no-banning cause.
Rebecca is a fellow fourth grade classmate at Shelbourne Elementary School. She is Amy Anne’s one good friend at the start of the novel. Rebecca’s parents are lawyers, and Rebecca offers legal advice and concerns for Amy Anne as the story proceeds. Rebecca is a strong, bold personality, so when she throws her confidence behind Amy Anne, making it publicly known that she thinks Amy Anne can lead the way to successfully getting Mrs. Jones back along with an end to the banning, it bolsters Amy Anne’s confidence in herself and others’ confidence in Amy Anne. Rebecca has a crush on Danny throughout the story, but it does not develop. She is a static Ally character archetype.
Mrs. Jones is characterized as a “big white lady with short brown hair and rhinestone granny glasses that hang around her neck on a chain when she isn’t reading” (12). She wears polka-dotted dresses each time she appears in the story. Mrs. Jones teaches Amy Anne that while parents should monitor and control access to their own child’s reading materials, no person or parent should make those decisions for other people’s children. Mrs. Jones speaks highly of the value of varied reading material to the school board at the first meeting and reminds them that they already have an approved system in place for any parent who wants to request a book for reconsideration. Her sensible presentation is not enough for the board to change their minds.
Later, Mrs. Jones loses her job after Amy Anne, Danny, and Rebecca take banned books from the library to circulate on their own through the BBLL. Mrs. Jones contributes to Amy Anne’s presentation at the last school board meeting, sensibly asking that the board allow the books to be reshelved while parents follow procedures already in place. The school board, now influenced by Amy Anne’s strong words, jumps to move on Mrs. Jones’s solution and reinstate her as well. Mrs. Jones is a static Mentor and Ally in the story.
Mrs. Spencer is Trey’s mother and a strong oppositional force toward Mrs. Jones and Amy Anne in the novel. She decides that several books in the Shelbourne Elementary School library are potentially harmful to readers and manages to coerce the school board members to remove them without anyone going through the proper channels. Mrs. Spencer is a Shadow character archetype in that her views about the books oppose Mrs. Jones’s views, but she is a “round” or three-dimensional character as well in that she contributes her time and efforts to community improvements like the school playground equipment. As Amy Anne comes of age and grows in perception and maturity, she is better able to see that Mrs. Spencer is not just a simple villain: “It didn’t mean I thought she was right. But I was beginning to see how she must have thought she was doing something good for us, even though she was wrong” (221).
By Alan Gratz
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