44 pages • 1 hour read
Vera BrosgolA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Vera is the protagonist of Be Prepared and the character whose perspective frames each experience throughout the graphic novel. She is a young girl who is about to turn nine years old at the start of the graphic novel and is about to turn 10 at its conclusion. She is illustrated with dark hair, frequently pulled back in a low ponytail, and large round glasses. When drawn alongside the other girls in her camp, she looks much younger than them, with her small stature and soft, round face. She is also depicted as younger in other key ways, such as the fact that she doesn’t need to wear a bra yet and has not yet started her period. The other girls in her camp tease her about these facts, implying that she doesn’t know what a maxi pad is and referring to her as “cute” while patting her on the head. In spite of their patronizing behavior, Vera desperately wants to be accepted by the older girls. Although she had never given it much thought before, after the conversation about menstruation, Vera finds that she wants to have her period “more than anything” (113). Vera’s desire to find acceptance at any cost and her impatience to grow up causes her to feel insecure about her identity and in her own body, highlighting The Challenges of Adolescence. When she loses the friendship of the Sashas and other older girls, she retreats into self-loathing. Comparing herself to the martyrs of her Russian past who were “bred for suffering” (141) she reflects: “I sure felt like I was suffering. Dear God. Please don’t let me die of rabies without biting the Sashas first. Amen” (143). She has not yet gained the self-confidence to recognize her own strengths and her own value.
In spite of what Vera would have others believe, she does have a number of talents, skills, and passions. She enjoys learning, narrating to the reader: “Okay, I admit it, I’m a nerd” (83). She is also a talented artist, often using her artistic abilities as a means to connect with her peers, for better or for worse. Most importantly, Vera is a dynamic character who exhibits great change over the course of the narrative. She starts to think beyond her own circumstances and exhibit empathy toward others, like in the moment when her mother reveals that she is leaving town for a job interview and that the children must stay at camp. She initially lashes out at her mother in anger, but when Vera sees how hurt her mother is, she reassures her: “I’ll be okay. It’s only two weeks” (139). Vera also helps the awkward boy, Gregor, on their return hike from deep in the woods, and the support she provides to young Kira leads to a significant friendship. Ultimately, Vera becomes more secure in herself, her abilities, and the relationships that she’s formed, showing The Power of Confidence and Self-Discovery. This growth is evident in her success during the flag war, when she is able to avoid getting lost in the woods and confidently enters the boys’ camp to steal their flag. Similarly, by the end of the narrative, she is self-assured in how she wants to spend her time. Vera is no longer consumed by the desire to pass the Third Rank exam on her own, choosing to share her last days at camp with her friend Kira instead.
Kira is a fellow camper at ORRA and at eight and half years old, she is a member of the belochki, or younger girls’ camp. She has long blonde hair and light colored eyes. Throughout the beginning of the narrative and Vera’s encounter with her, those eyes are often filled to the brim with tears. Kira attempted to bring her guinea pig to camp with her, but it escaped. Kira is despondent because her beloved pet was lost to the woods. When Vera first observes Kira in the belochki camp, before the two have met, Vera sees her sobbing and remarks that she may be the only young camper who is aware of the misery that lies in store for them. Later, when Vera finds Kira’s guinea pig and returns it to her, she learns that Kira is very knowledgeable about animals and also enjoys drawing. Their similar interests, hobbies, and temperaments lead them to become close friends.
Although Kira is not fully introduced as a character until the latter half of the graphic novel, she becomes an important secondary character and one source of Vera’s growth. She also becomes a well-rounded character in her own right. Initially depicted as a cry-baby, Kira is actually quite confident when it comes to the things she likes and the knowledge she has. She explains to Vera that because her chipmunk bite didn’t break the skin, she probably doesn’t have rabies. She also engages in silly, goofy behaviors, such as stuffing an entire fistful of berries into her mouth at the lunch table, and does not appear to care about how others will respond. In addition to her quiet confidence, Kira also has a strong sense of justice. After learning about the disgusting laundry-washing punishment the boys’ camp doled out to Vera and her peers during the flag war, she declares that Vera must steal the flag during the next napadenya. She tells Vera: “You have to get the flag. For… for all of womankind” (194). Although the flag war does not affect Kira, her affection for Vera and her belief in what’s right and what’s wrong leads her to support Vera in her quest for victory. In fact, without Kira’s help and her belief in her, Vera may not have been able to successfully steal the flag. Kira is able to coach Vera, helping her to navigate the wooded path to the boys’ camp without sight. Kira becomes a kind of mentor or support figure for Vera, in spite of the fact that she is younger in age. In this way, Kira is a significant friend of Vera, as well as a necessary contributor to Vera’s growth and character development.
Natasha is Vera’s camp counselor at ORRA. She is 17 years old and has curly dark hair. She is tall and her features are more mature, thus illustrating that she is much closer to adulthood then even her oldest campers. When Natasha is introduced, she appears frazzled and distracted. She barely introduces herself to Vera and does not stay to help her unpack her things. This initial impression does not give Vera much confidence in Natasha’s abilities as a counselor. However, Natasha soon proves that she is very knowledgeable, both about life at camp and life in general. Natasha speaks Russian with ease at camp, reminding and encouraging her campers to do the same. She also knows all the rules and traditions of ORRA, from the campfire songs to the less popular rules like the prohibition of candy. Natasha enforces these rules firmly, calling “lights out” at the exact time every evening and confiscating the contraband candy from the girls’ tents as soon as she discovers it. She chastises the other girls for breaking the rules, explaining that “most of [them] know better” (116). In this way, Natasha is depicted as a stern and no-nonsense leader.
At the same time, Natasha genuinely cares about her campers and shows a special interest in Vera’s development and well-being. When the older girls begin to give Vera extra attention in exchange for her drawings, Natasha provides her with sisterly advice. Since she is “older and wiser” (108) than Vera, she cautions her to be wary of friends that need to be “bought.” Vera often dismisses or outright rejects Natasha’s guidance, but Natasha quietly persists, checking on Vera often and assigning her a role in the flag war. She declares that Vera is going to love the long hike and while Vera is skeptical, Natasha is correct. In the end, Natasha praises Vera for how she has grown as a camper, exclaiming: “Look at you! All tough and scabbed over. Good work” (238). She hopes she will consider coming back next year. Natasha’s counsel is never pushy or overly intrusive. She simply is the “older and wiser” girl who is ready to help the others understand more about themselves and recognize the parts of the camp experience that are most important.
The Sashas are two 14-year-old girls who are close friends and Vera’s tent-mates. They share not only a first-name but also a collective camp experience. They have both been attending ORRA since they were about six years old. In that time, they have become inseparable, sharing a tent every season. They are often depicted walking arm in arm and sitting next to one another during meals or around the campfire. The Sashas are rarely illustrated in separate panels in the text. The two girls are differentiated by their appearance; one Sasha has long blonde hair while the other has dark hair cut into a bob. Vera is fixated on the Sashas, aspiring to be more mature like them and to be their friend. The Sashas, meanwhile, view Vera as a little kid—one they are forced to share their tent with. They are not overtly mean to Vera, at least initially. They even explain some of the ins and outs of camp and help her with her uniform. At the same time, they clearly have no interest in becoming closer to Vera. They only seem to care about one another, and about Alexei, a fellow camper and the object of their affection. Their attitude only changes when Vera gives them each a drawing of themselves. At that point, they bring Vera into their group and treat her with friendly affection. Their motives are selfish, however, as they really just appreciate the attention that Vera has given to them and want her to continue to create art for them— specifically, drawings of their crush, Alexei. While Be Prepared does not have a true antagonist, the Sashas sometimes function as the antagonist in the narrative, especially after they ostracize Vera, shaming her artwork, rather than praising it.
Eventually, though, even the Sashas find themselves struggling with interpersonal relationships and personal growth, confronting The Challenges of Adolescence just as Vera and the other campers do. After the long hike, the two are barely speaking to one another. They are depicted for one of the only times in the narrative in separate panels, each laying on their cots, looking in opposite directions. Vera learns that the fracture in their friendship is a result of Alexei. The blonde Sasha has been meeting up with him for not-so-secret romantic encounters. The resulting tension caused by a boy finally boils over when blonde Sasha’s period-stained underwear is flown on the flagpole for all to see. She accuses dark-haired Sasha of committing the act due to jealousy. In spite of their long-standing friendship, the two are evidently growing apart, as one starts to explore her sexuality, leaving the other behind. By the end of the graphic novel, the two have made amends, partly due to Vera’s inadvertent intervention. She refuses to play go-between, leaving the Sashas to sort out their feelings directly. When Vera leaves their shared tent for the last time, the Sashas are sitting together on a rock, back in the same panel, and they give Vera a genuinely friendly and knowing smile. Their ability to forgive and their acknowledgement of Vera in the process signifies that they have also grown and matured over the course of the narrative.
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