68 pages • 2 hours read
Julia AlvarezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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Anita attends an American school in the Dominican Republic. When the novel opens, she is sitting in Mrs. Brown’s class, preparing skits for Thanksgiving, which is two weeks away. Her cousin Carla Garcia is in the class with her. The door opens and Carla’s mother, Tia Laura, is there, looking worried. Mrs. Brown asks Carla to collect her things and follow her. On the way out, she looks at a picture of a man she calls El Jefe hanging on the wall and feels that he gives her strength. Anita goes outside and gets into a car with Papi, Tia Laura, and Carla’s younger sisters, Sandi and Yo.
Papi says that the Garcias have permission to leave the country. They’ll be flying to the United States of America in a few hours. Anita’s grandparents went to New York at the beginning of September. Her uncles and aunts had gone in June. Once the Garcia cousins leave, Anita realizes that only her family will be living at the compound. But Papi says they’re not going, because he has to stay and mind the store.
At the Garcia house, Anita’s mother, Mami, is there, as well as Anita’s brother, Mundin, her older sister, Lucinda, and Chucha, Anita’s former nanny. Standing by them is Mr. Washburn, the American consul. Yo asks where his father, Tio Carlos is. Papi says that he’ll be waiting for them at the airport. Tia Laura tells her children that they can only bring one special thing with them, and it can’t weigh more than 10 kilos. Carla chooses to take her jewelry box. Yo takes a snow globe.
Anita mopes for the rest of the afternoon after they leave, until Mami tells her to go help Chucha move in. Chucha sleeps in a coffin every night, and it must now be moved into her new quarters.
During dinner, a black butterfly flies over the table. Chucha has told them all that a black moth is an omen of death. After it flies away, Lucinda, who has been hiding under the table, comes back out. She is crying.
When Anita gets in bed that night, she feels something under her blankets. It is one of Carla’s erasers, shaped like the Dominican Republic.
The next day, Papi goes to work early and takes Mundin with him. From the breakfast table, Anita looks through the window and sees six black Volkswagens coming up their driveway. Four men get out. Their leader asks Mami where Carlos Garcia and his family are. Mami pretends not to understand and acts as if she is confused. She thinks the Garcias are still at home, she says. Mami steps aside when they ask to search the house.
Anita asks Chucha who the men are. “SIM,” she says, which is a group of secret police. Chucha says that they investigate people and then make them disappear. The SIM team searches the entire house. Lucinda tells Anita that they would also love to find their father. The men leave the house but stay parked at the top of the driveway all afternoon. Anita speaks with Chucha, who tells her that when they searched her room, they turned over her coffin and tore the lining.
At dinner, Papi says they have to act as if the SIM are not there. The black cars remain there for days. Every day, when Papi goes to work, one of the cars follows him. Anita asks Mundin to explain things to her, but he just says that she must ask Papi. Her mother won’t give her any answers, either. One night she hears Papi mention butterflies in a car accident on the phone. When she asks him, it’s obvious that he was talking in code. He says that butterflies refers to a group of women who had a car accident, but he won’t say more.
Anita asks Lucinda for answers. Lucinda takes her out onto a balcony and whispers that SIM has hidden microphones in the house and they have to be careful about what they say. She says that SIM is looking for Toni, their uncle, adding that Toni and some friends were involved in a plot to overthrow the Dominican Republic’s dictator a few months earlier. The dictator is El Jefe, which confuses Anita. They have a picture of him—his last name is Trujillo—hanging in their front entryway. Lucinda says this is why everyone left for America: to escape from El Jefe’s secret police.
Two weeks later, Mr. Washburn visits with a proposition. After he leaves, Papi tells Anita that they’re going to have neighbors. Anita is glad, as the compound’s emptiness is unsettling to her. The Washburns are going to move in next door, which is a relief: SIM will be less likely to make trouble with the American consul’s family in the compound. After they move in, Anita gives Washburn’s son, Sam, a tour of the compound. While exploring the land nearby, they find a casita that used to belong to Tio Toni. It had been shut since the previous summer when he had disappeared. Now it is open and Anita sees someone moving inside. They run home and agree not to tell anyone what they’ve seen.
SIM leaves the compound and the children are allowed to return to school. Mami tells Anita not to talk about what happened with the other students, or with Sam and Susie, the Washburn children. Lucinda has become friends with Susie.
Anita is nervous about going back to school, as she knows everyone will ask her where she has been for two weeks. Lucinda says she should just tell everyone she had chickenpox. She doesn’t even understand why the presence of SIM meant they couldn’t go to school, but Mami will not discuss it.
Anita tells Lucinda about the conversation Papi had when he mentioned butterflies. Lucinda said there was a group called the butterflies who were Papi’s friends. Lucinda hints that the car accident was something more, but then she catches herself. The implication is that their house may still be bugged with secret microphones.
Mami seems calmer now that the Washburns have moved in. She sets up a canasta group to help Mrs. Washburn meet new people. She has also hired a new maid named Lorena to help Chucha with chores. Mami tells Anita to be careful in what she says around Lorena.
She and Sam have returned to Tio Toni’s casita twice, but now there is a padlock on the door. Each time they’ve gone to the casita, there have been fresh footprints leading away from the door, as if someone had been there recently.
Anita is excited when Sam joins her class, and by the approach of Christmas. When Sam introduces himself to the class, the American girls flirt with him. Anita is jealous.
Miss Brown announces that she has a Christmas surprise. The class is going to do secret Santas. Each student will pick a name out of a hat and become the secret Santa for the name of the student they draw. They will leave special notes and gifts for the person whose name they draw whenever possible. At the class Christmas party, they will find out who the secret Santas were. Anita wants to draw Sam’s name, but she gets Oscar instead. Oscar is an excitable, inquisitive boy who asks more questions in class than anyone else. But the next day, due to unspecified complaints from parents, Miss Brown cancels the program.
At recess, two girls, Amy and Nancy, tell Anita what happened. There were some Dominican parents who complained to the principal about the program. Anita thinks that they might not like the idea of Santa replacing the three wise men from the Bible story, but it’s something else. Oscar explains that there is something called an embargo, which means that certain countries don’t want anything to do with the Dominican Republic. Some parents feel that the writing of secret notes might cause trouble. That night, when Anita complains to her parents about it, they say that there are already enough secrets in the world.
In class, Miss Brown compares the embargo to the difficulties that siblings sometimes have in getting along. They might not always approve of each other, but they always want each other to do better and have what they need. When a student asks how the Dominican Republic has misbehaved, and why the embargo is in place, Miss Brown changes the subject.
One day, Anita shows Sam Chucha’s coffin. Sam can’t believe it when Anita tells him that Chucha insists that everything she wear be purple. When he asks what happened to the lining, she almost tells him about SIM, but then changes the subject.
The phone rings occasionally, but when Anita answers, whoever is on the other end hangs up. On one occasion, however, the voice asks for her father and she stays on the line after Papi answers. Papi says something absurd: “We’re waiting for Mr. Smith’s tennis shoes” (36). “They’ll be at Wimpy’s” replies the voice (36). For Anita, it’s as if her parents are playing their own secret Santa game.
On Anita’s birthday, Mami asks if she wants Sam to come over. Anita says no. She’s turning 12, but two weeks earlier she told him she was already 12 and doesn’t want to be caught in a lie. She has a birthday cake in the shape of a heart.
For Christmas, Anita will only be getting one present. She chooses a diary, but what she really wants is for her family to be together again. While out Christmas shopping, they go into a Wimpy’s store. Anita sees her father talking to Wimpy, an imposing man with muscles and tattoos, but she doesn’t know what they’re talking about.
Before We Were Free falls under the category of historical fiction, so in addition to these chapters serving as introductions to the main characters, they provide background for the political unrest facing the Dominican Republic during and after Trujillo’s brutal dictatorship. One of the ways that Alvarez bolsters her novel with historic fact is through her real-life experience with the subject matter. Alvarez emigrated to the United States as a child to escape Trujillo’s dictatorship. Her novels, therefore, deal with the historical trauma of loss in many forms: the loss of a homeland, the loss of loved ones, the loss of self, the loss of power, and the loss of innocence, to name a few. This loss, as well as the questions left in the wake of trauma, play out in the actions of many characters.
Anita, for instance, hears different accounts of the country’s political happenings, but these accounts are either in outright code (her father speaking in code to accomplices) or else confuse Anita due to their divergence from her current belief system (she has been taught to love Trujillo, and even finds strength from looking at his picture). Moreover, she hears bits and pieces about “the butterflies.” The butterflies were both a real-life resistance group lead by a group of famous sisters, and a nickname for the sisters themselves (las mariposas, the butterflies). Alvarez again connects her work historically here with the mention of the butterflies, as the actions of the butterflies take place in another of Alvarez’s novels, In The Time of the Butterflies. The assassination of the sisters takes place in the earlier novel, while Before We Were Free mentions it as something that has just happened off-page. Because of this historic event, the members of the butterflies resistance group in Before We Were Free are now in grave danger, thus the reason for Anita’s extended family fleeing to the US. Anita’s family fears for their lives because they are an active part of the resistance. With every day that goes by, Anita learns more about how fragile her safety is as a member of the family who stays behind.
Despite the fear that the family is facing, many of Anita’s problems are, at this point, those of any young girl. She is more preoccupied with her growing crush on Sam than on the hints of problems to come. She also worries about her 12th birthday party. But the primary function of these early chapters is to show the pain of separation that Anita experiences as her family begins to fracture. After losing Carla, she quickly learns that Toni is missing as well. This pain and loneliness foreshadow how much more serious the situation will become. Lucinda adds to this foreshadowing by mentioning that the SIM would also love to arrest their father. Alvarez underscores the foreshadowing with symbols, including a black butterfly, which symbolizes death, and the maid Chucha sleeping in a coffin.
By Julia Alvarez
7th-8th Grade Historical Fiction
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American Literature
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Books About Art
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Diverse Voices (Middle Grade)
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Family
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Hispanic & Latinx American Literature
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Juvenile Literature
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Spanish Literature
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