48 pages • 1 hour read
Kate DiCamilloA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
For the VFW’s Christmas in July party, there are lights, a Christmas tree, music, laughter, and a man in a Santa Claus costume. The song “Moon River” (1961) plays, and Iola dances with Elmer.
A veteran sells poppies and raffle tickets for the turkey. Elmer recites a line from “In Flanders Fields” (1915) by the World War I medic John McCrae. The man doesn’t want to hear “that crap.” He’s 92, and he survived World War I. His experiences in the “trenches” taught him life is senseless and anything can happen.
Beverly buys $40 worth of tickets from the man and writes Iola’s name on the back of 80 tickets. Beverly feels happy—though she’s not sure why. She looks at the V in the VFW sign and spots the bird returning to the nest with food. The sight touches her heart.
Beverly’s hand hurts from writing Iola’s name on the raffle tickets. The last time her hand hurt so much was in the third grade when she punched Tinsley Amos in the nose for doing “everything right.” As punishment, Beverly had to write “I regret my actions” 200 times. After she admitted she didn’t regret her actions, she had to write “I am properly sorry” 500 times. However, writing Iola’s name more than 80 times made her happy.
Iola teaches Elmer and Beverly how to dance together, and Elmer asks if he can put his arm around her waist. Beverly and Elmer make a box with their feet, and Elmer keeps counting to four. Beverly puts her head on his chest and hears his heart.
Iola wins the turkey and hums a Christmas song on the way home. She thinks about how she and Beverly met and the moments that lead to now. She “needed” Beverly, and Beverly “needed” her. Beverly claims otherwise, but Iola and Elmer hush her.
The turkey won’t fit in the trailer, and Elmer, unable to carry it any longer, drops it. The turkey bounces down the steps and into the grass. The trio laughs, and Maureen threatens to call the cops—it’s 11:47 pm, and “decent” folks are trying to sleep.
Elmer, Iola, and Beverly bring the turkey to Mr. C’s, where Doris and Charles carry on their strike. They let the trio store the turkey in the refrigerator, and they decide to have a Christmas dinner at five o’clock in the evening. Doris will help Iola cook the turkey, and Mr. Denby must supply the fruitcake. He cedes to Doris’s demands, so she and Charles get raises and sick days. He promises to do everything properly with paperwork—though having to close the restaurant for another day anguishes him.
Beverly dreams she’s lying beside Buddy’s grave. An angel without blue wings arrives, and the angel keeps closing and opening their mouth. Beverly wants the message, but the angel only smiles.
In the morning, Tommy, Iola’s son, questions his mom’s choices and wants Beverly to leave. If she’s not gone in a week, he’ll seize Iola’s car. Beverly reproaches him, and Tommy wonders who she really is. Beverly thinks about everything she is, but she doesn’t articulate all the things that make up her identity. Tommy calls her a “nobody,” and Iola says Tommy’s dad would be disappointed in him. Beverly says she should go. Iola knew Beverly would leave but having her around was fun.
At Muskie Market, Iola and Beverly grocery shop for the Christmas feast. They get potatoes, green beans, and ingredients for ambrosia. Iola explains what ambrosia is, and Beverly promises to visit Iola.
Back at Mr. C’s, Beverly returns Mr. Denby’s family Christmas photo before a person wearing a ski mask and carrying a Wiffle bat announces he’s conducting “a stickup.” The person threatens to “bash” heads if he doesn’t get the money in the safe. Beverly recognizes the person—it’s Jerome. Mr. Denby calls the robbery unfair, but nobody stops Jerome. If anybody calls the police, Jerome says he’ll return and break their bones.
After Jerome leaves the kitchen, Beverly and Charles chase him; Beverly goes out the front door, and Charles out the back. Beverly sees Freddie in the driver’s seat of Jerome’s truck. She knocks on the window and tells Freddie that she was probably supposed to wait with the car in the back of the restaurant. Beverly goes behind the restaurant and sees Charles sitting on top of Jerome in the sand. She realizes she wants to see Elmer. She walks to Zoom City but decides first to go in the phone booth.
In the phone booth, Beverly calls Raymie. She asks if Raymie remembers when Louisiana vanished. Beverly apologizes for leaving without telling Raymie. She wrote Raymie a letter, but she hasn’t mailed it yet. Crying, Beverly asks Raymie to get her. Beverly tells Raymie where she is.
Outside Zoom City, Beverly sees Robbie and his mom. Beverly apologizes for not coming back and helping him build another sandcastle. She invites Robbie, his mom, and Mrs. Deely to the Christmas feast. At Mr. C’s, surrounded by so many people, Beverly’s heart lifts, and her insides flutter. The seagull wants to join the feast, but Doris orders it to stay outside.
DiCamillo uses sensory imagery to convey the festivity of the Christmas in July party. The reader can see the “twinkly lights,” feel the creaky floor, and hear “people talking and laughing” (194). The picture allows readers to experience the party with Beverly, Elmer, and Iola. As “Moon River” plays at the party, DiCamillo makes another allusion to Breakfast at Tiffany’s. In the 1961 Hollywood film adaptation, British actress Audrey Hepburn plays Holly and sings “Moon River.” DiCamillo suggests Iola and Beverly are as exciting and glamorous as Holly though they’re not sowing drama in a big city.
The theme of Facing the Cruel but Kind World continues with juxtaposition. The 92-year-old veteran selling the raffle tickets for the turkey reveals the brutal world when he notes his World War I experience. The cruelty doesn’t make the man mean. He maintains his humor, saying, “And now, here I am in Tamaray Beach, Florida, selling tickets for the world’s largest turkey. Ha-ha-ha. See? That’s how life jokes with you. There ain’t no sense to it. No sense at all” (197). Kindness and cruelty keep coexisting. As Beverly writes Iola’s name on more than 80 raffle tickets, she remembers punching a third-grade girl. Her good deed for Iola brings up memories of her bad behavior. The stickup also brings together kindness and cruelty, with toxic Jerome trying to sabotage the joyous Christmas feast.
The stickup relies on imagery and humor. The reader can see Jerome “wearing a ski mask and a tank top, carrying a baseball bat” (230)—it’s as if they’re in the restaurant with him. Through dialogue, DiCamillo exposes Jerome’s ineptitude. Beverly realizes the man is Jerome, and she identifies the bat as a “Wiffle bat.” Jerome’s lack of competence makes him pathetic and a target for laughter.
The theme of dreams versus reality reappears when the World War I veteran tells Beverly and Elmer, “there ain’t nothing in this world that can’t happen” (197). People don’t need to exist in a dream world to experience an array of possibilities: Life, as it is, offers vast experiences. Freddie’s dreams don’t free her from Mr. C’s but leave her stuck in her boyfriend’s truck as he clumsily robs her place of employment.
The themes of Presence Versus Absence, Facing the Cruel but Kind World, and The Need for Connection unite after Tommy Junior’s odious visit. Iola says to Beverly, “I always knew that you was going to leave. I knew that would happen no matter what. It’s just that it was so much fun” (225). The world is both kind and cruel—it gave Iola a “fun” person to be around, but it takes her away. Iola connects with and embraces Beverly despite knowing her company is temporary. Relationships don’t tend to last indefinitely, but people should still pursue them. Arguably, what matters isn’t the bond’s duration but what happened during it. While Beverly and Iola were together, when they were a duo, they had “fun” and brought kindness into their respective worlds.
By Kate DiCamillo