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58 pages 1 hour read

Mateo Askaripour

Black Buck

Fiction | Novel | Adult | Published in 2021

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Part 4, Chapters 20-27Chapter Summaries & Analyses

Part 4: “Demonstration”

Part 4, Chapter 20 Summary

Six months after closing the deal with Barry Dee and starting to work for him, Darren is once again on Rise and Shine, America; this time, Sandra Stork refrains from asking any tough questions and instead focuses on Darren’s role in saving Sumwun and his rapid rise in the sales world. To keep up with the toll that work, partying, and hangovers takes on his body, Darren snorts cocaine—which he calls “medicine”—frequently. Darren keeps trying to get his driver, Chauncey, to stop calling him “sir,” but Chauncey wants to show respect for Darren’s success as a Black man. At Barry Dee’s DaynerMedia headquarters in the Hudson Yards, Barry wants to hear all the salacious details of Darren’s active sex life. He commends Darren for his work on the “pork-free pork” campaign targeting young Muslim consumers (226), and he tasks Darren with finding him an SDR for the new hip-hop video production company he just bought.

At Sumwun, Darren rejects the proposal that he should star in a promotional video persuading Tesco employees to use the service. Clyde, now director of sales and Darren’s supervisor after the company reorganization following the Barry Dee deal, complains about Darren’s behavior and appearance to Rhett. Clyde calls Darren a thug and threatens to leave unless Rhett fires him; when Rhett doesn’t, Clyde walks out.

Part 4, Chapter 21 Summary

Darren wakes up to find a white woman he doesn’t recognize in bed with him and cavalierly asks her to leave. Chauncey drives him into work, and Darren stops by the Starbucks. Nicole and Carlos have left, and Brian is now a black-apron-wearing manager. Brian has been able to address his Tourette’s behavioral tics through therapy; following Darren’s advice, he has given up the idea of going into sales and devoted himself to working at Starbucks. Darren regrets that he has discouraged Brian and invites him to his apartment for a sales lesson. Brian just doodles while Darren lectures about sales principles and expresses his inability to learn the material, so Darren devises a hands-on lesson that he thinks will use Brian’s people skills: Try to sell subscriptions to the fictional Blackface magazine. Brian returns from this experiment empty handed and with a bloodied face but feels he has learned the benefit of selling by phone rather than in person.

Part 4, Chapter 22 Summary

Darren takes Brian to a hipster bar for another lesson in sales: He has to talk to a woman and get her phone number. Brian lacks confidence about his clothes and appearance and doesn’t feel up to the challenge. Darren reminds him that his hoodie-and-jeans outfit is the same as what the other bar patrons are wearing and tells him that he must stop thinking of himself as “disgusting” just because he has acne. He gives Brian a self-confidence-boosting speech about the possibilities he has as a Black man today that were unavailable to prior generations and reflects that Mr. Rawlings would have said something similar. Brian successfully gets the woman’s number and gets a boost of confidence.

Part 4, Chapter 23 Summary

Rhett summons a hungover Darren to the 24-hour diner Cafeteria for a 7:00am breakfast meeting, during which he promotes Darren to director of sales now that Clyde is gone. Barry continues to pressure Darren to find an SDR for the hip-hop campaign. That night, Brian brings a young Black poker buddy, Rose Butler, to his sales lesson. Darren objects, but when he has Rose do a sales call roleplay as a representative from Diamond Dildos, she closes the deal successfully, and he decides she can stay. Darren challenges Brian and Rose to convince people on the subway that they are students from Julliard who are performing the dance “Don’t Take Another Step, Whitey”; they net close to $50 and “not only convince a subway full of white people that they were Black but also that they were proud of it” (261).

Part 4, Chapter 24 Summary

The next night, Rose and Brian bring two more students to learn from Darren: Jacob. D. Green, or Jake, from Kentucky; and Ellen Craft, whom Darren initially perceives as “a tall androgynous white guy” (265), but who is in fact a Black woman. They also want to learn Darren’s sales techniques and stress the social responsibility he has to share the knowledge he has learned with other Black folks: “Each one teach one” (264), Jake tells Darren, referencing the strategy enslaved people used to pass on any hard-won education attained to others. Darren agrees to teach them. He gets a text from Barry demanding an SDR to interview the following Monday morning. To teach his students a lesson in projecting confidence, Darren orders them to walk down the street drinking beer in front of a police precinct. Under the stress, Brian’s Tourette’s flares up, and he blurts out inappropriate language, causing the cops to pursue them, but they all escape into Darren’s car. Darren learns that it’s Chauncey’s daughter’s birthday, and he drives Chauncey home and learns about his life. Darren plans to pick one student for Barry’s SDR and then stop teaching them.

Part 4, Chapter 25 Summary

Darren takes his students to the expensive restaurant Per Se, where he confiscates their wallets before they eat a lavish meal. The lesson is to convince the staff that they are not paying the bill. As the staff call security and everyone panics and flees, Brian gets left behind. Darren learns that Rose is homeless and invites her to stay in his apartment. He learns that Brian is in jail and that, due to a case of mistaken identity, he’s been accused of murder. He tells Rose that she will interview with Barry Dee the next morning.

Part 4, Chapter 26 Summary

Darren and Rose practice sales techniques for her interview and review salary negotiation strategies. Barry offers her the job. Brian is out of jail, and Darren realizes that he needs to be more careful about how his actions affect others. After her social media post describing herself as a “happy camper” intrigues others who want to follow in her footsteps, Rose brings more people to Darren so that they can learn how to achieve what she has using his techniques. Darren doesn’t want to get involved, but he remembers his mother’s final letter urging him to help others succeed, and he agrees. After he establishes some ground rules—he will only teach people of color, he can’t be publicly associated with the group, and everyone has to use the knowledge they gain for beneficial purposes rather than exploitation—the Happy Campers organization is born.

Part 4, Chapter 27 Summary

The Happy Campers set up at Darren’s old house, which he still owns. He reconnects with Wally Cat, who tells him that Jason now works at McDonald’s and that Soraya is at the bodega, having left nursing school, and has a new boyfriend. Though they both continue to resent how Darren behaved in the past, Darren persuades Jason and Soraya to stop by Happy Campers. Darren overcomes their skepticism by claiming that he will be honest with them going forward and that he can teach them how to create opportunities that will allow them to “be free to do whatever you want” (302).

Part 4 Analysis

In Part 4, Darren eventually rediscovers his moral center and sense of compassion. Riding high—often literally, now that he has started taking cocaine regularly—as a hot-shot account executive at Sumwun while working for Barry on the side, Darren seems to have it all. His life of partying and sleeping with different women is beginning to pall, however. When he reconnects with Brian and begins teaching him sales lessons, Darren begins sharing the opportunities he has received with others so that they, too, can achieve what he has.

Darren still has lessons of his own to learn, however. His experiential learning techniques—having Brian pitch magazine subscriptions, telling his students to drink beer in front of the police precinct, and dodging the check at a fancy restaurant—are meant to instill confidence in his pupils, but they end up endangering them. Brian gets beat up by prospective customers uninterested in magazine subscriptions; they all have to flee when the police give chase and narrowly avoid capture; and Brian ends up in jail after the restaurant incident, falsely accused of murder. All of Darren’s lessons revolve around perceptions of Blackness in a society ruled by white hegemony. The one that goes well—Rose and Brian’s dance performance on the subway—reflects social expectations by which Black people are stereotypically associated with dancing and music: The people on the train are accustomed to seeing Black people in this context, so the experience does not challenge their expectations, even though the performance is about race and Black liberation. The other lessons, however, do try to challenge expectations about what Black people can and cannot do. Darren’s aim is to show them that they can develop the confidence necessary to take liberties such as drinking in public and not paying a bill, but his experiments backfire: Rather than being able to rewrite social scripts so that they have the upper hand, his students are perceived to be criminals, and they are pursued, and in Brian’s case, caught, by law enforcement.

After Brian gets out of jail, Darren realizes “that the consequences of my actions were real and that I had to be more careful” (288). The gulf between what Darren wants his students to be able to achieve and the realities of living in a white supremacist society shows that sales techniques alone are not magic wands that make all difficulties disappear. Police surveillance of people of color and economic inequity still prevail. Although his knowledge of sales cannot change culture overnight, however, when Darren agrees to begin teaching Black people and other people of color, it’s a step toward spreading the knowledge, resources, and opportunities that could eventually produce more widespread cultural change (a theme developed in Part 5).

Part 4 links sales techniques to the ideas of liberation and personal development. Rose and Brian’s dance performance—“‘Don’t Take Another Step, Whitey’ […] in which two newly freed enslaved people come to terms with the obvious struggle of Black liberation” (259)—overtly references enslavement and liberation. The irony is that, though this performance about Black liberation receives resounding applause, its ostensible message—white people have gone far enough, and now it’s time for others to get ahead—is one that does not receive similar support in the real world. To compensate for the lack of opportunities Black people can access, Darren agrees to abide by his mother’s wishes and to follow the maxim “Each one teach one” (264), which characterizes the transfer of knowledge during slavery, when education was otherwise denied Black enslaved people.

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