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86 pages 2 hours read

Bruce Springsteen

Born to Run: Biography

Nonfiction | Biography | Adult | Published in 2016

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Book 3, Chapters 53-58Chapter Summaries & Analyses

Book 3: “Living Proof”

Book 3, Chapter 53 Summary: “Living Proof”

In 1990, Scialfa gives birth to Evan James Springsteen, and this glorious and primal event rips away all Springsteen’s fears and pretentions. Despite the daily rituals—the sleepless nights, the dirty diapers, the vomit—he’s “exalted” by his new role and finds in his family a new compass by which to steer his life.

Book 3, Chapter 54 Summary: “Redheaded Revolution”

This chapter is an homage to his wife—part Italian, part Scots-Irish, the daughter of a self-made millionaire, and “queen of my heart” (370). A gifted songwriter in her own right, she auditions for the band in 1974, but their courtship doesn’t begin until many years later. She and Springsteen “circled around each other, cautiously and tangentially touching for eighteen years before connecting” (372). Her spirit and combativeness are precisely what Springsteen needs. Somehow, despite their mutual brokenness, they’ve found a way to make those broken pieces fit.

Book 3, Chapter 55 Summary: “Changes”

Now a wealthy man, Springsteen and Scialfa buy a “luxurious” (and secluded) home in Los Angeles. He’s unsure what his next project will be, however, and places the band on hiatus; he feels “burned out.” His relationship with some of his bandmates becomes strained—he feels they’re taking advantage of his magnanimity. As a result, he decides to try working with other musicians, a painful decision after so many years together. In the end, however, the break is necessary, and when they reunite years later, they’re stronger because of it.

Book 3, Chapter 56 Summary: “LA Burning”

The 1992 LA riots hit close to home when violence erupts just blocks from the studio where Springsteen rehearses with his new band, and he drives home through a riot-torn, burning landscape. As he retreats to his secluded home in Benedict Canyon, he considers the institutional problems behind the riots and the political and communal muscle that addressing them would take.

Book 3, Chapter 57 Summary: “Going to the Chapel”

Springsteen’s relationship with Scialfa ends his years of equating emotional openness with weakness. After three years—and a child—they make it official. He considers the public declaration of marriage an important “coming out” ritual that defies feelings of shame he might have about showing love openly and honestly.

Wedding Day

Springsteen and Scialfa exchange vows at their Los Angeles home with friends and family in attendance. A Unitarian minister presides, and the police department turns away intrusive press. Dinner and “partying” follow the ceremony.

The Honeymooners

They honeymoon in Yosemite Park, listening to music and watching the sunset while acclimating to being husband and wife. Upon returning home to their son Evan, Springsteen is happy and confident with his family around him.

Pony Girl

In December 1991, their daughter, Jessica, is born. Stubborn and independent, she later becomes an accomplished equestrian. At age five, she competes in her first equestrian competition. She places sixth, and on the drive home, she asks who took first and “What did she do to win?” (384).

New Band/New Day

For his next tour, Springsteen puts together a new band of highly accomplished musicians and singers. They bring new musical sensibilities to the tour, and it’s a success. However, during one show in Germany, Springsteen spies a lone fan in the crowd of 60,000 holding a sign that simply reads “E Street.”

Book 3, Chapter 58 Summary: “Earthquake Sam”

Twelve days after the birth of their third child, Sam, the Northridge earthquake rocks Southern California. After three days of aftershocks, Scialfa wants to leave. They move to their Rumson, New Jersey home, but Springsteen experiences mild post-traumatic stress for six months.

Springsteen strives to be the father he never had, but his lifestyle has made him a night owl. Eventually, Scialfa tells him that by missing his kids’ mornings, he’s missing them at their best. Reluctantly, he begins rising early, and eventually even the defiant Sam begins to depend on and respect him. With Scialfa’s help, Springsteen learns to prioritize family over music.

Cool Rockin’ Daddy

Evan and Springsteen attend a concert at a local music club, and one of the musicians tells Springsteen the bass player is a big fan. After the show, Springsteen takes Evan backstage, and the bass player shows Evan a tattoo of Springsteen inked across his arm. Springsteen feels the pride of his legacy passed on to a younger generation of musicians. His children each develop musical tastes of their own: Evan likes punk, Jessica Top 40, and Sam classic rock. Springsteen is grateful that they appreciate music.

Book 3, Chapters 53-58 Analysis

Springsteen settles into a comfortable home and family life, from which he spent his younger days running. Years of therapy and the love he finds with Scialfa teach him that an artistic and domestic life needn’t be mutually exclusive. Certainly, his music—always informed by his personal life—changes. No longer obsessed with running and escaping, he now sings about his frailties as a man, father, and partner, but these changes don’t alienate his fans. Having followed his journey, they’re happy to continue on this path with him. Tunnel of Love, a more intimate, streamlined album than the bombastic Born in the USA, is a huge hit.

Change is a constant companion in his life—seemingly both inevitable and a necessary part of his art—and these years are no different. For the first time since his early recording days and subsequent success, he moves forward without the E Street Band. Inertia can be artistic death, and Springsteen knows that he can’t plod along, doing the same thing, so he makes the hard choice to place the band on hiatus and try something new. His need to not repeat what worked in the past seems entrenched. He approaches every new project with a fresh perspective, always deviating in style and content from his previous work. The propulsive Born to Run precedes the moodier Darkness on the Edge of Town. Next, The River—which contains his first Top 10 hit, “Hungry Heart”—is followed by the simpler, more acoustic Nebraska. A common thread throughout his recording career is the need to satisfy his curiosity and musical ambition rather than trying to second-guess what fans might want.

The biggest change, however, is in his personal life, and these chapters are all about love and family. Having internalized a fear of intimacy from his father’s quiet rage, his journey to accepting love and children is long, emphasizing the theme of The Generational Trauma of Mental Illness. Understandably, he devotes several chapters to the epiphany of fatherhood. Nevertheless, his acceptance of this joy isn’t immediate, and his learning curve is steep. Guided by Scialfa, he learns to appreciate his children’s unique abilities and temperaments and to steer a course between the fame and late hours of rock stardom and the duties and early mornings of fatherhood. As always, he’s honest about his failings, but his constant struggle to improve, to become a man worthy of his wife and family’s love, marks his journey into middle age.

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