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Act III begins with Marcus and Portius talking in a chamber. Portius insists on their friendship having “severest virtue for its basis,” and Marcus asks him to “indulge me but in love,” bringing up his anguish over his love for Lucia (33). Marcus begs Portius to tell Lucia of his love for her, but Portius refuses and feels conflicted because of his own feelings. “If I disclose my passion, / Our friendship’s at an end: if I conceal it, / The world will call me false to a friend and brother,” he says in an aside (34). Lucia enters after Marcus leaves, and she and Portius talk of Marcus’s love. Lucia explains that she and Portius cannot be together because she sees “thy sister’s tears, / Thy father’s anguish, and thy brother’s death, / In the pursuit of our ill-fated love” (35). Lucia bids Portius goodbye, and though he fights back in an attempt to still have her, he admits he “must approve the sentence that destroys me” (36).
After Lucia leaves, Marcus enters, and Portius tells him that Lucia “compassionates your pains, and pities you,” rather than loves him (37). Marcus lashes out at Portius in anger, though he quickly apologizes for his temper. The two hear a shout “big with the sounds of war” (38). They get ready for battle, with Marcus hoping for “some glorious cause to fall in battle” and escape his broken heart (38). Portius is also excited, saying that his heart “leaps at the trumpet’s voice, and burns for glory” (38).
In Scene 2, Sempronius enters the senate hall with other leaders of the mutiny he’s leading, promising that they will be safe. As Cato enters, a leader tells the men that they must “bear up boldly to him” with a plan to “beat him down, and bind him fast” (39). When Cato arrives, though, the men instead “stand astonish’d” (39). Cato realizes that the men have conspired against him and lashes out at them, and Sempronius realizes that “all is lost” (40). Cato asks the men to “give up yon leaders” and orders that they be put to death (40). Sempronius volunteers to oversee it himself. Though the men initially still see Sempronius as an ally, Sempronius’s intention to punish the men is genuine, and he orders that the guards take them away and “drag them forth to sudden death” (41). He says that when “paltry slaves” decide to be treasonous, if it fails, “they’re sure to die like dogs, as you shall do” (41).
Syphax then enters and declares that though their first plan has “proved abortive,” “still there remains an after-game to play” (41). He vows to gather his troops and attack a gate where Marcus keeps his army, “hew[ing] down all that would oppose our passage” on their way to Caesar’s camp (42). Sempronius laments that he will be leaving Marcia behind and cannot enter her chambers, because admission is only given to Juba, Marcus, and Portius. Syphax suggests that Sempronius disguise himself as Juba and “hurry [Marcia] away by manly force” (42). Sempronius looks forward to making Marcia “my own” and watching her “struggling in my arms” with “fear and anger” (42).
The first scene of Act III provides the play’s most thorough illustration of Portius and Marcus’s characters and how they differ from their excessively virtuous father. Though Portius is clearly a virtuous character, struggling with how his own romantic feelings will affect his brother and agreeing with Lucia that they must part for the good of his family (“To my confusion and eternal grief, / I must approve the sentence that destroys me” [36]), he is clearly more driven by passion and personal happiness than Cato. He considers not disclosing his love for Lucia to save his friendship with his brother, for instance, and protests Lucia’s virtuous decision for them to part. “Thou must not go; my soul still hovers o’er thee, / And can’t get loose,” he says (36).
Marcus is similarly driven by feelings of passion, particularly regarding Lucia, though he acknowledges how much he is moved by virtue in other aspects of his life. “Indulge me but in love, my other passions / Shall rise and fall by virtue’s nicest rules,” he tells Portius (33). After Portius tells Marcus that Lucia feels compassion and pity, but not love, for him, the audience also sees firsthand the temper that Portius and Lucia have alluded to, as he chides Portius and states, “Fool that I was, to choose so cold a friend / To urge my cause!” (37).
After the brothers hear the shout “big with the sounds of war,” their reaction betrays that they value own selves and well-being above the values of virtue and the Roman Republic (38). Marcus wants to die virtuously in battle as a way to “ease” his broken heart, while Portius delcares his heart “burns for glory” (38).
In the second scene, the audience is once again confronted with Cato’s adherence to liberty and virtue, as he chastises the treasonous men and talks of how “great liberty” “inspire[s] our souls” and makes “our deaths glorious in thy just defence” (41).
This scene is also where Sempronius and Syphax’s plans begin to go awry, as their mutiny against Cato immediately fails, and Sempronius realizes “all is lost” (40). The scene illustrates Sempronius’s villainy and evilness, as he immediately turns on his friends and orders them to their deaths. Though he previously said that he loves Marcia, this scene also clarifies that his intentions and feelings toward her are far more sinister than previously revealed (31). Calling her a “haughty maid,” Sempronius claims he wants to “bend her stubborn virtue to my passion” before “cast[ing] her off,” and fantasizes about her “struggling in my arms” (42)—a sharp contrast to how Juba truly loves Marcia and values her sense of virtue (14).