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Roald DahlA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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Charlie enters the nearest store and buys a Wonka Whipple-Scrumptious candy bar. Starving, he eats it voraciously. He considers his change on the counter and decides to buy one more candy bar. Opening the second candy bar, Charlie sees a flash of gold, and realizes he has found the fifth Golden Ticket.
An excited crowd surrounds Charlie. One man offers him 50 dollars for the ticket. The shopkeeper pushes through the crowd and urges Charlie to run home before he loses the ticket. Charlie runs through the snow toward his home, waving at the ever-silent gates of Wonka’s Factory and yelling “I’ll be seeing you soon!” (46).
Charlie bursts into his home and shows his skeptical family his ticket. 96-year-old Grandpa Joe, who hasn’t gotten out of bed for 20 years, leaps out of bed and dances with joy. The family reads the ticket, which invites the ticket-holder and one to two family members to the factory on the first of February, which is the next day; the ticket reiterates that the five winners will receive a lifetime supply of candy and chocolate via a procession of trucks. Grandpa Joe excitedly says he will accompany Charlie. Soon, press arrives to interview Charlie.
The next day, Charlie and Grandpa Joe go to Wonka’s Factory. A large crowd gathers to see the five children off: Augustus Gloop, Veruca Salt, Violet Beauregarde, Mike Teavee, and Charlie Bucket. All of the children are accompanied by both parents, except for Charlie. The gates slowly start to open, and the crowd lapses into silence as the famous Mr. Willy Wonka comes into view.
Mr. Willy Wonka is dressed extravagantly in a black top hat, velvet tailcoat, green trousers, and gray gloves—with a gold-topped walking cane in hand. He has a mischievous face. Mr. Wonka joyfully greets all of the children by name and invites them and their families inside. The factory is warm and filled with delicious smells. Mr. Wonka explains that the majority of his factory is underground. He leads the group down descending hallways, taking many turns until they finally reach a door marked “The Chocolate Room” (63).
The Chocolate Room is a green meadow intersected by a large brown river. The river flows from a waterfall, and a series of glass pipes draw the liquid upward. The children and adults are shocked to learn the liquid is thousands of gallons of chocolate. The meadow’s grass and buttercups are edible, and the group samples some. Suddenly, Veruca screams as she sees a number of small men, about a foot tall, with long hair. Mr. Wonka explains that they are Oompa-Loompas.
Mr. Wonka explains to the shocked group that he hired the Oompa-Loompas from the country of Loompaland, where they were hunted by ferocious beasts such as whangdoodles, hornswogglers, and snozzwangers. In exchange for labor, Mr. Wonka offers the Oompa-Loompas a safe place to live and an unlimited supply of cocoa beans and chocolate. Veruca angrily demands an Oompa-Loompa from her father. Augustus has crept to the river and scoops chocolate into his mouth. His mother yells at him to stop, but he doesn’t.
Mr. Wonka implores Augustus to stop contaminating his chocolate river. Augustus slips, falls into the river, and is sucked into a pipe. Augustus’s parents watch in horror as he becomes stuck in the pipe; eventually, pressure from the mounting chocolate behind him shoots him up the pipe. Mr. Wonka explains that the pipe goes to the Fudge Room. He reassures the worried parents that Augustus will be unharmed and summons an Oompa-Loompa to escort Mr. and Mrs. Gloop to the Fudge Room.
As the parents depart, the Oompa-Loompas sing a disparaging song about Augustus being greedy and their plan to turn him into fudge.
A pink boat made of candy and rowed by Oompa-Loompas, appears on the chocolate river; Mr. Wonka instructs everyone to climb aboard. They enter a Dark Tunnel; the Oompa-Loompas begin to row quickly, and the families scream as they speed through the dark. Mr. Wonka urges the Oompa-Loompas on, and all of the occupants apart from Charlie and Grandpa Joe suggest that the chocolatier is mad.
Mr. Wonka orders the lights to be turned on, and the tunnel becomes bright. The group passes a variety of labeled rooms, including the cream room (containing an array of cream types, like vanilla and pineapple, but also hair cream), and the whip room (for whipping cream). Mr. Wonka yells for the boat to stop.
The boat comes to an abrupt stop in front of a door labeled “Inventing Room.” Mr. Wonka opens the door with a key and explains that it is the most important room in the factory. The room is filled with strange machinery, bubbling cauldrons and pots, and pipes. A large, green, round candy drops out of a machine. Mr. Wonka explains that it is an everlasting gobstopper, which changes color as it is sucked on, but never gets any smaller. Next, he shows off hair toffee, a new invention which causes the consumer to grow masses of hair.
Mr. Wonka leads the group to a large machine. The machine rumbles for a time, making a variety of noises and mixing a colorful concoction. Eventually, a small drawer opens to reveal a small, gray strip of candy, which Violet correctly identifies as chewing gum.
Charlie’s successful acquisition of the fifth and final Golden Ticket embodies the recurring theme: Kindness and Patience will be Rewarded. He patiently endures his disappointment at the unlikelihood of winning a ticket due to his family’s poverty. The reader feels sympathy when Charlie reads about the less deserving winners; poetic justice is achieved when he, patient and kind, does find a ticket.
Mr. Willy Wonka’s chocolate factory is further established as a place of Magic and Wonder, which exists apart from the hardships and realities of the outside world. In the underground Chocolate Room, there is a meadow and river with edible grass and flowers. Dahl’s language emphasizes the beauty and vastness of the space: “they really were enormous, those pipes [...] graceful trees and bushes were growing along the riverbanks—weeping willows and alders and tall clumps of rhododendrons with their pink and red and mauve blossoms” (64). The outside world, particularly for the Buckets, is characterized by stress and disappointment. The reader feels vicarious joy for Charlie and Grandpa Joe, who have been freezing and starving, as they enter Wonka’s Factory. Tellingly, Charlie and Grandpa Joe’s reactions are the most enthused: “‘Isn’t it wonderful!’ whispered Charlie [...] ‘I could eat the whole field!’ said Grandpa Joe, grinning with delight” (66).
Grandpa Joe is characterized as likable in his boyish wonder and delight in Wonka’s Factory. Dahl uses the other adults as foils to Grandpa Joe. The Gloops, Salts, Beauregardes, and Teavees are representative of adults who have not retained their childlike wonder and creativity. Dahl suggests that the loss of childlike joy leads adults to become cantankerous and grumpy, as well as being immune to life’s wonders. The other adults are typified by their reactions of confusion, disgust, and shock during Mr. Wonka’s tour. In the boat, the parents are united in their chorus of criticisms of Mr. Wonka: “he’s balmy,” “he’s nutty!,” “he’s gone off his rocker!” (85). Grandpa Joe angrily retorts “no, he is not,” and instead finds the boat and river to be “marvelous” (83, 85). He and Charlie’s joy foreshadows Mr. Wonka’s choice to allow the Buckets to live at his factory.
Charlie’s hardships position him to be especially grateful for the wonders of Mr. Wonka’s tour; when Mr. Wonka gives him a mug of chocolate from his river, “his whole body from head to toe began to tingle with pleasure, and a feeling of intense happiness spread over him” (84). On the other hand, Veruca’s demands characterize her as rude. She is ungrateful for the experience due to a life of overindulgence: “I want a boat like this! I want you to buy me a big pink boiled-sweet boat exactly like Mr. Wonka’s! And I want lots of Oompa-Loompas to row me about, and I want a chocolate river and I want... I want…” (83). Dahl uses the children’s behavior to emphasize the importance of humility and politeness (represented by Charlie) and condemn parents who spoil their children (represented by the other four families).
Greed is epitomized in the character of Augustus Gloop. Mr. Wonka urges the group to try a blade of edible grass and “everyone bent down and picked one blade of grass—everybody, that is, except Augustus Gloop, who took a big handful” (66). Mr. Wonka begs Augustus to stop drinking from his chocolate river, but the latter greedily ignores him. Poetic justice is served when Augustus is sucked up a river pipe and misses the rest of the tour. Augustus’s experience is a humorous allegory which warns of the negative consequences of greed.
The Oompa-Loompas, in their derisive songs, reproach the immoral behavior of the children. Augustus is condemned as a “revolting boy,” a “great big greedy nincompoop” (78). The Oompa-Loompas also imply that the children’s mistakes in the factory will teach them humility, to be carried out to the outside world; Augustus will be “altered quite a bit … he’ll be quite changed from what he’s been” (79). The Oompa-Loompas sing that Augustus will be “boiled” until “all the greed and all the gall is boiled away” (80). These lyrics illustrate Dahl’s use of dark humor to teach important lessons. Later, when Charlie, Grandpa Joe, and Mr. Wonka see Augustus from the glass elevator, Grandpa Joe observes that “He’s changed! He used to be fat! Now he’s thin as a straw!” (148). This implies a more holistic change than the physical; it is implied that Augustus’s traumatic experience in the pipe and fudge room will rid him of his greedy, selfish ways.
Mr. Wonka’s workers, the Oompa-Loompas, are described as having “rosy white” skin and “golden-brown” hair (76). This is an intentional change from previous editions of the novel, which depicted the Oompa-Loompas as a tribe of African pygmies who came from the depths of the African jungle. In the 1974 edition of the novel (as the text was first published in 1964), Dahl made this change in response to public backlash condemning the Oompa-Loompas as racist stereotypes which condoned the African slave trade.
By Roald Dahl
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