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18 pages 36 minutes read

William Saphier

Childhood Memories

Fiction | Poem | Adult | Published in 1920

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Symbols & Motifs

Leviathan

In the second line of the third stanza, Saphier interrupts the serenity of the landscape he created in the poem’s opening when he warns of a leviathan. In Christianity, a leviathan is an enormous whale with the qualities of a sea serpent who swallows Jonah. Alternatively, the term leviathan is also evocative of the devil. When the stanza makes mention of a “monster”, however, Saphier’s reference is most aptly suggesting a specific passage in the Bible from Isaiah: “In that day, the Lord will punish with his sword — his fierce, great and powerful sword — Leviathan the gliding serpent, Leviathan the coiling serpent; he will slay the monster of the sea” (Isaiah 27:1).

The book of Isaiah is from the Old Testament thought which spans centuries and believed by scholars to have been composed by three different figures and composed in forms of Hebrew poetry. The books that Saphier is referencing (1-39), concerns itself with the destiny of the Hebrew people after their exile out of Egypt, foretelling a coming judgement or rapture. While the tone and gesture in “Childhood Memories” are too heavily bent to modernity’s secular style and secular preoccupations to support an overtly religious reading, Saphier is likely alluding to catastrophe, nonetheless.

According to Herder Dictionary of Symbols, the leviathan was “originally a monster of Phoenician mythology, symbolizing chaos” (Farrell, Deborah. The Herder Dictionary of Symbols. Chiron. 1993.). Considering the historical context of the poem, such chaos would indeed be visited on the Danube in the shape of World War I—the fuse ignited that would eventually set off the literary movement of modernity. By 1916, Romania would join the war effort and suffer heavy losses before the conflict’s end. Therefore, by installing the symbol of the leviathan as a herald of war and catastrophe, Saphier allows the speaker of the poem, presumably his younger self, a kind of premonition. An alternate reading suggests Saphier is writing from the end of the war in 1920 looking back at the brief period of calm before a storm.

Swallow

The poem’s departing image of swallows in flight is a stirring one, evoking the movement of the poem while also alluding to some uncertain span of days between the speaker in time and his memories which exist in the mind alone. The image of swallows is especially pertinent in the changing of season. A swallow is a small migratory bird found on every continent and is historically associated with spring and new life. By placing these specific birds at the poem’s end, Saphier is drawing on the swallow’s cultural resonance to bring full circle his theme of time. Throughout the poem, time is of chief importance, though never blatantly stated. Instead, time is gestured at by various signposts present in the poem. Its “bared branches” (Line 9) allude to Christmas mass, while the imagery of winter makes up much of the setting in which the poem exists. It is not until the poem’s final stanza when the swallow arrives, bringing with it mention of “a slow dormant summer” (Line 21). 

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