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60 pages 2 hours read

Catherine Marshall

Christy

Fiction | Novel | YA | Published in 1967

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Themes

Faith Amid Suffering and Loss

Content Warning: This section makes references to sexual abuse, physical abuse, neglect, and addiction.

As a Christian novel, Christy holds the thematic value of faith as a central concern. While faith pervades much of the story, providing a core aspect of Christy’s character development, one specific aspect of the theme dominates discussions throughout: the truth or falsity of faith when contrasted with the harsh realities of suffering and loss in human experience. After having seen the death of her friend, Fairlight, Christy is driven to the point of utter doubt: “I know I’m supposed to believe. But what do you do when suddenly you find you can’t believe?” (428).

While Christy’s faith is part of her main motivation in joining the mission at Cutter Gap, she has lived a relatively sheltered and privileged life up to that point. When she moves to the Cove, she is confronted for the first time with the pain of poverty, disease, violence, abuse, and death. Her faith is tested by these experiences, to the point where she questions some of the underlying assumptions of her belief in God. Ultimately, however, her continuing conviction of God’s love, demonstrated and displayed in the lives of those around her (especially Miss Alice), grounds her in the steadfastness of faith.

Beyond Christy’s experience with faith, it is played out in the lives of two other characters, each of whom stands as an archetype of contrasting reactions: Miss Alice, whose journey of suffering has deepened her faith in God, and Doctor MacNeill, whose losses have shattered his faith. Miss Alice’s suffering is rooted in her backstory of sexual abuse at the hands of a spiritual mentor, which led to her pregnancy at a young age. That trauma, however, was met by the extension of grace and love by her spiritual community. The display of God’s love from those around her helped to reinforce her faith rather than drive her away from it after being sexually assaulted by a person in a position of religious power.

For Doctor MacNeill, however, the deaths of his wife and infant son—passing away from disease and medical difficulties that he, as a doctor, could not remedy—was a personal trauma that left him living alone in his isolated cabin. As such, his suffering led to a loss of faith, which he tends to explain as a matter of simple intellectual assessment rather than an emotional reaction to his journey. While he acknowledges the possibility of God, his faith is little more than practical atheism: “I believe in God, in the sense that I’m willing to admit some starter-force for the universe. […] Trouble is, I’ve seen so many diseased bodies, so much suffering, pain, hatred, death and dying” (296).

However, several elements of the story argue against Doctor MacNeill’s framing of the matter as an intellectual assessment based on the suffering he perceives. The emotional nature of his trauma and the depth of his emotion evident at the end of the novel (when Christy makes her recovery) both testify that the roots of his unfaith came from the emotional trauma he faced. The contrasting elements of Miss Alice’s backstory and Doctor MacNeill’s backstory also underscore the central importance of having a community of faith around oneself in times of suffering and loss. Miss Alice had such a community, and their faith allowed her to recover from abuse; Doctor MacNeill did not, and his was a journey of unhealed loss.

Cultural Understanding as a Key to Personal Connection

Christy taps into the Christian subgenre of missionary literature, which was experiencing a resurgence at the time of its publication. It depicts a protagonist from a mainstream American background going as a missionary teacher to an isolated location where differing cultural and class dynamics characterize the interactions. Her first interaction with that location makes it sound like she has stepped into another world: “It was as if, in crossing the mountains with Mr. Pentland, I had crossed into another time, another century, back to the days of the American frontier” (51). While the location to which Christy travels is not an international locale but is, in fact, relatively near her own home, it is nonetheless an entrance into a strangely foreign culture. The process of navigating those cultural differences shapes many of her relationships in Cutter Gap. While Christy can effect positive change through her work at the mission, the novel focuses just as much attention (if not more) on the changes in Christy herself, as she comes to understand the local culture on a deeper level and appreciates the differences she could not understand upon entry in Cutter Gap.

Three different models of cross-cultural efforts are portrayed in the secondary characters who also, like Christy, are engaged in charitable work to help the residents of the Cove: Doctor MacNeill, David, and Miss Alice. Each one has a different level of self-identification with the local culture, but all are alike in seeking to better the conditions for those living in Cutter Gap.

Doctor MacNeill is an insider to the culture, having grown up there and with an ancestry that goes back to the roots of the population’s settlement in the area. Understanding the way the culture operates—heavily influenced by poverty and local values—he chooses to do the good he can within the constraints of that culture and is quick to dismiss ideas and methods that he knows won’t work. He is not seeking a transformation of the culture itself, because his understanding of the deeply rooted nature of local values tells him that such transformation would be agonizingly slow, if even possible. Instead, he aims simply to do the good that he can within the constraints of the context.

David is an outsider to the culture, having taken the pastorate at the mission church as an assignment after seminary. Unlike Doctor MacNeill, he does not know the local culture from the inside and is quicker to recognize its flaws than its positive values. He hopes for the transformation of the culture in a way that will ameliorate some of the social problems but struggles to make connections with the locals beyond what their shared love of music will allow. Thus, he preaches to the people and challenges their assumptions about certain aspects of their way of living, like feuding and seeking rest instead of profitable labor: “[Christ] declared unrelenting, unending warfare against the sin and evil in our world. And believe me that includes the evil in Cutter Gap” (265). David tends to view Cutter Gap and its people as a problem to be fixed, though he does not always know the answers to how to fix it.

Miss Alice is both an outsider and an insider to the culture—she comes from the outside and represents a different cultural community (the Quakers), but she is also connected to the locals by marriage, through her daughter’s union with Doctor MacNeill. She has also served for a longer time than David in the area and has a deeper knowledge of the local culture as a result. She holds a mediating position between the two men. Unlike Doctor MacNeill, she does want to help transform the culture, and unlike David, she sees not only the problems but also much of the value of local practices and beliefs. She hopes that she can effect change in the area by loving people and introducing them to God’s love: embracing their culture, extolling its virtues, and allowing the slow, patient work of faith to rework the culture’s problems from the inside out. Throughout the novel, although Christy interacts with both David’s and Doctor MacNeill’s positions on cross-cultural issues, Miss Alice is her mentor in a way that neither of the others are, and it is Miss Alice’s model that most influences Christy’s perspective.

Toughness and Resilience in the Face of Adversity

This theme touches both the main characters and the entirety of mountain society in the Cove. It begins with a narrow focus on Christy herself, but it builds throughout the novel as Christy’s awareness grows of the social values around her, eventually coming to define her perception of the whole community of Cutter Gap.

One of the main marks of Christy’s character, especially early in the novel, is to prove herself as being tough and resilient. She has an optimistic, empowered attitude upon setting out on her adventure, but is keenly aware of the fact that some people (like her father) think that it might be beyond the powers of a 19-year-old woman. “I’m not afraid of plain living,” she declares (35). Her insistence on going to work as a volunteer in the backwoods regions of the Smoky Mountains exemplifies her desire to show herself strong, and it pushes her to undertake actions that many of her fellow characters are surprised by, such as hiking the seven miles into Cutter Gap on foot in the middle of a snowstorm.

Many outsiders typically react to the local culture of the Cove by noticing its flaws: the constant feuding between families, the perceived laziness of its men, and its poverty and squalor. Such assessments—which even Christy is tempted to make early in the novel—tend to blind those outsiders to the virtues and values of mountain society such as their characteristic resilience in the face of adversity. As Christy’s understanding of local culture and familiarity with the class position of those in Cutter Gap deepens, the theme of toughness and resilience gradually migrates from her desire to be perceived in a certain way by others to her perception of the others around her. She notices the strength and perseverance that undergirds the mountain people’s way of life, and her respect for them only deepens as she sees more and more of the social and economic challenges they face. Through understanding these material challenges, Christy is ultimately able to empathize with the structural adversities they face.

The Role and Status of Women in Mountain Society

Another prevailing theme of the novel is that of The Role and Status of Women in Mountain Society. Here, as in the theme of toughness and resilience, there is a gradual shift that occurs throughout the novel. Christy herself is poignantly aware of the way that women are perceived in a male-dominated society: “There must be more to life than that. Or is there—for a woman?” (67). Some of Christy’s drive and ambition are shaped by a desire to prove herself, which she often does by surprising the men around her with her passion and clear-eyed perception.

Christy begins her work at the mission by taking a keen interest in the role and status of women in the Cove. This is initially done in a spirit of missionary charity, seeking to uplift the downtrodden. Christy’s first perceptions, then, are of the problematic nature of women’s role in that society, often being the hardest-working members of the family, while the men are off feuding or (in the popular stereotype) shiftlessly dodging work. She works hard to remedy the problem, addressing herself both to the women’s self-perception and practical projects by which the women can extend their effectiveness and influence. She follows Miss Alice’s model in seeking to encourage and uplift women through teaching from the Bible and encouraging them to embrace the idea of God’s love for them. Meanwhile, she also works to increase literacy and teach reading and writing to women who are interested in learning, like Fairlight Spencer, and brainstorm ways by which the women could turn their handicrafts into a profitable moneymaking industry.

As the novel progresses, however, Christy’s perception of The Role and Status of Women in Mountain Society changes. She comes to see not only the problematic aspects of their position but also the positive aspects which she hadn’t been aware of before. Women function as the center of mountain society in many ways, providing a stable home life that the men, in their social roles, are not able to provide. Further, women frequently stand at the forefront of their families’ spirituality, being more willing to connect with Miss Alice’s Bible studies and David’s church services. Thus, they serve as conduits of spiritual strength, faith, and hope for their children and husbands. From Miss Alice to Fairlight Spencer to Opal McHone (and including Christy herself), women emerge from the story as the most inspiring characters of the novel.

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