logo

61 pages 2 hours read

Kalynn Bayron

Cinderella is Dead

Fiction | Novel | YA | Published in 2020

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 1-7Chapter Summaries & Analyses

Chapter 1 Summary

Two hundred years after the death of Cinderella and Prince Charming’s ascension to Mersailles’s throne, 16-year-old Sophia Grimmins meets her girlfriend, Erin, in a forbidden forest. The king’s guards patrol the area, and the girls have to hide. Sophia overhears one guard ask another if he’s attending King Manford’s annual ball. They joke about their wives having “accidents” so they could claim a new wife at the ball.

Sophia thinks today may be her and Erin’s last chance to run away and escape the patriarchal confines of Mersailles before being required to attend the ball and possibly take a husband. She has asked Erin to flee multiple times, but Erin responds like she always does, saying they have to accept their fate because escaping is impossible.

Guards circle back and spot Erin, who runs. Sophia follows them at a distance. When Sophia makes it back to the center of town, she doesn’t see Erin, so she assumes she escaped but reflects that this doesn’t mean she’s safe now—no girl truly is in Lille, their city in Mersailles.

Chapter 2 Summary

Sophia was supposed to meet her mother at a seamstress’s shop for a gown fitting, already bathed. However, she is dirty from hiding in the forest, so she heads home. She notices the guards are on high patrol, which she assumes is due to a recent incident in the northern city of Chione, where a statue of Prince Charming, Mersailles’s “savior,” was blown up.

Sophia makes it home and is alone, as her father’s still at work and her mother’s already at the seamstress’s. King Manford has ordered every household to display his portrait and a copy of his decrees at all times, so they’re up in Sophia’s house as well. The decrees state that every household must have at least one copy of the palace-approved version of “Cinderella.” The annual ball is required for all girls beginning at age 16, and if they are not chosen by a suitor after three trips, they are “forfeit” (as are those who participate in unlawful unions). All households are required to designate one male as the head of household, who is held responsible for any activities others in his household commit. A curfew is imposed on women and children for eight o’ clock each night (except for the ball itself).

Sophia goes to her room to get cleaned up and notices her copy of “Cinderella,” which her grandmother gave her. Before attending the ball, girls reread the section about the fairy godmother, hoping their devotion will summon a real fairy godmother to help them prepare for the ball. Rumors of fairy godmothers have dwindled in recent years, and Sophia wonders if the story is completely true. However, this type of doubt is considered blasphemous, so she must be careful about what she says around others. She rereads her invitation to this year’s bicentennial ball, which is two days away. Failing to attend will result in imprisonment of one’s family and seizure of their assets.

Sophia leaves for the seamstress’s shop, noticing crowds preparing for the ball. Shops sell palace-approved replicas of objects from Cinderella’s story, such as glass slippers, and Helen’s Wonderments sells love and beauty potions. People spend excessive money trying to make their daughters appealing for the ball, as the consequences are dire. However, not everyone has money, which is why some especially hope for visits from fairy godmothers.

Chapter 3 Summary

Sophia continues through the market. Girls recite passages of “Cinderella” and play games where they cry if they lose and are equated with the evil stepsisters. Near a wishing fountain with a statue of Cinderella, Sophia sees her friend Liv, who is thrilled to have won a replica of the fairy godmother’s wand at one of the booths.

Erin appears, and Sophia resists the urge to embrace her. Sophia questions if magic truly exists, but Erin and Liv tell her not to question it in public. Liv is hoping to earn a fairy godmother’s favor and mentions Cinderella’s tomb being open to the public in the past. However, no one has seen the tomb in ages. Sophia worries about Liv because if she shows up to the ball without a gown fit for a princess, her safety will be at risk. This will be Liv’s second trip to the ball, and a third trip is shameful, although permitted. Liv makes a wish at the fountain.

Sophia again asks Erin to leave Mersailles before the ball. Erin says that she wishes Sophia would accept the way things are and then leaves. Liv tells Sophia to give up because those who try to resist are killed, and there’s no way to escape the heavily guarded borders of the city. Sophia is especially concerned about leaving now because of recent rumors of dead young women found in the woods.

Finally arriving at the seamstress’s shop two hours late, Sophia gets fitted for her gown. While her mother fusses over details, Sophia notices the seamstress’s bruises and dreads her own future. She doesn’t want a husband and especially not an abusive one, which is common in Lille. Sophia privately shares with her mother that she wished this day didn’t come, and her mother agrees.

Chapter 4 Summary

Luke Langley, the son of Sophia’s father’s friend, comes by carriage to pick up Sophia and her mother. Sophia’s mother tries to convince her that Luke’s handsome and could choose her at the ball since he’s “half-decent,” the best they can hope for—but Sophia isn’t interested. The carriage travels through Eastern Lille, where high-ranking members of the aristocracy live, and then to western Lille, where Sophia’s family lives, and drops them off.

Sophia’s mother recounts that she was picked by Sophia’s father the first time that she attended the ball. She believes it was a good pairing because Sophia’s father is a land baron’s son and has always been kind. She tries to convince Sophia that it would be terrible to not be chosen since those who are forfeit end up in workhouses or servitude—and in recent years, have started disappearing altogether. Sophia thinks it’s unfair that girls are required to attend the ball at 16 and are forfeit three years later, whereas boys can wait as long as they want to attend or never attend at all as long as they don’t participate in unlawful unions.

Sophia’s mother knows Sophia is “different” (a lesbian) and wants to be with Erin but tells her that she must hide how she feels. Sophia’s father is working longer hours to afford special trinkets for the ball, in hopes of securing his daughter’s safety. Her parents feel that safety is the priority, whereas “happiness” is a “bonus” to which no one is entitled. Sophia feels her parents are asking her to deny everything about herself.

Chapter 5 Summary

The next morning, Sophia’s mother sends her (via Luke’s carriage) back to the seamstress’s shop because they forgot some hair ribbons there. Luke knows Sophia is a lesbian. He himself is 20, has never been to the ball, and doesn’t plan to go because he, too, is gay. Sophia doesn’t understand what he’s telling her, and when he brings up Erin, she’s afraid to speak.

Sophia goes into the seamstress’s shop alone and sees her ribbons but also a small boy crying with no adults around. Yelling and smashing sounds come from upstairs, and the child says his father is always yelling at his mother. Although the general rule is that what a man does in his own house is his business, Sophia creeps upstairs to investigate. The seamstress’s husband is angry about money: Everything the seamstress makes belongs to him legally, and since her income was light this month, he suspects she’s withheld money from him. The seamstress says everyone is having a hard time right now, so customers can’t buy as much.

Sophia interrupts. The seamstress’s husband is furious but allows his wife to help her. The seamstress comforts her son and then tells Sophia that she doesn’t need pity. Sophia asks what she does need, and the seamstress says she hopes Sophia isn’t one of those girls looking for a way out because there isn’t one; she asks her to leave.

Chapter 6 Summary

Back in the carriage, Sophia and Luke both lament how often husbands abuse their wives in Lille. She’s suspicious he’s going to try to hurt her in some way, but Luke says he just wants to get to know her better. She thinks Luke might be a “good man” like her own father, Liv’s father, and others, but she knows good men aren’t the ones making laws.

Sophia and Luke run into Luke’s classmates. A wealthy boy named Morris tries to flirt with Sophia, who insults him. Morris asks if Luke plans to claim Sophia at the ball and says that she doesn’t seem like Luke’s type. He asks what a certain man’s name was again, and Luke punches him. The bullies then leave.

Luke tells Sophia that he would rather be with a prince than a princess and asks if she would prefer a princess over a prince. The reason why he knows about her and Erin is because he overheard their mothers talking. When Luke was 17, he fell in love with a boy named Louis, and they planned to flee. However, Morris and his brother Édouard found out about them and told Louis’s parents, who forfeit him. Luke’s sister convinced their own parents that his relationship with Louis was a “phase,” so they didn’t forfeit him. Neither Luke nor Sophia has heard of many others like themselves, but they assume more exist in secret. He empathizes with her since she can’t simply avoid the ball like he can.

Luke says they should work together and look for an escape, but he doesn’t have a detailed plan yet. He gives Sophia back the coins her mother gave him for the carriage ride in case she might need them.

Chapter 7 Summary

The morning of the ball, Sophia’s mother and some other women help her prepare by bathing, dressing, fixing her hair, and applying makeup. Sophia resents having no choice in what she wears. Her dress is blue like Cinderella’s, and the women lament the tragedy of Cinderella’s early death. These women also believe the rumors about Cinderella’s tomb existing somewhere and that people used to leave gifts for her.

The women give Sophia a good-luck potion from Helen’s Wonderments, which she saves for later. Sophia’s father gives her a necklace from her grandmother, who was rebellious like Sophia and said too much to the wrong person, resulting in her forfeiture. He acknowledges that it feels wrong to ask her to deny who she is. She pleads with him to not make her go, but he refuses. The carriage to the ball arrives with Erin inside. Sophia’s mother thought this would give the girls a chance to find closure before the ball.

Erin laments that she and Sophia are out of time. Sophia again asks her to run. Erin doesn’t want to, as her parents will forfeit her if she puts even one foot out of line, and she’s hopeful that the results of the ball could be wonderful. She doesn’t want to live away from her family or as an outcast. The girls split the supposed good-luck potion as the carriage approaches the palace.

Chapters 1-7 Analysis

Sophia Grimmins is in an impossible situation, plagued by Mersailles’s gender inequality, desperately wanting to escape and create her own story. However, the novel’s society is so corrupt and tyrannical that everyone around Sophia is afraid to listen to her, let alone participate in any subversive talk about escaping or standing up to King Manford. As children, Sophia and Erin enjoyed a limited degree of freedom: Although their romantic relationship was considered illegal and they had to hide it, they were able to continue in secret, having no husbands yet. As the ball approaches and their lives are about to change forever, Sophia desperately pleads with everyone closest to her. She wants a teammate in finding a way out of Lille, and although she knows she’s risking death, she’d rather die than live a lifelong lie that would be filled with danger anyway.

At first, Sophia’s efforts to find allies seem to be in vain. Her two friends, Erin and Liv, both silence her when she questions the Cinderella story, the king, and the possibility of escaping. Sophia’s girlfriend, Erin, has been so deeply affected by her surroundings that she believes her feelings are wrong. She repeatedly resists Sophia’s suggestions to run, preferring instead to give in to a terrible situation out of fear of disappointing her parents or living as an outcast. Similarly, Sophia’s own parents disappoint her as well, forcing her to attend the ball (as there are severe consequences for disobedience). Even the seamstress who is being abused by her husband tells Sophia, “You’re one of those girls who thinks there’s a way out, aren’t you? That something will come along and make everything better…I wish I could tell you to run, to hide, but it would never work…Nothing can be done. Not a damn thing” (50). Isolation is one of the tactics used to quash any potential rebellions in Lille: Everyone is too afraid to talk to each other or try to rebel, so they retreat into the private sphere and only trust their own families (if even them).

Because of the panoptic atmosphere of Lille, where people police their own behavior out of fear that someone might turn them in, Sophia’s introduction to Luke Langley is significant, as it marks the beginning of her personal transformation—as well as her quest for truth and justice. At first, when she meets Luke, a man from Lille, she does not trust him at all and half expects him to attack her. Although he uses the same word, “different,” to describe his preference for men (like Sophia’s preference for women), Sophia doesn’t understand what he means at first, as she rarely hears about anyone like herself. Only after he tells her his story (about a past love named Louis) does she finally understand that both of them are gay. Luke also reasons that, if he and Sophia exist, there are probably other gay citizens as well, suffering under the kingdom’s oppression.

Meeting Luke gives Sophia hope that there are other people who know her pain and wish to fight the kingdom’s decrees. This hope and ability to trust others are both necessary for her success going forward. Teamwork is key to the revolution that Sophia wants to start, and Luke is the first person whom she’s able to truly ally with. Because of her positive experience with him, she’s more willing to trust others later. Until this point, the only other gay person whom Sophia has met is Erin, who believes they both need to conform to heterosexuality. In Luke, Sophia finally meets someone who validates her feelings and offers help.

The theme of Weaponizing and Challenging Gender Roles is prevalent from the opening chapters of the novel: All Lille’s citizens, especially girls and women, face oppression, but Sophia’s suffering is compounded due to her being a lesbian. Whereas a heterosexual woman may potentially be chosen by someone she likes and who is not abusive, Sophia is legally required to be with someone she can’t love. Liv also faces complex oppression. Her family doesn’t have as much money as Sophia’s or Erin’s, putting her at a serious disadvantage for the ball, where girls are judged based on how elaborate and expensive-looking their ensembles are. Unable to afford an appropriate ball gown, Liv puts her faith in a hypothetical fairy godmother, showing how her choices are limited and informed by her socioeconomic status (like Sophia’s are by her sexuality).

blurred text
blurred text
blurred text
blurred text

Related Titles

By Kalynn Bayron