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61 pages 2 hours read

Kalynn Bayron

Cinderella is Dead

Fiction | Novel | YA | Published in 2020

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Chapters 23-30Chapter Summaries & Analyses

Chapter 23 Summary

Sophia and Constance wake before Amina in the morning. Sophia feels Amina is hiding something important, so she asks Constance to be polite until they can find out more. When Amina wakes up, they talk more. Amina reveals that after Cinderella’s month-long love potion wore off, it was obvious to Charming that she didn’t love him, which tortured him. The longer she rejected him, the more he wouldn’t allow her to leave the palace or speak to anyone except for himself and one servant. She spent her last years locked up in the palace.

Amina then mixes a potion that keeps her from looking like a “rotting corpse,” the recipe for which comes from a spell book with a section about necromancy. Sophia asks if they can summon Cinderella’s spirit to communicate with her. Amina says that since she’s been dead for 200 years, a necromancy spell would be dangerous and require Cinderella’s corpse. Constance argues that Amina owes it to them to try since it’s her fault that King Manford rose to power in the first place. She finally agrees but warns the girls that the process will be complicated.

Chapter 24 Summary

That evening, Sophia and Constance gather plants from Amina’s garden to use in the necromancy ritual. However, some materials have to be found elsewhere, including a still-beating heart, which can be from a rabbit. Amina explains that the giant crow in the forest is her familiar, who watches the area and reports back to her. Sophia and Constance also discuss how, even if they find a way to end King Manford, his ideas and traditions are so entrenched in Mersailles’s culture that they won’t suddenly just go away. They’ll probably have to fight for what they want. Meanwhile, the girls’ feelings for each other continue to grow.

Chapter 25 Summary

The following night, Sophia and Constance discuss the plants they need for a divination ritual, which they’ll complete on a full moon. The sound of horses approaches, and Amina tells the girls to hide in the root cellar. The girls listen as Amina opens the door and King Manford insults her house. She asks why he’s here after not visiting for years and asks him to leave. The king says he wants the girl, and she again tells him to leave. He insults her magic, saying her spells don’t last and that she’s worthless, before leaving.

Chapter 26 Summary

When the full moon arrives, it’s time to gather plants and brew a tea for the divination ritual. Sophia and Constance go to a pond in the woods because Amina says submerging oneself in water enhances the effects of divination, especially if naked. Amina goes first, then Constance. Both seem distraught by what they’ve seen but don’t share their visions. Sophia then takes her turn and has a vision of King Manford’s face reaching for her own, a ball of light erupting between them, and then a pulling at the center of her chest.

Back in Amina’s cottage, Amina shares that she saw her own death, whereas Constance shares that she saw a body lying in a hallway filled with smoke. Sophia shares her vision as well, along with her doubts about being good enough to defeat Manford. Amina says she’s worthy. She also shares that she’s not special herself, being one of many witches in the forest. Sophia asks if Helen of Helen’s Wonderments is a real witch, and Amina refutes it, saying that she and Erin drank cow urine rather than a good-luck potion.

Chapter 27 Summary

The day comes for Sophia, Constance, and Amina to travel to Cinderella’s corpse in Lille. The journey is supposed to take four days on horseback, but somehow, following Amina’s direction, they get out of the White Wood with time to spare. They reach the watchtowers and Amina walks straight ahead, unconcerned. When the guards draw their swords, she enchants them with sleeping dust.

Sophia, Constance, and Amina avoid the main road, but a man still stops to harass them. Amina gives him a potion to make him sleep, too. She tells the girls that visions seen via divination are not always set in stone. Constance is carrying a book of fairy tales passed down from her family. Included in it is a version of “Cinderella,” but the drawings are different from the ones in the palace-approved version. The trio reach Cinderella’s real tomb and pry the lid off, but Constance sees the body and says it can’t be right.

Chapter 28 Summary

Cinderella has been in a coffin for 200 years, but her body hasn’t decayed. However, it is gray and her hair is white, like Liv’s body in the ditch. Sophia mixes ink, writes “arise and speak” (272) on a leaf, and places it in Cinderella’s mouth. She notices Amina’s spell book says that “the conjurer is bound to the raised corpse until death” (275) and that Amina seems scared of this magic. Sophia, Constance, and Amina speak Cinderella’s name three times, and she arises, confused at first. She thinks Constance is her stepsister Gabrielle, but Constance explains herself and says she needs to know what Cinderella was trying to tell Gabrielle before being taken away years ago. Cinderella can’t remember. The trio say they want to stop King Manford, and Cinderella says he did this to her, that he takes something from people, but she can’t remember what it is. However, she remembers a light being involved, like in Sophia’s vision.

Cinderella starts to fade because she doesn’t belong in the mortal world. She tells the trio to find her diary and to not let King Manford hurt anyone else. She returns to being dead, and the trio go to Cinderella’s childhood home to plan their next move.

Chapter 29 Summary

Sophia, Constance, and Amina reach Cinderella’s childhood home, and Amina goes out for a walk. Constance asks Sophia if she ever thinks about Erin. Sophia replies that she never thought she could love anyone except Erin, but this changed when she met Constance. She still cares for Erin and wants her to be safe, but now sees a different path with Constance, where she doesn’t have to hide or constantly convince her that their affection for each other isn’t wrong. Sophia and Constance then kiss.

Amina returns hours later with a flier that’s been pasted all over town. Every girl in the kingdom is now required to attend a midwinter cotillion as well. Although this event may be intended to draw Sophia to King Manford, the trio reason that it’s also a good chance for them to gain entry to the palace, search for Cinderella’s diary, and try to kill the king.

Chapter 30 Summary

Each night leading up to the cotillion, Sophia, Constance, and Amina review their knowledge and formulate plans, only to find flaws in them and start over. Amina takes trips to town to eavesdrop and hears rumors that security at the borders has increased due to a rise in disruptive incidents. This gives them hope that other resistors are out there.

Amina wants to examine Constance’s book of fairy tales again. In one drawing, there’s a lump on the ground, which looks like a corpse (Cinderella’s mother). Other details are also different—including Cinderella’s stepmother and stepsisters being made into monsters in the palace version of the story to take attention away from King Manford’s monstrous actions. Moreover, Cinderella is shown to be sharing a kiss with Prince Charming, but Sophia realizes it’s not a kiss—there’s a mysterious light between them, like in her vision and Cinderella’s recounting.

Constance stuffs some clothes with grass to make a target and teaches Sophia how to use a dagger and fight. Sophia wonders if she can face death and also if she can handle killing someone. She decides doing both is their only hope.

Chapters 23-30 Analysis

In this section, Sophia, Constance, and Amina continue to talk to each other and take next steps in research. They consult Constance’s book of fairy tales that has been passed down through generations. Her version of “Cinderella” has several differences from the palace-approved version, with its illustrations appearing to tell the true story. This resembles the real efforts of artists who had to find ways to tell the truth in plain sight, without authorities realizing it, in tyrannical societies.

In addition to pursuing archival research in textual form, Sophia, Constance, and Amina also perform a divination exercise to glean more information. Knowledge is treated as somewhat dangerous in the novel, with warnings given several times before facts are revealed. This is because knowledge can be painful, but also, once certain things are known, there is no going back, and they might affect future actions. For example, in the divination exercise, Amina sees her own death, which would deter certain people from moving forward. However, she is ready and willing to die for the sake of Sophia and Constance’s mission. She does not share the details of her death, such as who kills her, because it might deter the girls from moving forward with the plan. This shows how knowledge is complicated and sometimes the truth cannot be revealed until the proper moment—such as how Amina does not reveal she’s King Manford’s mother until later so the girls will continue working with her to defeat her son.

Sophia, Constance, and Amina ultimately consult Cinderella herself in order to learn the true details of her story. The palace-approved version of her story was clearly authored by Prince Charming, not Cinderella, and it’s been used to lead generations of girls in “Cinderella’s footsteps”—which were never her footsteps at all. She has no idea the story even exists, but she would hate its ideals as well as its portrayal of her. During the brief time she’s arisen from the dead, Cinderella reveals that she hated Prince Charming, wanted to kill him, wants the trio to kill him now, and that he hurt her. She also instructs the girls to read her old diary to gain more information, pointing them to more archival research.

The truth is complex and multilayered, just as Sophia, Constance, and Amina’s planning must be. Every time they gain new information, they must revise their plan to approach King Manford. Their plan remains tentative since they don’t have all the information needed until the end of the novel. Still, they strive to make the best plan possible with their limited resources. The trio use any means available to obtain information, including using textual archival research and divination, spying in town, interviewing first-hand witnesses (through necromancy), and sharing information with each other. Only by weaving different methods and perspectives together can they piece together enough of the truth to proceed.

Similar to real-life tyrants, King Manford increases the severity of his laws after rebellion starts to ensue. Sophia’s successful escape was a first, and he doesn’t want to look like he’s not in control of the situation. In response to her escape and other instances of rebellion, he initiates an additional ball with additional rules. This is a ruse to lure Sophia because he is obsessed with getting her back so he can prove he has power over her. Sophia later reasons that this shows she’s actually the one with power. On the other hand, Sophia and Constance prove to be equals in their own unique ways, and their romantic relationship blossoms for it. In Lille, Sophia felt she would never experience true romantic love. Although she had a partner whom she cared about, Erin was resigned to living by King Manford’s decrees and believed her feelings were wrong. With Constance, Sophia doesn’t have to watch what she says, nor does she have to fight to convince her partner that loving her is perfectly normal and worthwhile. Whereas Luke was the first person to affirm Sophia’s feelings and identity, Constance makes her feel fully seen; Sophia allows herself to imagine a happy future with someone where doesn’t have to constantly hide who she is.

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By Kalynn Bayron