61 pages • 2 hours read
Kalynn BayronA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The palace is elaborately decorated, which excites Erin but not Sophia. Once inside, a wealthy girl insults Sophia, saying a peasant isn’t good enough for Cinderella’s dress. Sophia expected cruelty from men tonight, but not other girls. The wealthy girl also implies that her parents paid to arrange a match in advance. Sophia tells the girl that she could still be abused by her future husband even if her parents paid him.
Men of all ages gather on a three-tiered platform, with King Manford on top. Guards push the girls into a line, and Sophia spots Liv, who is wearing a plain cotton dress with no makeup or fancy hairstyle; a fairy godmother didn’t visit her. Sophia fears she may be sent to a workhouse. She then spots Luke in the crowd of men.
Sophia panics because Luke said he was avoiding the ball; now, she wonders if everything he told her was a lie and if she’s in further danger. She notices portraits of kings since Cinderella’s time: Prince Charming, King Eustice, King Stephan, and the current King Manford. The crown gets passed to a successor of the king’s choosing; Cinderella and Prince Charming did not have a child, nor did the kings that followed. Instead, a secret city exists beyond the Forbidden Lands, the sole purpose of which is to produce heirs to the throne. Some girls are smitten with King Manford, even though he caused most of their families to go bankrupt.
King Manford scans the crowd, praising them, until he spots Liv, whom he commands to step forward. He asks if she was aware this event was formal, and she says her parents couldn’t afford a fancy gown and that she’d hoped for a fairy godmother. He calls her a disgrace and asks if she found her dress in a gutter; she made the gown herself. The king says her parents should have sold something or worked harder and that she should have been more devoted to the Cinderella story. He cannot allow her to attend the ball dressed like this because people will think his standards have been lowered. Guards take Liv behind a door and the band strikes up, allowing the suitors to mingle with the girls.
Sophia finds Erin, and they fret about Liv’s fate. Luke appears and explains that he plans to claim Sophia, with her consent, so she can be saved from a worse fate. They can then make a plan to escape Lille. Sophia feels like this could work. Erin says they’ll never get away, and if they try, she’s not coming with them. Another man appears and tries to flirt with Sophia and Erin.
The man who tries to flirt with Sophia and Erin is Édouard, the brother of Luke’s bully Morris. Sophia throws a drink in his face and then flees his presence. Luke explains that Morris and Édouard’s father gave up their mother as forfeit so he could take a new wife. Their family is close with the king because they have ties to trading posts beyond the Forbidden Lands.
Sophia and Luke discuss how to escape the borders. Luke says they’re guarded less on the western edge, near the White Wood, which people are afraid to enter. Sophia is willing to try this plan but is still upset about Erin and Liv. Luke goes to tell the registrar he’s putting a claim on Sophia. She looks to the door that Liv entered and sees an elderly woman exit, but not Liv.
Some guards reveal that Luke’s claim to Sophia is void because someone higher ranking also put a claim on her: Morris. The guards take Luke away, and Sophia worries what will happen to him. Morris comes to flirt with Sophia, who continues to insult him, and he threatens her. Sophia runs off in search of an exit. She goes to the bathroom, where there are small windows. She removes most of her excess clothing, leaving her dress on, and is able to partially fit through the window.
A guard notices Sophia climbing out the window and grabs her leg, but she kicks him until he lets go. He can’t fit through the window, and Sophia climbs onto the roof. She falls through and ends up in a passageway under the palace. She hears a prisoner crying behind a door, who tells Sophia to escape. She runs out the back door and into the woods behind the palace.
It’s dark and the estate is vast, so Sophia can’t tell where she’s going. After walking for what seems like hours, she stumbles upon a mausoleum with the word “Cinderella” on it.
Cinderella’s fabled tomb seems to have been abandoned in recent years, but the ground is littered with notes and prayers to her, as well as letters between people planning escapes. Sophia hears someone coming, so she enters the mausoleum. Inside is a marble rendering, not a real corpse.
Sophia reflects on how Cinderella’s story ends with her supposedly happy union with Prince Charming but does not describe the prolonged illness that led to her early death or the suffering of the kingdom’s subjects at the hands of her husband. Sophia sees Cinderella’s legendary glass slippers and says aloud that perhaps the legends are true. Another voice behind her says, “not entirely.” Sophia warns the figure not to touch her, but the young woman says she wouldn’t dare and confirms she would rather die than work for the king.
The two girls size each other up, considering why the other isn’t at the ball. Sophia says she left the ball and is trying to get home because she doesn’t want a husband. The other girl, Constance, gives Sophia some clothes and tells her to stay hidden and meet her at a certain fork in the road tomorrow.
Sophia plans to follow Constance’s instructions but first goes home to see her parents. Two palace guards are already at the house, so Sophia taps on the window to catch her father’s attention. He tells the guards that he spotted her and points them in the wrong direction, giving them a brief chance to talk. Her mother hugs her, but her father is furious that she put them in this position after how hard they worked to prepare her for a good match. He explains that they can’t keep Sophia safe and that she can’t be here when the guards return. Sophia laments Liv, and her father says her family failed her. Sophia’s mother wants to hide her, but her father refuses.
Sophia finds Constance, who tries to console her about Liv. The far western side of Lille is largely abandoned, and the girls travel a few miles beyond this area to the decaying house where Cinderella lived with her family. Constance gives Sophia food and reveals that she is Cinderella’s last living relative (specifically, her sixth great-niece, or the sixth great-granddaughter of her stepsister Gabrielle, who was not “evil” as Cinderella’s story dictates). She keeps her family’s stories alive, though she doesn’t know the full truth behind Cinderella herself. She shares what she does know with Sophia: Cinderella’s father, not Prince Charming, was actually next in line for the throne of Mersailles. During a drought and famine, Prince Charming claimed he could save the kingdom. Initially, the people refused his help, but after conditions worsened, they yielded to Charming. Suddenly under his power, crops flourished, and people loved him. Then, he started implementing restrictive and dangerous laws. Cinderella’s parents tried to rally against him, so Charming imprisoned her mother and she eventually disappeared. Cinderella’s father remarried, but Lady Davis was not “evil” as Cinderella’s story dictates. He then disappeared from the palace as well, and at age 18, Cinderella was chosen by Charming at the first ball. Charming’s successor, King Eustice, was worse than he was, and the same happened with each successor after that. Sophia questions why Cinderella would go to the palace willingly, and Constance says this is a mystery to her as well. She thinks the fairy godmother may be responsible somehow. Later, Charming tried to execute Lady Davis, her daughter Gabrielle, and her other daughter using a method similar to crucifixion, but Gabrielle was able to free them all after three days and took to the woods. Their descendants cannot rejoin society but have been training to fight and pass down their stories.
Constance reveals that Cinderella had been trying to tell Gabrielle something about a curse on Prince Charming, or the kingdom itself, but palace guards took her away before she could finish. Sophia finds herself developing a crush on Constance. She proposes that perhaps Cinderella’s fairy godmother could perform a curse to help them. Constance says she disappeared into the White Wood when Cinderella died to live out her days; she thinks anyone who knew her would be dead by now. However, Sophia reasons that the fairy godmother might have passed her stories down to someone else. They plan to journey to the center of the White Wood in search of information on the fairy godmother.
In the morning, Constance says they should go to town to get supplies, but first, they have to dress up as men to avoid detection. They pass the spot where Cinderella’s mother was allegedly buried. Unlike Cinderella’s stepmother and stepsisters, who were made into villains, her birth mother was simply left out of the palace-sanctioned story.
At the ball, Sophia has several realizations until she reaches a breaking point and flees, despite the dangers. Firstly, she is bullied by a wealthy girl at the ball and is taken aback—as she was expecting rude comments from men, not other girls. However, in Lille, women are extremely isolated from each other and have been taught to view each other as competition for the attention of men. Their lives literally depend on being chosen, so competition between them is not surprising. Rather than finding a way to band together and resist the oppression that affects them all, women in Lille tend to view each other as enemies, rather than focusing on the real enemy (King Manford and his decrees). This emphasizes The Complexity of Oppression and Rebellion and echoes the themes of the palace-approved version of “Cinderella,” where the stepsisters are evil and jealous of Cinderella, who is chosen by the king (supposedly the most desirable suitor of them all).
Secondly, other girls, including Erin, delight in the palace’s decorations, as well as the king himself: “Some of the other girls in line seem completely smitten […] They stare up at him, their mouths open, smiling, as if he and his predecessors aren’t the sole reason most of their parents have gone bankrupt” (92). Sophia realizes that most people in Lille have been influenced by Mersailles’s misogynistic culture, suggesting that Weaponizing and Challenging Gender Roles is something that affects everyone. Some try to deal with it by making the best of a terrible situation, whereas others seem genuinely tricked by Cinderella’s story (which is no more than propaganda). Even Erin believes something wonderful might come out of the ball, buying into the myth of Cinderella’s happy ending despite evidence to the contrary. However, even the female bullies and others seduced by the story end up disturbed once the ceremony begins: “The atmosphere changes as the guards direct a line of girls across the grand ballroom. […] this is no happy social gathering. It isn’t even a well-disguised trap” (86). Sophia proves one of the few who doesn’t fall for this trap, well disguised or not—alongside Luke.
Luke again offers camaraderie and hope when he plans to claim Sophia to save her from a real marriage. He offers to claim Sophia rather than simply informing her that he’s claiming her, which is the norm; women have no say in the matter. However, Luke and Sophia’s plans to escape are interrupted by Morris, who claims Sophia as well (as someone of higher rank), voiding Luke’s claim. Luke’s conflict shows the way in which patriarchal society also harms men. As a gay man, he can’t enter a legal union of his choosing, and the last time he did so, his partner (Louis) was forfeited and probably killed. He is also of low rank, which renders his claims invalid should someone like Morris stake a claim. Luke is imprisoned as a result of just that. Still, his selflessness shows Sophia that hope is possible, but collaboration is necessary in order to succeed.
Once Luke is gone, Sophia has no one to collaborate with and instead escapes on her own—until she meets Constance. Although she is initially cautious, Sophia is willing to trust Constance because Luke proved that other revolutionaries exist. Once she teams up with Constance, Sophia is able to begin the process of Parsing History and Truth. She knew in her heart that parts of Cinderella’s story were lies, but nobody else would ever confirm this. Now, Constance, a descendant of the real Cinderella, is able to validate Sophia’s suspicions that something is amiss. In a show of trust, the two share what they know and decide to seek information about Cinderella’s fairy godmother.
Sophia’s introduction to Constance is also significant because this is the first time she’s met someone raised outside the restrictive society of Lille. As a woman, Sophia isn’t allowed to be out at night, travel alone, use weapons, or do much of anything. On the other hand, Constance is out and about, wears pants, and is skilled with a knife. Sophia reflects that she didn’t even know women could have the type of power Constance has. This is both inspiring and attractive to her. Through her interactions with Constance, Sophia also gets a taste of what it’s like to be able to say whatever she wants, even more so than she did with Luke—which is important for her development and eventual ability to defeat King Manford.
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