98 pages • 3 hours read
Isabel AllendeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Before setting out from the village, the members of the expedition visit the compound of Mauro Carías, who is rumored to be ruthless in pursuing wealth, even though “it was never proved that he had blood on his hands” (100). Carías treats his guests to an extravagant lunch and Alex especially appreciates the familiar imported food. While discussing Nadia’s education, she claims that she can speak with animals, which most of the guests do not believe. Carías suggests that she might be able to talk to one of his pets and takes the group out to his patio to view a restless black jaguar in a cage.
Alex is immediately entranced by the jaguar. When he gets close to its cage, he has a vision of being alone with the animal on “a vast amber plane surrounded by lofty black towers” (104), with six moons in the sky. He hears the jaguar speak his own name and answers it with the word Jaguar. While Alex is lost in his vision, Carías has a monkey thrown into the cage as prey for the jaguar. Alex attempts to free the jaguar and save the monkey, but before Alex can open its cage, César Santos shoots and kills the jaguar. Carías is furious, but Santos says that he killed the jaguar to set it free.
After leaving the compound, Alex tells Nadia about his vision and she explains that the jaguar is Alex’s totem animal, saying: “We all have an animal spirit that accompanies us. It is like a soul” (108). According to Nadia, Jaguar is Alex’s true name and he must strive to be like a jaguar. She explains that “animals aren’t cruel the way people are” (108). Alex begins to believe Nadia, who says that she gets her spiritual knowledge from Walimai.
The members of the expedition pack up their supplies and prepare to travel up the river to find the Beast. Leblanc hires an Indian named Karakawe to serve as his personal assistant on the trip, to fan Leblanc with banana leaves and carry his supplies. Additionally, five of Captain Ariosto’s soldiers join the group, along with another Indian guide named Matuwe. Although Leblanc protests, Nadia also joins the group, in order to stay with her father and avoid the unwanted attention of Mauro Carías.
The group sets out on the river once again, this time traveling up the Orinoco. Alex tells Kate about the conversation he and Nadia overheard. Though Kate states that she dislikes Carías and worries about his plan to exterminate the Indians, she agrees with Nadia that it’s best to simply wait and see what happens. As the journey progresses, Alex senses that the adults are all tense and worried, and he feels as if he is being watched.
From the locally-born soldiers and the Indian guides Karakawe and Matuwe, Alex learns more about the culture of the native people. He discovers that Indians tribes own almost all possessions communally, share labor and child-rearing equally, and live together in group homes called shabonos. However, it is said that contact with outsiders can have a profoundly corrupting influence on the Indians, especially when they learn about metal weapons like machetes or guns. Karakawe, who has lived among outsiders for a long time, seems not to be like other Indians and rarely speaks to or spends time with the other members of the expedition. Nadia and Alex catch Karakawe going through Dr. Torres’s possessions and decide “to keep an eye on him” (118).
As the boats progress into Venezuelan territory, Alex encounters many strange and beautiful new fruits and animals. Kate notes that this is also the region where the mythic city of gold, El Dorado, is said to be located. To pass the time, Alex plays his flute and discovers that in addition to comforting his companions, the music attracts birds and monkeys from the jungle. The peace on the boat is interrupted when a poison dart from the jungle strikes and kills one of the soldiers. Leblanc is particularly upset by this development and wishes to return to the village.
The journey becomes increasingly uncomfortable, and the party stops to rest at a small lake. Watching the women in the group swim, Alex reflects that the journey has been a welcome respite from “hormones churning around, not letting him think in peace” (132) and notes that he can now see the women’s bodies as “equally beautiful, each in her own way” (133). While swimming, the photographer Joel Gonzalez is attacked by an anaconda. Though the rest of the group kills the snake, Joel is seriously injured and Dr. Torres states that he needs to return to Santa Maria de la Lluvia. The party roasts the anaconda and Alex, interested for the first time in trying a new food, eats some of it. Reminded of his father’s pancakes, Alex has a sudden, brief vision of his mother. Nadia tells him that with practice, he can improve that ability to see her "from afar, with the heart” (140).
The group makes camp in the jungle and sets up shifts to keep watch. During his shift, Alexander realizes that he has gained the ability to “sit quietly for a long time, in silence, concentrating on his thoughts” (143) and likens this new experience to the calm focus he feels while mountain climbing. Toward the end of the night, Alex is awakened by shouts around him and a terrible smell that permeates the campsite. Karakawe reports that one of the soldiers on his shift has vanished and the group discovers the missing man’s mutilated body in the jungle. Near the body is a huge pile of excrement, which Leblanc falls into, and the members of the expedition agree that an enormous animal must have left the dung. They also find broken branches and dark hairs nearby, all signs of the Beast.
After this second death, the group decides that Matuwe, along with some soldiers, should take the injured Joel Gonzales back to the village in one of the boats. The rest of the group resolves to continue, though Leblanc initially tries to leave and only commits to staying when Kate threatens to publicly expose him as a coward. Alex and the others proceed to set a trap for the Beast, though Nadia says that she hopes the trap fails, wishing that they could instead “talk with it and ask what it wants” (155). They also set out gifts to attract any nearby Indians, so that Dr. Torres can vaccinate them. Additionally, the members of the expedition discover that their radio is broken, and Nadia suspects Karakawe of tampering with it.
Alex plays the flute for the group again after dark, and Nadia’s monkey Borobá draws Nadia and Alex’s attention to a presence just outside the campsite. The friends sneak out in to the jungle and discover that they’re surrounded by silent, nearly invisible people with painted bodies. Alex is filled with wonder, and the mysterious beings vanish without speaking. Nadia tells Alex that the beings must be the legendary People of the Mist, a remote native tribe said to possess the power of invisibility. They agree not to tell anyone of their meeting.
Beginning with Alex’s sudden vision in "The Black Jaguar,” the novel’s metaphysical themes develop significantly in these chapters. Where Alex was previously skeptical of Nadia’s belief in visions and spirits, he begins here to become more credulous of happenings that fall outside his strictly rational worldview. The incident with the jaguar is particularly important in propelling him toward greater maturity and open-mindedness. After briefly communing with the jaguar, Alex finds himself connected to a greater sense of calm and is even willing to risk trying a new food, an idea which previously repulsed him. His reward for taking that risk is a vision of his beloved mother, indicating that Nadia’s notion of “seeing with the heart” is directly related to a willingness to accept experiences without fear and judgment.
Just as Alex’s resistance to spiritual growth begins to erode, so to do the barriers between reality and myth begin to fall away as the expedition moves deeper into the jungle. Though the Beast was rumored to be only legendary, it leaves behind very tangible proof of its existence. This proof takes both terrifying forms—the soldier’s mangled body—and comedic ones—Leblanc covered in excrement—and Nadia continues to maintain that the Beast is a misunderstood animal rather than a dangerous monster. These conflicting perspectives on the Beast leave the members of the expedition unsure of how best to continue, caught as they are between fear and curiosity.
This sense of mystery and uncertainty reaches its peak in Nadia and Alex’s encounter with the People of the Mist. They appear both solid and vaporous at the same time, seeming to be neither human nor spirit. Alex senses danger but finds himself unafraid, a seemingly illogical tension that he embraces nonetheless, symbolically resolving the problem of conflicting perspectives that has plagued the expedition since its departure from Manaus. Also significant is the role that music plays in bridging these divides: when Alex plays his flute, conflicts within the group diminish, animals are unafraid of humans, and even the elusive People of the Mist show themselves. Music serves as a constant between divergent ways of thinking and being, and Alex’s command of it symbolizes his potential to reconcile seemingly opposed interpretations of reality.
By Isabel Allende
Action & Adventure
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Appearance Versus Reality
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Hispanic & Latinx American Literature
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Juvenile Literature
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Magical Realism
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Realistic Fiction (High School)
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Romance
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Spanish Literature
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Truth & Lies
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YA Mystery & Crime
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