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98 pages 3 hours read

Isabel Allende

City of the Beasts

Fiction | Novel | YA | Published in 2002

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Themes

Surface Appearances versus Inner Truth

From its first chapter, City of the Beasts explores the frequent and surprising dissonances between outward appearances and internal realities. Throughout the novel, hardly anything is what it seems: the frail Morgana turns out to be a thief; the ferocious Kate becomes a nurturing figure in Alex’s personal development; even the golden city of El Dorado is revealed as a kind of mirage. 

The starkest example of this persistent duality comes from the Amazon itself, as well as the native people who live there. Alex quickly learns that the jungle is both stunningly beautiful and terrifyingly harsh, as when Joel Gonzalez is attacked by the anaconda shortly after Alex enjoys swimming with dolphins in that same river. Similarly, Leblanc describes the natives as “brutal warriors, cruel and treacherous” (54), but once Alex and Nadia actually meet the People of the Mist, they discover the tribe to be largely peaceful and welcoming. The most menacing and mysterious figure in the book, the Beast, also proves to be very different in reality than in reputation. It is neither inherently violent nor magical in nature; rather, its existence, though wondrous, is completely within the bounds of science and rationality.  

Allende points even more explicitly at the essential differences between surface and inner truth in her exploration of Alex and Nadia’s respective totem animals. Just as the Beast is not the monster that the humans feared it to be, the humans themselves are closer to being beasts than they had ever suspected. Though Alex has never heard of a totem animal before his journey begins, his recognition upon meeting the jaguar is instantaneous, and when the jaguar is shot Alex feels “as if the bullet had struck him between the eyes” (106). Alex discovers an animal side of himself that is in many ways truer than his human self, enough so that he adopts the jaguar’s name as his own. Nadia does the same with the eagle, embracing a hidden facet of her identity even when her outward human self is frightened of the heights the eagle represents. By the end of the novel, the outward expression of nearly every character has been subverted by a deeper truth that rises to guide the character’s actions.

The Place of the Native Peoples and Natural Resources of the Amazon

Though fictional, the narrative makes explicit reference to real-world conflicts occurring both in the Amazon and around the world. The destruction of native peoples and natural resources for the gain of personal wealth, governmental power, and military objectives is commonplace in countless global settings. Here, Allende addresses this ongoing conflict by delving into different interpretations of the role that the Amazon’s native peoples and natural resources play in an ever-progressing world. 

It’s clear from the start that the members of the International Geographic expedition come from a culture that is ostensibly more advanced than those of the native Amazon peoples, with Alex noting that many are “still in the Stone Age” (49). With their fire, technology, and weaponry, the expedition and the other explorers who have come before them seem to have a significant advantage over the Indians. However, Dr. Torres notes that the introduction of these advantages to the natives has not been a gift but rather a curse that corrodes their society: “with a knife, any warrior felt he was a god” (118). Conversely, the natives possess an advanced connection to nature, animals, and each other that seems foreign and surprising to Alex, who has never observed such an asset in his own culture. This tension between what is truly “primitive” or “advanced” comes to a head when Leblanc sees the carnage his expedition has caused in the peaceful village and realizes: “[h]is worst nightmares had been reversed: [t]hey themselves were the savages, not the Indians” (355). Throughout, Allende questions the narratives of progress that underlie real-world attempts to do away with the traditional ways of life of native peoples. 

The value of the pristine Amazonian land is similarly fraught. Mauro Carías acts as a stand-in for the idea of progress at all costs; to him, undeveloped Amazonian land is pure waste, in that leaving it intact means leaving resources like ore and wood unused. However, it becomes clear that developing the land is also wasteful, as it destroys existing resources like the plants necessary for traditional medical remedies and, perhaps most importantly, the calm stasis that the native people have established with the land over the course of countless generations. By the time Alex and Nadia meet the Beasts and learn the truth of their symbiosis with the People of the Mist, it is clear to them that the entire rainforest is a macrocosm of exactly that kind of interconnection; no aspect of the land can live for long without the support of all the other aspects. By underscoring the immense value of this delicate balance, Allende argues against the removal of natural resources for raw material gain.

Mindfulness

The importance of mindful engagement with lived experience is a recurring theme throughout City of the Beasts, materializing largely through Alex’s personal development. At the start of the story, Alex is quick to anger and struggles to control his emotions, letting himself get so carried away that he destroys all of his possessions. However, he evolves over the course of story to gain presence and calm even in increasingly difficult circumstances, guided by the new environment and spiritual perspectives he encounters on his trip. 

By the time that the expedition makes camp after leaving Santa Maria de la Lluvia, Alex already finds that he can “transport himself to that private place of stillness and silence that he had to reach when he climbed mountains” (143) and does not get bored easily like he did at home. Even just a few days into the trip, Alex’s experiences have given him the foundation of calm necessary for more active mindfulness. Soon thereafter, Alex finds himself compelled to put that ability to good use, when he is responsible for both his safety and Nadia’s during their climb up the waterfall. Alex tells Nadia to “concentrate on the next move…without hurrying” (192), indicating his appreciation of the power of a calm, focused approach to an overwhelming task. This tactic recurs when Alex begins to panic in the tunnel that leads to the water of life; even in this moment of greatest despair, he remembers his father’s advice to “seek your center” (302) and uses methodical attention to his body and breath to find the strength to continue. What began as a simple sensation of increased peace becomes a method for literal survival, as both Alex’s life and that of his mother ultimately rest on his ability to remain psychically grounded. By gradually increasing the stakes that rest on Alex’s mindfulness, Allende illustrates its utility in resolving and balancing the fraught dualities that create tension throughout the story.

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