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62 pages 2 hours read

Michael Cunningham

Day

Fiction | Novel | Adult | Published in 2023

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Part 3Chapter Summaries & Analyses

Part 3: “April 5, 2021, Evening”

Part 3, Pages 199-205 Summary

Content Warning: This section of the guide discusses drug addiction and suicidal ideation.

Isabel and Nathan stand on the porch of Isabel’s new home in the woods, which she started renting after separating from Dan. Isabel tells Nathan that he chose a good spot to scatter Robbie’s ashes, but Nathan challenges her on how she knows what Robbie would want. Isabel reminds Nathan that he is not at fault for what happened to Robbie—he was in Iceland when he got sick and had a heart condition—but she knows that, on some level, Nathan blames himself. Nathan points out that Violet also has a heart condition and that she could have died from COVID-19 after their family got it from Harrison and Chad the night they snuck into their house. She knows that she has failed at convincing Nathan not to blame himself, as he turns to go back inside.

Once Nathan is gone, Isabel thinks of how much he has grown up. She thinks of him as in-between childhood and adulthood: Part of him needs reassurance that he is not to blame, while another part of him acts “gruff” like he doesn’t care. Ultimately, she decides that she may drift apart from the Nathan he becomes, but he needs to become that person to forgive himself. As she looks out into the dark, she wonders if moving to the wilderness was a good idea. She realizes that it “might be the wrong place. Or it might be the right place, and her expectations were wrong” (205).

Part 3, Pages 206-217 Summary

Nathan goes back inside, where Chess sits with Odin on the couch. Chess asks him if he is prepared for the funeral and to scatter Robbie’s ashes the next day, and Nathan says that he is—even though he does not feel okay about it. Isabel had he and Violet choose the spot to scatter Robbie’s ashes, and Nathan let Violet choose. He wonders if he should tell his mother he’s not happy with it, but then decides he does not want to upset Violet. Lately he has felt like it is his “duty” to look after her more and he tries to upset her less.

Nathan sees his father’s car lights approaching out the window. He realizes that his mother was out there waiting. He thought she had gone out to comfort him—that she had somehow realized how “today and the day before and the day to come evacuate him” (211), that he has not been okay since he let COVID-19 into their home and since Robbie died. He has been seeing a therapist, but he does not have the words to tell her how he feels; he is hoping that someone in his life will understand, but no one ever seems to.

As Dan sits in the car with Violet, he wonders if she is going to get out. He realizes that she has changed since she was sick, more specifically since she called out to him that a man—part dog—was standing in the corner in her room. He hopes that she is just getting older but can’t help to think that she now has a more “tucked-away quality” where she “performs” the way she believes she is supposed to act (213), hiding what she really wants to do and say.

When Violet gets out of the car, she asks Isabel if she has seen Robbie’s ghost. She is not surprised by the question and assures Violet that Robbie’s spirit is there. Isabel also notes the dress that Violet is wearing, a yellow one that no longer fits her, and is annoyed at Dan for allowing her to.

Violet thinks of how her parents think she is “simple,” and she is okay with them believing that. She wore her yellow dress because Robbie bought it for her. She remembers trying it on in the store for the saleswoman and Robbie, who both smiled at her. Years later, Violet will realize it was the first time she became aware of her own “prettiness.”

The cabin in Iceland sits empty. There is a skull on the wall, hanging next to a shelf of old books. There is also an old T-shirt hanging with “Ramones” written on it—which belonged to Dan.

Part 3, Pages 218-226 Summary

Chess goes out onto the porch and finds Garth. He apologizes for telling her that he loved her earlier. He thinks of how he did not realize when it happened, when their friendship turned into love for him, but he is certain that’s what he feels for her.

Chess thinks about their relationship and how the world expects them to be together because it prefers women to marry men, especially those that have a child. She considers her feelings for Garth and, even though she knows she is not attracted to men, she decides that what she feels is “not nothing and maybe, in its way, is not exactly, not entirely, not love” (223).

Chess reveals to Garth that she got a job offer teaching at Berkeley in California. He is angry that she did not tell him sooner, but she insists that she has not yet decided whether to take the job. She tells Garth to move to California with her, then immediately backtracks. She finds herself being “cruel” to him and wonders why, then realizes it’s because he did what “most men” do: He made his feelings her problem by saying, “Here is my desire, here is my loneliness, what are you going to do about it?” (223). Garth angrily leaves to go for a drive.

Isabel cooks dinner in the kitchen. She takes out Robbie’s phone and chooses a photograph from Iceland, which she then posts on Wolfe’s Instagram. After Robbie’s death, she took over Wolfe’s account and started posting photos of Robbie. In her mind, Robbie and Wolfe met at a party and are happy together in Iceland. Though their meeting and their lives together matter to Isabel, she knows that his followers care little about the “narrative”—just as they don’t care that the two have been in Iceland together for over a year. She thinks of Iceland as an “eternity” that Wolfe and Robbie will share together, outside of time.

Part 3, Pages 227-243 Summary

Nathan leaves his mother’s house and goes to a lake nearby. He lays on the grass where they plan to put Robbie’s ashes and decides that it is an okay place. He’s surprised that everyone believes him when he says that he is okay—but then realizes that people are happy when there are fewer other people for them to worry about.

As he lays in the grass, he thinks of how “he can’t be forgiven” (227). He gets up and walks to the edge of the lake. He feels how cold the water is and notes how the coldness is what he is most afraid of. However, as he slowly wades into the water—hearing an owl hoot in the distance—he decides that he can overcome the cold. As the water rises above his legs, he hears the owl again and sees a star reflected in the water.

Dan comes into the kitchen and offers to cook dinner for Isabel. She accepts and sits nearby. Dan comments on how nice the kitchen is, and Isabel thinks of how it is the only nice thing about the house. She liked the idea of getting out of Brooklyn and in some way chose the house for Robbie, but she is realizing how many issues the house has.

She also considers how well Dan is taking everything: His music career never really took off, but he was not disappointed when he gave it up again. She expected to have to console him or that he would spend hours in his room, but instead he seemed almost relieved. Similarly, she thought Dan would have a reaction to Garth’s career taking off, something like jealousy when a famous artist bought his Hamlet headdress, but instead Dan seemed unfazed by it.

The two talk about Robbie. Isabel asks if they should have invited Oliver or Adam, but Dan insists that it was a good choice not to. Isabel admits that she is upset that Robbie died without being in love, that there is no boyfriend or husband here now. Dan tells her that he and Robbie loved each other, but that it was never anything sexual. Isabel says that she knows, then brings up the memory of the two of them driving to see the ball of yarn. She thinks of how Robbie came back more confident, with more “conviction,” and truly happy—as if the drive changed him. She tells Dan that maybe Robbie wasn’t in love with Dan, but instead was never able to find the joy from that trip in anyone else.

Dan and Isabel then sit in silence. Dan wonders if Isabel will ever ask him how he is doing. He thinks of how Robbie was “the love of his life,” and asks himself if Isabel “could possibly think that Robbie mattered less to Dan because Dan isn’t gay” (241). As the silence stretches on, he thinks that there might be hope for his and Isabel’s relationship, as they amicably separated and still care for each other. Then, Isabel thanks Dan for being there for her, which is followed by another silence. Isabel thinks of how there is nothing left between them, how they can go on being friendly and raising the children but that their separation is “final.”

Part 3, Pages 244-255 Summary

Violet goes up to her room. She opens the bedroom window and looks out into the forest, seeing the spirits of the trees and the animals. Since she got sick and saw the man in her bedroom, she is able to see “shadows” in the world, remnants of lives like the one she saw over the dead squirrel on the drive here.

Isabel puts up a photo on Instagram of the view outside the cabin. She can see the slope of the hills, which seem to disappear into the valley below. She writes a “poetic” caption and hesitates the post it—realizing that it is written differently than Wolfe’s usual captions—then decides to post it anyway.

Garth drives on the backroads through the forest. He is angry that he could not find the right words to talk to Chess and realizes now that nothing he says will help his situation. With his career taking off, he also cannot move to California—especially if he is doing so just because that’s where Chess went. He wants to be part of her life and part of Odin’s, not just “peripheral” to it.

Nathan swims out into the lake, overcome by the darkness and the cold. He searches for the star’s reflection but doesn’t see it, so he swims further. He feels as though he can’t go back to his family—not wanting to feel their “warmth” or their sympathies. Instead, he swims, his “destination […] an absence he’s disappearing into, where he’ll swim out of himself and be no one, where he’ll be gone” (250).

Isabel finds Chess outside sitting in a chair. She asks how things are with Garth, and Chess confesses that she thought things would be easier—that she never envisioned Garth falling in love or wanting to be a father. Isabel compares it to her situation, saying that she also thought things would be easier. Isabel suggests that they should become better friends, but Chess admits that they don’t really like each other. Isabel agrees but says that that shouldn’t “stop [them] from being friends”—as things get “lonely” and “tired” (252). Chess agrees, and Isabel says they should get back inside for dinner.

The two sit together a little bit longer. They both are going to continue their lives alone, even though they have people in it, always in a “vigilant” state—worried about the future for their children.

As Violet stands at the window, she sees Robbie—a slightly less dark patch, a whisp of air in the night. She sees that he is “lost and confused,” unsure where he is or where he is going, so she stands in her yellow dress “to remind him of this world as he leaves it for another” (255).

Part 3, Pages 256-269 Summary

As Garth drives, he sees Nathan by the side of the road. He pulls over and makes Nathan get in, realizing that he is soaking wet. Nathan refuses to accept the blanket Garth offers him or close the door. Garth tries to get Nathan to tell him what he was doing. Initially Nathan says he doesn’t want to talk, then tells him he was in the water to look at a star—from a view that no one ever saw it—but once he was in the water, he couldn’t see the star at all. He admits that he wanted to be in the cold and the dark to “to know what it was like. For Robbie” (258). Garth is unsure how to respond but keeps telling Nathan that he should not be thinking about that and that he did nothing wrong. He tries to leave, but Nathan tells him he needs another minute. He reaches over and grabs Garth’s hair, and the two sit together in silence.

Nathan thinks of the stories he was told as children, of the dark and the creatures that lived there. In the stories, the children always survived and defeated what they faced. However, he wonders why the stories failed to mention how much the children changed and were affected by what they went through to survive.

Chess sits with Odin on the couch. She decides that she has to continue the life she has laid out for her and Odin—whether she wants to or not. She knows that she will always have to make excuses to Odin about Garth, reminding Odin that Garth is doing his best even when he is unreliable or late.

On the front porch, Dan snorts drugs from a vial. He feels a “jolt of return,” like he is himself again, and knows that “he should feel guiltier about it than he does” (262). He thinks of everything he is going through—losing Robbie while no one notices his pain, caring for his children each day while his music career repeatedly fails, feeling like an “embarrassment” to his own son, and more. He takes two more “hits,” then tells himself that there is hope, as he and Isabel will get back together, and he will find success.

As Garth drives, he tells Nathan that he needs to talk to his parents. He offers to listen to Nathan if he wants to talk more about it to him.

Violet stays at the window until Robbie’s shadow leaves and whispers “goodbye.” She then looks at the mirror in her room and sees herself, staring back, in her yellow dress.

Isabel decides that she will stay in the house long enough to fix it up, then find something better. She also decides that she is going to find a new job and meet someone new and hopes that there is a chance at some happiness—despite everything she has been through. She pulls out Robbie’s phone and makes one final post to Wolfe’s Instagram. It is a selfie Robbie took in the cabin doorway, wearing Dan’s Ramones T-shirt, with the inside of the cabin behind him. She writes in the caption that it is his last post and that they are leaving Iceland but will always take a piece of it with them, as they return home then onto the next part of life.

Part 3 Analysis

Just as Wolfe’s post on Instagram of a home in the woods and Robbie’s cabin in Iceland symbolized their desire to find peace and happiness, the home that Isabel is renting in the final section of the text symbolizes hers. Throughout the novel, she expresses her lack of fulfillment in their apartment in Brooklyn, instead wanting to have the home in the country that she always dreamed of. This desire for a perfect home symbolizes her longing for emotional stability, security, and love—yet much like love itself, the home turns out to be more complicated than expected, filled with flaws and disappointments. However, just as Robbie’s cabin did not provide the happiness he sought, Isabel, too, recognizes the issues with her new home. She realizes that the house needs to be updated, there are leaks, and she is dissatisfied with much of the design of the house. These flaws represent her further Midlife Disillusionment, as she saw a home like this as the answers to her unhappiness but realizes now that it is only more disappointment. The house symbolizes her attempts to fix her internal world by changing her external environment, reflecting how love, too, cannot be fixed by superficial means.

Instead of being discouraged, she chooses to turn away from Dan and his desire to rekindle their marriage and recommits to her home in the country. This decisive moment mirrors her commitment to finding peace with herself, no longer relying on external love or validation from a failing relationship. This decision marks a change in Isabel: she is determined to find a new home, find a new career, and even find new love if that is what it takes for her to be happy, no longer settling for her “in-between” life.

Conversely, Dan fails to escape his unhappiness, instead falling back into substance use disorder to cope with Robbie’s death, his divorce, and his failed music career. Despite all signs telling him otherwise, he ends the novel adamant that he still has a chance with Isabel—determined to stay on his same path of unhappiness. Dan’s inability to move forward and his relapse into substance use disorder reflect the darker side of love and attachment, where the inability to let go traps him in destructive patterns.

One important component of Dan’s relapse is the fact that he feels as though no one is helping him grieve Robbie’s death and that Isabel is oblivious to his suffering. This mirrors The Complexities of Love and Attraction in that Dan’s attraction to the past, to his memories of Robbie and his failed relationship, overwhelms his ability to live in the present. This idea runs parallel to the thoughts that Nathan is having as he enters the lake. He thinks of how “he can only hope someone—if not his mother, someone else—will figure it out” that he is devastated by Robbie’s death and the guilt he feels over it (211). However, after Nathan reemerges from the lake—a symbolic cleansing of his feelings of guilt—he finds some comfort in Garth, providing hope that Nathan will be able to heal and move forward, avoiding falling into what his father has succumbed to. Nathan’s ability to reach out to Garth, even in his own quiet way, contrasts with Dan’s isolation, emphasizing that healing and moving forward in love often require vulnerability and connection, not just internalized grief.

When Dan and Isabel discuss Robbie in the kitchen while Dan cooks dinner, their conversation conveys the theme of The Complexities of Love and Attraction. Ironically, Isabel is adamant that the thing she is most upset about is that Robbie died without ever having loved anyone, that “of all the impossibilities, one of the least tenable is the idea of Robbie alone in that cabin” (235). However, this thought is ironic because multiple characters claim to have found love: Garth with Chess, and Dan and Isabel with each other. However, each of these characters is profoundly unhappy with their lives—despite the fact that they have found love. Cunningham uses this moment to challenge the traditional view of love as a healing force for life’s difficulties. Isabel, overwhelmed by her grief over Robbie’s lack of romantic love, overlooks the more complex emotional connections that sustain people, such as Robbie’s bond with her and Dan. For Isabel, she sees “love” as something that would have saved Robbie, ignoring the fact that it did little for her other than to cause her disillusionment. In this way, love in the novel is multifaceted—sometimes an illusion, sometimes a source of stability, but always far from the simplistic romantic notion Isabel wishes it to be. Instead, the novel posits the idea that love is much more complicated than that. Instead of being the solution to people’s problems and leading to pure happiness—as it is often portrayed in media—it is instead only part of the solution, and not even a necessary part at that. Love, as Cunningham presents it, exists in tension with individual fulfillment and personal desires, often complicating rather than simplifying life’s decisions.

The character who ends the novel on the happiest note is Chess, having found a new job and continuing to raise Odin alone—yet she is also the character who rejects Garth’s love completely and ignores her own feelings. Chess’s rejection of romantic love and her ability to create her own path for herself and Odin suggests that true happiness can come from independence, not necessarily from the romantic partnerships often idealized in traditional narratives.

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