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44 pages 1 hour read

Thomas Mann

Death in Venice

Fiction | Novella | Adult | Published in 1912

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Background

Authorial Context: The Life and Works of Thomas Mann

Thomas Mann (1875-1955) is widely touted as one of the greatest German writers of the 20th century. A novelist and essayist of the realist school, many of his works were acknowledged internationally as modern classics even during his lifetime. In 1929, he was awarded the Nobel Prize in Literature for his early novels. In addition to Death in Venice, he is best known for his essays on notable German figures including author Johann Wolfgang von Goethe (The Sorrows of Young Werther, Faust) and composer Richard Wagner (1813-1883), and his other notable works, including The Magic Mountain (1924), Buddenbrooks (1901), and Tristan (1903). Mann’s writing is celebrated for its rich symbolism, realism, and nuanced irony, in addition to the sophisticated technical mastery of his prose.

Mann was born in Lubeck, Germany, in 1875 to a well-off family. Mann was attracted to men throughout his life, though he never pursued relationships with the many men and boys for whom he had documented romantic or sexual yearnings. This was due in large part to the criminalization of relationships between men in his native Germany and across much of the world during his lifetime, as well as his fear of the social stigma surrounding queer sexuality. He instead expressed these conflicted feelings and his experiences with same-sex attraction through his writing. Mann married Katja Pringsheim in 1905. With his wife aware and tolerant of his orientation, theirs was a happy union lasting until his death. They had six children, three of whom would follow in their father’s footsteps by becoming celebrated writers in their own right and coming out as gay.

Mann’s elder brother Heinrich (1871-1950) was a renowned anti-authoritarian writer whose criticism of German involvement in WWI conflicted with Mann’s own conservative and patriotic leanings at the time. In the interwar period, however, Mann came to recant his former convictions, becoming a staunch defender of democracy and leftist ideals. He stood firmly against the rise of fascism in Europe, making numerous speeches and broadcasts in protest of Nazi rule in Germany. The most famous of these was his 1930 An Appeal to Reason in Berlin. He was exiled from Germany during Hitler’s reign, losing his German citizenship, traveling widely abroad, and gaining Czechoslovakian and then American citizenship. He settled in California until frustration with Cold War era McCarthyism saw him relocate to Switzerland, where he died in 1955.

Sociohistorical Context: Early 20th-Century Europe

Death in Venice was published in 1912, several decades after the unification of Italy and Germany in 1861 and 1871 respectively, and only two years before the outbreak of World War I. Aschenbach’s Venetian hotel functions as a microcosm for European society, bringing representatives from several countries together. The novella’s events are set against a backdrop of contemporary tensions in the European international community and reflect the concerns and preoccupations of the time.

In the years directly preceding the outbreak of WWI, Europe was fraught with nationalistic tension as powerful Western nations constructed tenuous webs of alliances and competed in provocative arms races. The threat of large-scale war was omnipresent, and death was a far more common occurrence in daily life than it is in this modern era due to high infant mortality rates and low life expectancy in general. Infectious diseases such as cholera and tuberculosis were very real public health concerns, with little in the way of effective vaccinations or treatments available to mitigate their severity. A handful of powerful Western nations—including Italy and Germany—controlled and exploited a huge percentage of the globe through far-reaching colonial empires, and thus exoticism and racism were commonplace.

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