57 pages • 1 hour read
Rebecca RossA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Roman is unable to focus on his work at the Gazette following Iris’s resignation. When he attempts to end his engagement with Elinor Little, his father expresses disappointment and reveals that he has acquired bombs from the Little family, which he believes will help to keep them safe whenever the war reaches Oath. Roman is disgusted by the bombs, which will undoubtedly harm many innocent bystanders.
Meanwhile, Iris visits Helena Hammond at the Inkridden Tribune, and Helena hires her as a war correspondent and asks her to begin immediately. Upon inspecting Iris’s supplies, Helena discovers that she possesses one of the three Alouette typewriters in existence. She tells Iris that they were created by a wealthy man named Richard Stone. When his daughter, Alouette, became ill with tuberculosis, she needed a way to keep in touch with her two friends, for they could no longer visit in person due to her illness. The three magical typewriters are capable of transporting letters among each other. While Alouette’s typewriter was donated to a museum after her death, the other two remained with her friends’ families. Iris believes that her grandmother was one of Alouette’s friends; she also surmises that her mysterious correspondent possesses the last Alouette typewriter. Helena details Iris’s first assignment: She’ll be sent 600 kilometers west to Avalon Bluff, a town near the war front, where she will type and deliver an article every sixth day via the local train conductor.
On the train to the front, Iris meets another war correspondent for the Inkridden Tribune: Thea Attwood, or Attie. Attie reveals that she became a war correspondent to prove an old professor wrong; the man claimed that she would never be published because she “lacked originality and conviction” (117). She now pays for his Inkridden Tribune subscription so that he will receive the articles she plans to write from the war front.
Iris and Attie arrive in Avalon Bluff late at night. The town is eerily silent, and during their walk, they see no evidence of the local residents. They locate the bed-and-breakfast that Helena Hammond instructed them to find, where they meet the kind owner, Marisol Torres. Marisol prepares hot cocoa and dinner for both girls and reveals that the war rages only 80 kilometers away. At night, the town experiences attacks from Dacre’s hounds, and during the day, his eithrals attack the area.
Marisol also instructs them on the three types of sirens. A continuous siren at night means that residents have just three minutes to hide all signs of life from Dacre’s incoming hounds. A continuous siren during the day means they have two minutes to prepare for his flying eithrals, which will drop bombs on any areas showing signs of movement. An intermittent siren at any point means that residents must evacuate immediately, for it indicates that the front lines are retreating and the war is drawing closer. With the threat of sirens hanging over them, the girls choose their rooms and settle in for the night.
When Iris can’t sleep, she tests her theory that the Alouette typewriter connects her to the mystery correspondent. Her theory is proven right when her letter disappears and his response appears minutes later. Iris tells him of becoming a war correspondent, and he promises to locate the second half of the Dacre and Enva myth for her.
Iris and Attie visit the local infirmary. While Attie busies herself with gathering facts and stories from wounded soldiers, Iris plays a card game with a female soldier named Prairie, who is about her age. Although Prairie does not speak to reporters, she asks Iris to write a letter to her sister. After transcribing Prairie’s letter, Iris spends the rest of her visit writing letters for other soldiers in the infirmary. Iris wonders why Forest never wrote to her despite his promise, and she begins to worry that he might be dead. Iris sends out a letter describing Forest and asking about his whereabouts and status.
Later, Iris types out the handwritten letters from the infirmary and sends them to her mystery correspondent, asking him to mail them to the included addresses. He has found the latter half of the Dacre and Enva myth, which tells of how the goddess used her music to lull Dacre’s court to sleep several times. This ruse gave her the time she needed to memorize the layout of his realm below. The knowledge also gave her Skyward family the advantage in a battle against the Underlings. As a result of his defeat, Dacre took his rage out on the mortals, and Enva returned to the realm below to lull him into a century-long sleep as retribution. The myth makes Iris wonder if Enva had ever been buried and asleep at all, or if she’d only lulled the four remaining gods to sleep and has since roamed the world in secret.
In their further correspondence, Roman reveals that his typewriter also has a silver plaque proclaiming it to be the second Alouette and confirming Iris’s theory about her connection to the mystery correspondent. Iris begins telling him the history of the Alouettes, but suddenly, the sirens sound, indicating the approach of Dacre’s hounds. Iris, Attie, and Marisol spend the night bunking in Marisol’s bedroom with a flashlight and a gun as the hounds stalk the streets outside their windows.
Roman worries over Iris’s abrupt goodbye, sensing that something terrible has happened. His nan guesses that he has been using her typewriter to correspond with Iris, the granddaughter of her old friend Daisy Winnow. She encourages him to make his own choices separate from his father’s plans for him, and urges him to chase Iris if he wishes to. When he returns to his room, he is relieved to find a response from Iris reassuring him that she’s safe.
Iris, Attie, and Marisol tend to the garden at the bed-and-breakfast the following day. Marisol looks after the garden while her wife, Keegan, is away fighting in the war for Enva. Later that night, Iris writes to her mystery correspondent, asking if he’d ever like to meet her. Roman replies with an affirmative, coaxing a smile from her. Iris also receives a letter from an army official that indicates Forest’s last whereabouts and advises her to inquire with the commanding officer of the E Brigade in Halethorpe.
Iris asks for her mystery correspondent’s name, and instead of revealing his identity, Roman instead gives her his middle name, Carver. He relates Iris’s name to the verb iris, which means “to make iridescent” (159). Iris writes a letter to the commanding officer of the E Brigade, inquiring about Forest.
Roman is unable to focus at work. He worries over Iris’s potential reaction once she discovers his true identity, but he also recognizes that such a truth must be revealed in person. One day, his father visits him at work to inform him of an arranged lunch with Elinor. Roman suffers through an uncomfortable interaction with Elinor, who leaves the meal early. On his return to the Gazette, he notices a crowd hovering around the Inkridden Tribune, where the front-page headline is an article that Iris has written about the war. He is proud of her; inspired by her brave words, he decides that he is “ready to write his own story” (170).
A truck arrives in Avalon Bluff, transporting several wounded soldiers to the infirmary. The carnage makes Iris nauseous, and she witnesses several deaths while she, Attie, and Marisol help doctors with the influx of patients. The captain in attendance offers to take a war correspondent to the front for a week. After flipping a coin, Attie goes with the captain. Iris writes to Carver after the chaos at the infirmary and admits that she doubts her own bravery and strength. She is afraid that she will not be able to adequately describe the reality of the war in her writing, but Roman assures her that the opposite is true.
Attie returns from the war front, and she and Iris have a heart-to-heart talk. Iris reveals the secret of her magical typewriter and talks about Carver, for whom she is beginning to have romantic feelings. In turn, Attie reveals her history of playing the violin. She relates that when all the stringed instruments were confiscated following Enva’s use of a harp to call soldiers to war, her father hid Attie’s violin in the wall. She continued to play in secret, all the while becoming angry at Enva for stealing “so many of [their] people, compelling them to fight in a war hundreds of kilometers away” (176) and for stealing Attie’s dreams of someday playing in the symphony. She admits to becoming a war correspondent to learn the truth about the war and now understands that Enva was right to call for help, because without the soldiers from Oath, Dacre would have already won. Attie believes that more people need to join the war to defeat Dacre, but in order for that to happen, people must first learn the truth. The only way to spread the truth is for her and Iris to write about it. Meanwhile, Carver writes to Iris, informing her that he will not be able to respond to her letters for an unforeseen amount of time.
While Marisol helps in the infirmary kitchen, Iris and Attie plant the seeds in her garden. As they’re working, the eithral siren sounds. The girls rush inside, but Iris catches sight of a person moving in the distance. Iris retrieves Attie’s binoculars and is shocked to discover that the person is Roman Kitt. Worried that his continued movement will draw the eithrals to drop a bomb on Avalon Bluff, she sprints across the field and tackles him to the ground, instructing him not to move as the eithrals pass overhead.
After the danger passes, Roman divulges that he quit the Gazette to become a war correspondent for the Inkridden Tribune. He also broke off his engagement to Elinor. Iris escorts Roman to Marisol’s and introduces him to Attie, whom he already knows by name. He produces a copy of the Inkridden Tribune, on which Attie’s article on the front lines is the headline. Roman gifts Iris a different edition, on which her article about the war graces the front page. He tells her of the impact that her article had, not only on Zeb at the Gazette but also on the citizens of Oath. Roman then meets Marisol, who settles him into the room next to Iris’s.
Roman is late for breakfast the following morning after going on a long-distance run. Later that evening, he knocks on Iris’s door as she drafts a letter to Carver. Roman invites her to run with him in the morning. Once he departs, she trashes the half-written letter to Carver, deciding to wait until he reaches out before writing him again. Iris meets Roman for a run the next morning.
Carver eventually writes Iris and tells her about a dream that he had of her. Iris answers, sharing the news that her old work rival has arrived at the war front to cause trouble. Later, as Attie and Iris water the garden, Roman finishes his letter to Iris and finally reveals that he is Carver. He delivers the letter just as the captain comes to Marisol’s bed-and-breakfast to take Iris to the front lines. Roman insists on accompanying them, despite the fact that the truck only has one empty seat. Iris has no time to read the letter from Carver that she finds on her floor, so she slips it into her bag to read later. Roman worries about the letter’s confession and does not want Iris to read it while she is at the front.
In this section, the rivals-to-lovers romance between Roman and Iris is officially set in motion, and the dramatic irony of Roman’s secret identity as “Carver” intensifies as their written correspondence increases in frequency and ultimately reaches its peak in Chapter 25. Additionally, the theme of The Intensity of Wartime Relationships is further explored once Roman shows up on the front lines in person, for in this new setting, far away from the previous annoyances and rivalries that plagued their interactions, the two protagonists finally have the space to develop a more authentic form of daily interaction. However, Roman is not yet in the clear, for as his real-life interactions with Iris continue to show promise, he becomes more and more conflicted over the continued subterfuge of writing to her as Carver. In the midst of the two characters’ developing relationship, both in real life and via The Emotional Impact of Written Words, Iris’s own internal conflict is also thoroughly explored as the story unfolds. For example, when Iris first arrives at the front, she becomes closer to Carver through their continued letters, but with Roman’s recent absence from her daily life, she also realizes that she has come to miss him. As she’s not aware that he and Carver are the same, Iris struggles to reconcile her conflicting feelings for these (ostensibly) two different men in her life.
While the premise behind such a conflict is relatively straightforward, Ross demonstrates considerable sensitivity in her treatment of this particular romance, for she develops the parallel romances between Iris and Carver and Iris and Roman subtly and slowly, using a judicious sprinkling of key words and phrases to indicate the characters’ deepening sentiments. For example, the letters between Iris and Carver begin with no sign-off whatsoever, then transition to names before finally ending with phrases such as “Yours” and “Love” by the end of Chapter 23. The final change indicates a shift into more intimate and emotional territory, emphasizing The Emotional Impact of Written Words on the deepening relationship between Iris and Carver. Additionally, it is significant that the timing of these intimate sign-offs coincides with the decision that Roman makes in Chapter 23 to quit his position at the Gazette, break off his engagement to Elinor, and follow Iris to the war front. Likewise, while Iris admits to missing Roman, the scope of her affection for him isn’t truly acknowledged until he recklessly crosses the fields of Avalon Bluff while eithrals circle with bombs overhead. When Iris imagines him being “blown apart and killed” (181), she panics at the thought of enduring life without him. After this moment of vulnerability, however, she spends several chapters overcompensating for her moment of weakness by emphasizing her rivalry with Roman and exhibiting an extra dose of contrived hostility. However, Roman’s uncharacteristic kindness for Iris now that they are beyond the confines of the Gazette further confuses her feelings, increasing the romantic tension.
The true seriousness of Roman’s growing love for Iris can be divined from the drastic nature of his decision to abandon the life that his father has chosen for him. Instead, he takes his grandmother’s advice and goes forth into the world to write his own destiny even as he has written himself into a long-distance romance with Iris. Ironically, Roman has every possible social advantage at the beginning of this section of the novel: an engagement to a wealthy woman from a high-profile family, the columnist position at the Gazette, and freedom from the rival who has done everything in her power to make him miserable in the office. However, despite having realized the life he supposedly wants, he wonders why it feels “so hollow” (103) and comes to regret how things ended with Iris in person. Ultimately, this regret pushes him to break free of the vicious cycle of guilt over Del’s death that has kept him from seeking the happiness and love he desires.
It is also important to note that The Emotional Impact of Written Words finds a new outlet when Iris seeks Carver’s reassurance upon becoming intimidated by the prospect of accurately reflecting the horrors of war in her writing. When she begins to doubt the strength of her words and the power they hold, Roman responds to her insecurities by assuring Iris that she “will find [her] place […] Even in the silence […] [she] will find the words [she] need[s] to share” (131). In this regard, the power of language itself is portrayed as a path by which a writer can connect with the true self and forge a place and a solid identity in the world. Written words therefore become a source of inner strength and outward confidence for Iris as she begins to find her place as a war correspondent. Another interpretation of this theme is conveyed through the letters that Iris writes for the wounded soldiers. The letters are not for publication in the Inkridden Tribune, but they do make her privy to the soldiers’ personal stories and private lives. These letters not only emotionally connect the soldiers with their family and friends but also fill Iris “like a vessel” as she types “to people she [does]n’t know […] but [i]s all the same linked to in this moment” (137). By transcribing the spoken words of the soldiers, Iris emotionally connects others and herself to people all over the country, thus exhibiting how powerful written words can become when wielded with integrity.
By Rebecca Ross