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46 pages 1 hour read

Sarah Dessen

Dreamland

Fiction | Novel | YA | Published in 2000

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Themes

The Causes and Impacts of Dating Violence

Content Warning: This section discusses physical abuse by a family member and physical abuse by a partner.

Sarah Dessen portrays the full cycle of an abusive relationship between two teenagers in Dreamland, starting with the factors that might cause dating violence and concluding with a positive resolution. Through this first-person narrative, Dessen illustrates the traumatic impact of violence in a romantic relationship. Much of the novel focuses on the build-up toward the first incidence of physical violence, which reflects an intentional choice on Dessen’s part to show the entire cycle of abuse, not just the physical harm.

The causes of dating violence are varied, and Dessen shows how Rogerson is a victim of abuse in his own home to illustrate this preceding factor why he perpetrates abuse against Caitlin. Many of Rogerson’s behaviors early on fit with his pattern of experiencing abuse and then externalizing that shame and anger toward Caitlin. For example, not long after meeting Caitlin, Rogerson tells her that he “knew [she] was trouble […] just by looking at [her]” (57). Up to this point, Caitlin is portrayed as anything but trouble, so Rogerson is manipulative, mirroring the way he is treated in his own home. When Caitlin sees Rogerson’s father physically abuse him, she feels that she can “cover the hurt” (86) he experienced, and that it cements their relationship. Instead of becoming vulnerable with Caitlin, Rogerson uses his painful experiences to condition her into both accepting violence and taking responsibility for it. Rogerson is characterized as hiding his anger except when people are “late or not where they said they’d be” (112), serving as a direct mirror of his father, who is reactive about the same things. Dessen characterizes Rogerson’s internalization subtly, revealing the complex ways that people develop abusive patterns as the result of their own traumatic experiences.

Primarily, though, Dreamland is a story about how verbal and physical abuse impacts Caitlin. As Rogerson’s manipulative behavior shapes their relationship, she begins to develop a hypervigilance about what he will think or feel. She describes how she always “giv[es] in, regardless of the issue” (111) and talks about the “small simmering of temper” (112) that he has if someone is late. Her consistent efforts to try to know Rogerson so well that she can anticipate his every move indicate an abusive relationship. Dessen also portrays the cycle of abuse through Caitlin’s eyes. For example, the first time that Rogerson hits Caitlin, she has a dissociative reaction, crying and trying to “think of someplace safe” (144). Shortly after, he kisses her “very tenderly” (145). By treating her with his view of an apology, Rogerson resets the cycle into a waiting period where, over time, Caitlin’s anxiety builds about the next incident of violence. Eventually, Caitlin is desensitized to the physical abuse, and she psychologically builds an analogy to cope: She uses the metaphor of a football “game” (197) to help her process what is happening to her. Later, Caitlin is confused about how she “could […] miss him” (233). This is a result of Rogerson’s manipulations and conditioning of Caitlin before any physical violence occurred. Further, the shame she experiences throughout the abuse limits her from seeing her own worth. Through Caitlin’s experiences, Dessen portrays the complex ways that people can experience abuse and shows the emotional ramifications of dating violence.

Visibility and Physical Appearances

In part because it is a young adult novel, a central theme in Dreamland is the ways that physical appearance is related to a person’s visibility and sense of worth. Caitlin processes her own physical changes as she finds herself shrinking inward due to Rogerson’s continued physical abuse. Peoples’ appearances are central to their identities and value in Caitlin’s community. Mrs. O’Koren and Cass are popular in their respective circles partly because of the way they maintain appearances; in contrast, Boo and Stewart set themselves apart by dressing differently than everyone else. Caitlin falls in the middle of these portrayals, feeling that she is remarkably nondescript in appearance, especially in comparison to her friends and family. As Caitlin’s physical appearance changes, she finds it inextricably linked to her sense of visibility.

As the novel’s rising action develops, Caitlin notices more clearly how unseen she feels by her family. After Caitlin sees Rogerson’s father assault him, she returns home, where her mother seems “startled when she saw [Caitlin]” (96). Seeing Caitlin’s physical presence in their home is almost unexpected, strengthening Caitlin’s feeling that she is less important than her absent sister. In the same scene, Caitlin observes that “sometimes it seemed like [Boo] was the only one who even noticed I was alive” (98). This morbid connection between being seen and being alive is a critical turning point for Caitlin, who is struggling with her self-worth.

The novel’s climax is a series of abusive physical altercations with Rogerson, and through these, Caitlin begins to wish she was invisible, matching her clothing with this desire. She begins wearing clothes to cover her bruises, keeping her sleeves “tight to the edge of [her] wrist” (164) and wearing “sunglasses” (191). When her mother buys her a dress that she might have worn “the summer before” (194), Caitlin feels ashamed that now her body would be revealed and everyone would see the “topography of bruises across [her] skin and bones” (191). Caitlin’s work toward “being invisible” (172) is the result of experiencing verbal and physical abuse, and her outfits serve as an external symbol of this process. Later, as the novel comes to a resolution, Caitlin wears Corinna’s bracelets as a form of protection, illustrating again the importance of what she wears as part of her ability to be seen and be safe.

Parent-Child Relationships

One of the central thematic focuses of Dreamland are the relationships between parents and their children. Each teenager in the text is portrayed as having a fraught relationship with their parental figures, whether it’s the O’Koren’s and their daughters, Rina and her serial dating mother, or the Biscoe family’s abusive household. In particular, the novel focuses on family dynamics through Caitlin’s eyes, as she processes the differences and similarities between how her parents treated Cass and how they treat her, especially after Cass leaves.

For most of the novel, Caitlin feels that she is the less important sibling in her family, mainly because of her mother’s behavior. Caitlin watches her mother obsess over Cass’s disappearance, noting how her “mother still couldn’t fill the space left behind by [her] older, more dynamic, more everything, sister” (96). By overemphasizing Cass’s accomplishments when she was home and then obsessing over Cass’s absence in her disappearance, Mrs. O’Koren sets up an impossible blank space that Caitlin can’t possibly fill. In the midst of her physical abuse, Caitlin has one interaction where she “dare[s] her [mother] in that one second to see something else” (194) and Mrs. O’Koren doesn’t see it. Caitlin has an overwhelming desire for her mother to figure out that something bad is happening, but Mrs. O’Koren has been too focused on Cass to see the signs of Caitlin’s abusive relationship.

Toward the resolution of the novel, Caitlin finds her way toward a new relationship with her mother. This is preceded by the discover of Rogerson’s abuse toward Caitlin, and she realizes that she’s “finally done something to overshadow [Cass] completely” (223). Dessen brings the familial dysfunction and its impact on Caitlin’s self-image front and center by illustrating the danger of neglecting one child in favor of another within a family unit. Later, though, Dessen softens Caitlin’s perspective toward her mother, having Caitlin realize that her mother is “a person, a woman, not just the queen of bake sales” (244). Caitlin’s growth process with her mother is an important underlying aspect of the novel and supports the novel’s overall message about parent-child relationships: Both parents and their teenage children make mistakes and learn from these to form healthier attachments to one another.

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