56 pages • 1 hour read
Stephen KingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The person holding the gun to Charlie’s head is Christopher Polley, the same man Mrs. Richland saw near the house before the robbery. Polley is short and speaks in an “extremely Rumpelstiltskin-ish” (218) manner punctuated by fake laughter. Polley marches Charlie inside and orders him to unlock the safe, but Charlie manages to overpower him and take his gun. He breaks both of Polley’s wrists and contemplates killing him, but ultimately lets him go with a warning never to come back.
As he recovers from the encounter, Charlie writes a letter to his father explaining that he is taking Radar to Chicago to see a veterinary specialist. This is a lie: in reality, he resolves to take her to the sundial in Empis and prolong her life.
Charlie packs up some food and Mr. Bowditch’s and Polley’s guns. He calls his neighborhood friend Andy Chen and asks him to lock the shed at 1 Sycamore, then enters the well of the worlds for a second time with Radar in tow.
Upon emerging in Empis, Radar runs to Dora and they have a joyful reunion. Dora feeds Charlie and Radar and then directs Charlie to go find the “googir.” Charlie leaves Radar with Dora and follows her directions to a sprawling ranch. A young woman named Leah is outside feeding a flock of geese – she is the “googir,” the “goose girl.” Leah is extraordinarily beautiful but has a scar where her mouth should be. She communicates with Charlie through ventriloquism, throwing her voice so that it seems to come from her horse, Falada.
Charlie is instantly smitten with Leah. Enquiring after her history, he learns that she was once a princess who lived in the palace near the magic sundial. She had six older siblings, all of whom were killed when her family was ousted from the throne. Leah’s missing mouth is the result of a curse whose origin is not revealed.
Through Falada, Leah explains that she befriended Mr. Bowditch and Radar when Mr. Bowditch was still young. She advises Charlie never to go to the city at night to avoid the “night soldiers.” She also cautions him against uttering the name “Gogmagog,” because saying the monster’s name may awaken it from its sleep below the city.
Leah advises Charlie to wait until the next morning before venturing to her uncle’s house in the town of Seafront. As he contemplates his circumstances, Charlie worries about his father’s sobriety and feels homesick. He almost resolves to leave Empis on the spot when he’s stopped by Leah’s maidservant, who suffers from the same gray condition as Dora. The girl pleads, “help her.” Charlie returns to Dora’s feeling torn.
The following morning, Charlie sets out for Seafront with a pack full of food and supplies. Dora gives him a cart, which he uses to pull Radar along. Along the road to Seafront, he encounters several gray-afflicted people fleeing from the town. At midday, he encounters a dwarf named Peterkin who is stabbing a red cricket for entertainment. Charlie threatens him with Mr. Bowditch’s .45 revolver to make him stop. Peterkin, who looks and speaks like Christopher Polley, swears revenge on Charlie.
Charlie arrives in Seafront and meets Leah’s blind uncle, Woody. Woody tells Charlie more of the family’s history: They are called the Galliens, and they were once royals but were toppled from the throne and driven out of the city of Lilimar by someone named “Flight Killer.” As they fled the city, they were chased by a giant named Hana who killed Leah’s siblings including her favorite brother, Elden. The Galliens who were not killed are immune to the graying curse due to their royal blood, but a different curse was cast upon them: Each family member lost one of their senses (speech for Leah, sight for Woody). Woody reassures Charlie that he, too, is a “whole person,” making him immune to the gray. He advises Charlie to go on to his cousin Claudia’s cottage.
Charlie makes the journey to Claudia’s cottage, a ramshackle structure surrounded by the corpses of the wolves she shot. Claudia is a formidably strong woman who lost her ears to the Gallien curse. Claudia, too, knows Mr. Bowditch. She shows Charlie a noisemaker made out of an old car battery that Mr. Bowditch gave her, which she uses to scare off the wolves outside.
In the morning, Claudia advises Charlie of his next steps: He is to go to Lilimar, which is encircled by a high wall and a gate that opens at the mention of Leah’s full name. Within the city, near the sundial, is a yellow house with brown shutters where the giantess Hana lives. The house is divided into two parts, and a passage runs through the center. At two bells, Hana will cross the passage to take her lunch. Charlie must cross the passage immediately afterward to avoid Hana and find the sundial.
Charlie swaps out his cart for a bike and continues toward the city with Radar in the basket. As he pedals, he feels foreboding looking at the twisted, glass castle spires of the “emerald city,” which call to mind H.P. Lovecraft’s “ancient evil.” At dawn, a giant flock of monarch butterflies rises over the palace and flies northward, dispelling Charlie’s fears.
Charlie enters the gate to Lilimar. He finds Mr. Bowditch’s initials etched on various structures and follows them to Hana’s house. Along the way, he experiences strange shifts at the edges of his vision and hears whispering, ghostly voices. When he arrives at Hana’s house, the giant is already outside.
Charlie’s response to Polley’s attack further illuminates the complexity of his relationship to morality and the theme of The Universal Capacity for Evil. During the attack, Charlie breaks one of Polley’s wrists. This injury is dealt in self-defense, but he follows it up by breaking the other wrist, an action that is more complex because it is motivated at least partially by anger rather than necessity. Afterward, he feels a mixture of satisfaction and shame. Charlie worries that his ability to dole out violence without remorse makes him a bad person. This fear of secretly being a bad person grows stronger throughout the narrative as he forms a stronger sense of right and wrong, especially in situations that will require further violence. Despite indulging in some violent impulses, Charlie still works towards goodness; he does not kill Polley even though he thinks about it, and he threatens Polley’s analog character, Peterkin, who is torturing a cricket.
In these chapters, King draws inspiration from other well-known stories to construct Empis. Some of the inspiration comes from common storybook tropes: a mysterious curse, a fallen royal family, and a slumbering monster below a city. Charlie witnesses beautiful and kindhearted people suffering under the thumb of ugly cruelty, another fairy tale trope. Many of the Empirians he meets are characters inspired by fairy tales, from Leah the Goose Girl to Dora, the Woman Who Lived in a Shoe. Charlie even compares himself to “Jack the Beanstalk Boy” (257), indicating that he is beginning to accept his fated role in this alternate reality.
King pays extensive homage to fantasy writers Ray Bradbury and H.P. Lovecraft in the scenes set within Lilimar. Lovecraft’s writing in particular helps Charlie to put words to the odd, haunted feeling of the fallen city. Charlie often uses his literary knowledge to contextualize the world of Empis and guide his decision-making. Charlie’s instinct to turn to literature in times of uncertainty is a testament to the way books can help readers navigate challenging times and contextualize new experiences. King’s inclusion of this concept is a self-referential reflection on Fairy Tale, which was written to provide joy during a tumultuous period for the United States and the world in general.
The forces of good and evil are initially more black-and-white in Empis than they are in Charlie’s original world. Charlie instinctively trusts characters like Dora, Leah, and Claudia, understanding them to be good. The antagonists of Empis’s living fairy tale are hungry giants and mysterious sleeping monsters, creatures so far removed from humanity that the normal moral schema doesn’t apply to them. It’s implied that killing them would be a morally acceptable action because they pose a danger to the entire land. The twisted simplicity of this morality is drawn from fairy tales, which often use the same logic to deliver straightforward lessons on good and evil to a young audience.
As Charlie journeys through Empis, he finds telltale signs of Mr. Bowditch, who seemed to be a friend to many. Several of the Empirians he meets own gifts from Charlie’s world, given to them by Mr. Bowditch. These objects call to mind Mr. Bowditch’s assertion that “a coward just gives presents” (52) and suggest that Mr. Bowditch was referring to himself, though the nature of his cowardice is yet unclear.
King continues to expand on the importance of human-animal relationships. Charlie saves a red cricket from Peterkin, endangering himself for the simple reason that the cricket’s life has value, just as a human life does. Later, the sight of monarch butterflies, which symbolize hope and liberation in the text, flying over Lilimar helps to dispel Charlie’s dread and renew his faith in his mission. His love for Radar and desire to extend his life remains the driving force behind his adventure.
By Stephen King