49 pages • 1 hour read
Morgan TaltyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of addiction, physical abuse, illness, anti-gay bias, and death.
As he has done on countless previous mornings, Charles Lamosway watches Elizabeth from a distance as she leaves for work. Elizabeth is his daughter, although she does not know it. Because Charles is white, her mother, Mary, listed another man—Roger, an Indigenous man and an enrolled member of the Penobscot Nation—on her birth certificate. If Charles were officially listed as her father, Elizabeth would not have qualified for enrollment. Charles has kept this secret for nearly a quarter century, but he no longer wishes to.
He thinks back to his short-lived relationship with Mary and to the many times over the years that she quietly slipped out of her house and came to visit him. She even brought Elizabeth once, when she was just a toddler. The meeting didn’t go well. Elizabeth was shy and cried when Charles tried to present her with a gift, a stuffed elephant that made a noise when hugged. The noise frightened Elizabeth. She burst into tears, and Mary took her away.
Since that day, Charles has been watching the house that Mary and Elizabeth live in with Roger. Charles lives on his own in a small house that he and his stepfather, Fredrick, built. It was an accident that Fredrick chose a plot of land overlooking Roger’s home, and Charles has long been grateful for the coincidence.
Charles started AA (Alcoholics Anonymous) in 1996 and recalls immediately making amends with his mother, Louise. She had moved since he last saw her, but he learned her new address from her old landlord. Louise wasn’t home when Charles stopped by, but the two reconnected a few days later and resumed their relationship. He gradually realized that his mother was not well, and he began to reflect on their lives. His father disappeared when Charles was only a young boy, and Louise began seeing Fredrick. Her family did not approve since Fredrick was Indigenous, and they tried unsuccessfully to break up the relationship.
Thinking back on his own history, Charles becomes increasingly resolved to tell Elizabeth the truth about her parentage. Charles reflects on the complexities of family ties. He and his mother are not Penobscot, but Charles grew up on the reservation because they moved in with Fredrick when Charles was three. He attended reservation schools and socialized almost exclusively with Indigenous children. However, in the eyes of the law, he is not Penobscot, and neither would his daughter be if he were listed as her father on her birth certificate.
AA forced Charles to reflect on his past and think about how it shaped him. It was initially difficult for him to stop drinking, but he tried his best. At AA, he met Bobby, a man who was still secretly drinking occasionally despite attending regular meetings. Bobby was in the middle of his third divorce, and the two men bonded over the impact of alcohol on both of their lives. He met Bobby’s third wife only once but spoke to her on the phone many times in the months after he met Bobby. She was frustrated with Bobby’s inability to stop drinking and eventually moved back in with her mother.
After Mary brought Elizabeth out to see Charles that one time, she stayed away for good. Charles recalls the uptick in drinking that followed their visit and even, with shame, remembers that he took the plush elephant outside and shot it with his .22 rifle. The rifle belonged to Fredrick. His stepfather gave it to Charles after a difficult day at his friend Gizos’s house. Gizos was absent from school for more than a week, and Charles was worried. He went to see what was wrong. Gizos wouldn’t come to the door, but Charles saw through the window that he was badly bruised and swollen. He knew that Gizos’s father, Lenno, was the one who injured Gizos and wanted to sneak inside to comfort his friend. As Charles looked through the window, Lenno threw a beer bottle at him and then gave chase. Charles struggled to outrun Lenno but managed to make it home. He was visibly shaken and his hand bloody, and Fredrick asked what was wrong. Charles recalls that as soon as he shared the story with Fredrick, his stepfather grabbed his .22 and took Charles back to Gizos’s house.
There was animosity between Fredrick and Lenno. Lenno was the tribal leader and was pressuring their community to accept a land deal from the US government that Fredrick opposed. Unlike Lenno, he thought that the offer was not substantial enough and that they could do better. When they arrived at the house, Fredrick confronted Lenno, and a small crowd gathered. Fredrick accused Lenno of harming Gizos, and Lenno responded by falsely claiming that Charles beat up Gizos after Gizos refused to have sex with him. After a short standoff, Fredrick took Charles back home. Charles realized then that Lenno was using this story to discredit Fredrick, his family, and Fredrick’s argument against the land deal, but both he and his stepfather knew that there was little they could do. Still, Fredrick stood by Charles, and Charles remains grateful, even all these years later, for Fredrick’s support.
Charles remembers the years following his entrance into AA. He and his mother became closer, but it was obvious to him that her memory was slipping. One day, she hurt her ankle, and on the pretext of getting care for her injury, he took her to the doctor. Behind his mother’s back, he explained the memory loss to her physician. The doctor told Charles that her memory would worsen with time and that the process might be protracted but that it could also happen quickly. On her worst days, Louise either sent Charles home with meals for Fredrick, who was long dead, or even mistook Charles for his stepfather. During that time, Charles began to enlist his friend Bobby’s help with Louise. When she was confused and mistook Charles for Fredrick, she often wanted to speak to Charles. She would panic, and Charles would call Bobby, asking his friend to pretend to be him to comfort his mother. Bobby was always happy to help and even offered to visit Louise on days when Charles couldn’t make it over.
Charles and Mary met as teenagers. Mary was self-assured and confident and actively sought out Charles’s company. He remembers how in awe of her he was and how much he loved spending time with her. One time, he recalls, she got it in her head that she wanted to drum at one of the tribe’s socials. At that time, women were not allowed to drum, and she was refused. She responded by stealing a pair of drumsticks and running off with them. Charles isn’t sure if her actions are what led to women being allowed to drum shortly thereafter, but he thinks that she might have been responsible for the change. When he told the story to Louise and Fredrick, Fredrick took issue with Mary’s actions at first: Drumsticks are sacred. Louise found the tale hilarious, and soon all three joined together in laughter.
As Louise’s condition worsened, Charles found himself increasingly unable to sleep. One night, he wandered outside for a cigarette and smelled smoke. He could not tell what might be burning and worried that it was his old house. Fredrick’s home passed to Louise upon his death, but Louise was too grief-stricken to go on living there. She sold it to a group of people who hoped to turn it into a museum since Henry David Thoreau once stayed there. Their plans fell through, and the house sat vacant before being sold to tribal leadership.
Charles knew that the tribe hoped to burn it as part of their firefighting training, and his throat tightened at the thought of his home going up in flames. He headed over to town, but his house was safe. A group of people gathered, speculating on what might be burning, as it was difficult to see all the town’s buildings through the trees. Someone questioned who Charles was and why he was there. Another person identified him as “Fredrick’s boy,” but Charles could feel how unwelcome and unwanted he was in the group.
The novel begins as Charles watches his adult daughter, Elizabeth, leaving for work. The author reveals that the two do not have a relationship because Elizabeth’s mother, Mary, listed another man on her birth certificate so that she would qualify for tribal enrollment. Charles is thus introduced through the framework of strained family relationships and his identity. In this opening scene, Talty underscores the tension between personal identity and social acceptance, as Charles is immediately positioned in a space of exclusion, both within his family and within the larger Penobscot community. Charles will come to be defined in large part by Mary’s decision to cut him out of Elizabeth’s life, and it becomes clear that his character is mired in sorrow.
Family is important to Charles, and he would have welcomed the opportunity to be a supportive, loving father to his daughter. However, this desire for familial connection is thwarted by the rules of the Penobscot community and the power dynamics between Mary and Charles. Mary’s decision was based on “blood quantum,” or the practice of requiring a certain percentage of Indigenous blood in order to qualify for tribal enrollment. This novel is in many ways a meditation on the problematics of that practice, and the author builds his case against the use of blood quantum early in the novel, during its first paragraph.
By introducing blood quantum so early in the text, Talty establishes a critique of how identity is often defined by arbitrary and exclusionary measures, creating an ongoing tension between cultural practices and the lived realities of the characters. The discussion of blood quantum thus also helps Talty to explore Cultural Heritage, Identity, and Belonging. He reveals that Charles’s mother married Fredrick, a Penobscot man, when Charles was a toddler and that Fredrick raised Charles as if he were his own son. For this reason, Charles has a deep and abiding respect for Penobscot culture and feels deeply embedded in it. Yet, because he is genetically white, he is not considered Indigenous, and the disconnect between his lived experience and his genetics is a source of unhappiness to him. It pains him in part because Fredrick instilled such a strong sense of identity in him and he feels robbed of that, but that grief is compounded by the fact that his ancestry was the reason that Mary shut him out of Elizabeth’s life. He reflects, “All blood looks the same, yet it’s different, we’re told, in so many various ways and for so many various reasons” (2). Here, Charles draws attention to the constructed-ness of race and ethnicity: The material reality in which his ethnicity supposedly inheres actually belies the idea of racial difference. Nevertheless, social circumstances, including the longstanding oppression of Indigenous Americans, mean that this constructed identity matters.
The Enduring Strength of Family Ties also emerges as a key theme during this set of chapters. Charles values family in part because of his relationship with Fredrick. Fredrick’s role as a father figure exemplifies the novel’s broader exploration of how family relationships can transcend biology and how they can serve as a source of stability and identity for those in search of belonging. Charles’s relationship with his mother is more fraught, underscoring that blood ties do not necessarily translate to affinity. By the time Charles grew up, he and Louise had a difficult and fractured relationship. More details on the nature of their troubles will be revealed later, but the author first shares that Charles repaired that relationship during the early days of his sobriety. During these chapters, he recalls joining AA and immediately setting out to make amends with his mother. The two easily rekindled their relationship, and it becomes evident that their bond is unbreakable. Charles thus has two parents with whom he is deeply connected (although Fredrick is no longer living by the time the narrative begins), and he values his parents highly.
These chapters also introduce Bobby, a friend whom Charles met in AA. Bobby becomes an example of the idea of “chosen family,” or individuals not related to someone by blood who nonetheless share a bond that is familial in its closeness and commitment. Bobby still struggles with sobriety, but Charles does not judge him and remains friends with Bobby even as Bobby relapses. Bobby is a good friend to Charles, helping him with Louise even as it is clear that her memory loss is worsening. Bobby thus emerges as a dedicated friend and kindhearted individual, and he becomes one of this text’s many sympathetic portraits of addiction and recovery. Neither Bobby nor Charles is stigmatized for their battles with substance use disorders, and through this depiction, Talty asserts that addiction should be treated with humanity and understanding. This portrayal of addiction within the context of chosen family emphasizes the idea that healing and belonging are rooted in support, understanding, and empathy, rather than isolation and judgment.
Mary is also important in these chapters, both because of the role she plays in Charles’s life and as a character in her own right. Mary is fiercely independent and makes her own decisions. She sought out Charles first and played a leading role in the way that their relationship unfolded. Her decision to cut Charles out of Elizabeth’s life, although it came to be deeply painful to both Charles and Elizabeth, makes sense to her within the framework of Indigeneity and Indigenous cultural belonging: Penobscot identity is important to Mary, and she wants her daughter to be able to be part of her Penobscot community. While Mary’s actions are painful for Charles, they are motivated by a deep sense of responsibility to protect her daughter’s connection to their cultural heritage, reflecting the complexities of making decisions that impact one’s family and future.
It should be noted, however, that Mary is willing to criticize tradition and wants to shape a more equitable future for Penobscot women. This is evident in her successful efforts to include women in ceremonial drumming and her willingness to stand up to tribal leaders in order to make her case. Mary’s progressive stance within her community further complicates her role as a mother as she navigates the intersection of cultural preservation, gender equity, and familial loyalty.