81 pages • 2 hours read
Jennifer L. ArmentroutA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Back in her chambers, Penellaphe looks at the lit torches surrounding the kingdom, which symbolize safety inside the Rise. One by one, each light becomes smothered by a thick mist. Knowing what this means, Penellaphe grabs her fighting gear and decides she must join the Royal Guards in battle. To be the Maiden is a privileged position, and Penellaphe strives to give back to the people of Solis who have provided her with a comfortable life. She no longer wants to feel hopeless like the night her parents died. Tawny begs Penellaphe to stay where it’s safe, but Penellaphe reminds her that “Nothing is infallible, Tawny. Not even the Rise” (181). She runs out of the castle and straight for the Craven-filled mist.
A large battle scene ensues. Penellaphe notices that these Craven seem different, as if they are not yet fully turned. After waves of Craven threaten the safety of the kingdom, the mist begins to clear and reveal the fallen soldiers. While surveying the land, a voice startles her. She turns quickly and finds herself face to face once more with Hawke. Hawke calls her magnificent and beautiful. After looking Penellaphe in her eyes, Hawke’s gaze changes. The two engage in a small fight.
After Hawke corners her, Penellaphe finally speaks, demanding to be let free. Her rebellious nature and ability to fight intrigue Hawke. Hawke becomes physical and calls Penellaphe “princess,” revealing that he recognizes her, and he did come back to the room that night at the Red Pearl.
Hawke comes to Penellaphe’s room that night demanding they finish their conversation from earlier. He states that it’s necessary he know everything about the woman he is duty bound to protect. He correctly assumes that Vikter was the one who taught Penellaphe how to fight and gifted her the Bloodstone dagger. He also suspects the Duke is abusing her in some way, but Penellaphe refuses to answer.
During their conversation, Penellaphe tells the story of her parents’ death. Her family was moving to the Niel Valley for a “quieter life,” yet both her parents appeared very tense. They stopped for the night in a village that hadn’t seen a Craven attack in decades. Penellaphe states that the Dark One, sensing the Chosen One was outside of the capital and unprotected, sent Craven to attack her family. Both her parents died fighting, and Penellaphe survived the bite of a Craven, something that is unheard of. She blames herself for not being able to protect her loved ones and vows to never be helpless again.
Hawke states that he has heard rumors of the Maiden taking part in death with dignity. He reveals that he, too, has done the same, saying that those who come back cursed have already given all they have to the kingdom. The pair admit that they share an intimate, but unexplainable bond.
Penellaphe attends a ceremony to honor the dead Royal Guards. The Duke addresses the crowd, exclaiming that it’s the gods who have kept the Rise safe. Penellaphe wonders exactly how the gods had any hand in keeping the Rise safe thinking, “It has been the guards, men like the archer, who had chosen death over allowing the Craven to come over the top” (215). Penellaphe remarks that the Ascended are stronger than mere mortals and could have taken double the number of Craven than any Royal Guard. The Duchess warns the kingdom that the gods are unhappy. She cautions that Descenters are among them. Penellaphe feels the crowd’s collective emotion of terror and fear.
Penellaphe notices the same blond man from the city council in the crowd. After a roar of applause for the next Rite, the blond man shouts, “Where are the third and fourth sons and daughters? Where are they really!” (221). He throws a severed Craven hand at the Duke and Duchess. The guards detain the young man as he chants “From blood and ash. We will rise!” (221). The Duke laughs.
Penellaphe decides to speak to the Duchess about the odd occurrences in her powers. No longer is Penellaphe only feeling pain, she is feeling emotions. In a strange request, the Duchess asks Penellaphe to use her gift on her. The Ascended lack emotions entirely, yet Penellaphe senses that the Duchess worries she may feel something. The Duchess relays that Penellaphe’s gift is maturing, just like the first Maiden. She cautions Penellaphe to be careful and to make wise decisions. She reveals that the first Maiden underwent a similar maturing which resulted in her death at the hands of the Dark One.
Penellaphe is in a lesson with Priestess Analia. She reads about the first Blessing from The History of The War of Two Kings and the Kingdom Solis. In this passage, King Jalara drinks the blood of the gods so that he may have the strength to defeat the Atlantians. Penellaphe comments that, “the Blessing seems similar to how the Atlantians became so powerful. They drank the blood of the innocent, and the Ascended drank the blood of the gods […]” (234). Priestess Analia is infuriated and, just as she is about to slap Penellaphe, Hawke intervenes. The lesson ends.
As Penellaphe and Hawke walk towards the garden, Hawke asks if this is common behavior from the Priestess. Penellaphe says that both the Priestess and the Duke struggle to control their anger. The two speak about Penellaphe’s Ascension and the next Rite. Hawke asks if Penellaphe really wants to Ascend, pointing out that the honor actually comes with very few benefits. While sitting in the garden, Hawke speaks about his brother. Penellaphe senses horrible anguish and uses her powers to ease Hawke’s suffering. She incorrectly assumes that Hawke’s brother has passed and wonders what could have happened instead that causes him such pain.
In this section, the policing faculties of fear and religion come to the forefront. Armentrout utilizes Penellaphe’s gift and her relationship with Hawke to make deeper arguments about the consequences of an oppressed class.
Penellaphe’s gift allows for Armentrout to portray and comment on the collective feelings of an oppressed populace. The Duke instills fear in the people, as he assures them that if the gods turned their backs on Solis, “It would’ve been the wholesale slaughter of hundreds” (221). Penellaphe cannot help but sense the crowd’s pain, and this angers her as she watches the people pray to the gods. The fear of Craven and of the gods’ abandonment, leads to a generation that believes anything to stay safe. Yet, Armentrout shows that eventually, the people become angry with the inequality in their society and rebel. The blonde man attacks the Ascended for staying in their fancy castles and for stealing children. He accuses the Ascended of using the people of Solis as pawns for their own ulterior motives. The blond man represents the culmination of a society which has been denied answers and subjected to unfounded laws and regulations.
The incident with the blonde man foreshadows revelations later in the novel that the Ascended aren’t as blameless as they claim to be and suggests that the third children are being used for violent purposes.
The blond man’s outburst prompts the Duchess to make an appeal to the gods to create order once more. Acting as a mouthpiece for a higher power, the Duchess states, “They fear that the good people of Solis have begun to lose faith in their decisions and are turning to those who wish to see the future of this great kingdom compromised” (216). The Duke and Duchess claim to speak with the gods. Therefore, their decisions become direct commands from a higher power. To go against them is now an assault against the gods’ word. Armentrout shows how ruling by fear creates a classist hierarchy in which the people become subjected to the will of the ruling class. This subjection ultimately angers the people, who grow tired of the endless fear and suffering.
Armentrout develops the theme of institutionalized religion in Penellaphe’s lessons with Priestess Analia. Penellaphe rightly questions the seemingly parallel actions of the Ascended and the Atlantians when she reads the story of the first Blessing. Both drink the blood of another, and Penellaphe wonders why, if the actions are so similar, the Ascended are considered morally superior. To smother any form of individualistic thinking in Penellaphe, the Priestess attempts to hit her.
Hawke provides Penellaphe the ability to question her own religion. In so doing, Penellaphe is inquiring into far more than the story of the first Blessing, but an entire ecosystem of prejudice and ignorance. Penellaphe is examining the origins of her home, something which the very religion she questions is supposed to prevent. She has begun to dismantle the structure of her own society, and her ability to do so flourishes alongside her relationship with Hawke. Hawke corrects the Priestess, teases Penellaphe’s reading voice, and prevents the Priestess from abusing her. By acting in such a way, Hawke becomes like a buffer who allows Penellaphe to safely question and rebel against her society without feeling guilty or suffering further abuse. The two laugh about her lessons with the Priestess, further presenting religion as something which only appears to hold power, but which can easily be deconstructed. Much like the illusion of safety, religion and fear in the novel are nothing more than policing tactics.
By Jennifer L. Armentrout