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81 pages 2 hours read

Jennifer L. Armentrout

From Blood and Ash

Fiction | Novel | YA | Published in 2020

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Chapters 21-26Chapter Summaries & Analyses

Chapter 21 Summary

Penellaphe sneaks into the Atheneum to steal Miss Willa Colyns’s Diary. Miss Colyns is a “promiscuous” woman whose diary, which is now considered a historical document, depicts all of her sexual encounters in great detail. Penellaphe is convinced that there must be a section dedicated to Hawke. Dreading her room at the castle, she sits in a side office to read. She notices a liquor cabinet, something odd to find in a library, and suddenly hears the Duke’s voice. Startled, she climbs out the window onto an icy ledge.

Penellaphe overhears a meeting between the Duke and a Royal Guard. The guard has just come from torturing the blond boy from the ceremony, Lev Barron. The guard relays that the boy is not an Atlantian and that his behavior was quite unexpected. During the interrogation, Lev threatened to expose the truth about where the third and fourth sons and daughters are, stating that he knows they are not “servicing the gods” (252). Penellaphe then learns that Lev is a member of death with dignity and that the Duke is aware of the organization. The Duke states that the guard is free to go, and that he will take care of the Descenter. Penellaphe thinks it odd that a Descenter is a member of death with dignity.

After the Duke leaves, Hawke enters. He demands to know how Penellaphe left her chambers without him noticing. The two catch each other’s gaze and Hawke seemingly leans in for a kiss. Penellaphe realizes just how much she wants Hawke. 

Chapter 22 Summary

Hawke asks Penellaphe again how she got out of her chambers. Embarrassed, Penellaphe realizes Hawke does not want to kiss her but is simply trying to extract information. Hawke steals the book from Penellaphe and notices that it’s The Diary of Miss Willa Colyns. Finding it hilarious that Penellaphe is reading such lurid content, he begins to read passages aloud. Their playful fight turns into a conversation about love.

Back in her chambers, Penellaphe and Tawny are preparing for the Rite. Penellaphe is bare faced and wearing a sensual red dress. She reflects on the lack of privilege in her life: “I’d never worn paint on my lips or eyes before. Obviously, it wasn’t allowed for me. Why? My skin was supposed to be as pure as my heart or something” (260-61). Tawny and Penellaphe meet up with Vikter, who relays that Hawke is speaking with the Commander and will join them later at the Rite. Upon walking into the Great Hall Penellaphe takes refuge in feeling like she, “wasn’t the Maiden right now, I was just Poppy” (263). Penellaphe looks up at the dais and observes that the Duke is not yet present.

Chapter 23 Summary

Agnes, the wife of the man Penellaphe helped die with dignity near the beginning of the novel, approaches the group and asks to speak with Penellaphe privately. She tells Penellaphe she has heard rumors of the Dark One’s presence in the kingdom. Hawke arrives from assisting with security sweeps of the castle.

Once the third and fourth sons and daughters have each been presented to the court, Penellaphe decides she’d like to return to her room. Hawke begins to escort her when they approach the Queen’s Garden, the place Rylan died. Penellaphe releases her powers on Hawke. She feels two separate emotions, one that tastes like lemon and one that is heavy and spicy. She realizes that Hawke is both confused and aroused. Hawke then asks her to sit in the garden with him. When Penellaphe is apprehensive and begins to reminisce on Rylan, Hawke responds that you can’t change a memory you can only, “replace your last memory—the bad one—with a new one—a good one” (275). Penellaphe takes Hawke’s hand.

Chapter 24 Summary

While in the garden, Hawke tells Penellaphe more about his brother. One day, they traveled to the end of a narrow cavern to find beautiful warm water. Penellaphe wonders where Hawke is from, since such water is not found in the Kingdom Solis. Hawke, while still concealing his brother’s fate, tells Penellaphe that once he lost his brother those caverns became, “a graveyard of memories” (278). Penellaphe transfers her happy thoughts to Hawke to ease his pain.

Penellaphe cannot bring herself to see the night blooming flowers, so Hawke suggests they go to his favorite spot in the garden, the willow tree. They sit under the willow tree, where the branches and leaves are so plentiful no one can see inside. Penellaphe notices that Hawke has exceptional vision in the dark, as he confidently pulls Penellaphe onto his lap. Penellaphe questions Hawke’s intentions and wonders why he acts so intimate with her. She reminds him that he could lose favor with the Duke and face punishment.

For herself, Penellaphe fears the gods may find her unworthy if she partakes in such behavior. Hawke tells Penellaphe that her status doesn’t mean anything to him, all he cares about is who she is on the inside. He tells her she’s just used to men like the Duke and that the Duke is weak. He reassures her that her scars are beautiful. Penellaphe asks him to kiss her. 

Chapter 25 Summary

Hawke embraces Penellaphe, and the two kiss. She loses control of her gift and cannot tell which emotions are whose. As their feelings intensify, Penellaphe tastes ash. Before they go further, Hawke stops himself and says that he should take her back to her chambers. They encounter Vikter, who has been searching for Penellaphe. Vikter sees they’re holding hands. Vikter tells Hawke he knows exactly what has just occurred. Hawke threatens that if Vikter does not back down, he will be forced to fight him.

Vikter takes Penellaphe’s hand and leads her away. Penellaphe cannot take the lack of autonomy in her life anymore. She loses her temper, exclaiming to Vikter, “That every privilege you have, and Tawny has, and everyone else has, I don’t have. I have nothing” (296). She begins screaming and crying while Vikter watches in silence. Then suddenly, as if unable to control herself, she yells, “It should be no shock that I want to be found unworthy” (297). Immediately she clasps her hands over her mouth. The two leave the garden in silence.

A loud cracking noise sounds from the Great Hall, followed by screams. Knowing Tawny is still inside, Penellaphe rushes to find her. Hanging from the Rite banner is the Duke’s bloodied body, with his red cane shoved through his heart.

Chapter 26 Summary

Penellaphe notices that the Duke’s manner of death was carried out as if he had been a Craven. Suddenly, windows begin to shatter around the hall, stabbing and cutting everyone inside. Vikter shouts “Protect the Maiden!” instructing everyone to form a mass wall with their bodies around Penellaphe (303). Penellaphe frantically scans the Great Hall for Tawny and Vikter. Once together, the three retreat to a side room with Lord Mazeen and the Duchess. The Duchess asks for a drink and Penellaphe worries they have become sitting ducks.

There is an aggressive bang against the door, and Vikter tells Penellaphe she must defend herself no matter what. She reveals her dagger to the shock and dismay of the Duchess. The door blows off the hinges, and another battle scene unfolds. In an effort to save Penellaphe, the Duchess yells that she is the Maiden, causing the Descenters to hesitate in their attacks. Penellaphe wonders why the Duchess would give away her identity.

After the fighting subsides, Vikter tells Penellaphe he is proud of her. Penellaphe feels a sense of reconciliation with Vikter, just as a sword impales his chest. Penellaphe begs for someone to help, but it’s no use. Vikter apologizes for not protecting her, alluding to her lessons with the Duke and the Lord. Penellaphe holds his hand as she feels it go limp. As she cries, Lord Mazeen patronizingly states that she has crossed another line with her Royal Guard and that her lessons with the Duke have not been at all effective. Filled with rage, Penellaphe yields Vikter’s sword and decapitates Lord Mazeen. She unleashes a fury of stabs onto the Lord’s dead body. Hawke finds the group and restrains Penellaphe.

Chapters 21-26 Analysis

The sequence of murders in this section each portray a different aspect of death’s equalizing nature, one of the books most prominent themes. Armentrout orders the deaths of The Duke, Vikter, and Lord Mazeen so that each can parallel another.

The Duke’s distorted body is publicly hung across the Rite banner for all to see. The publicity of his death correlates to the gravity and level of shock the people feel knowing that an Ascended has been murdered. The Ascended are supposedly stronger and faster than mere mortals, and further, they live in heavily guarded castles. The Duke was thought to be immortal, yet in his death, his mortality and humanity is put on display. Armentrout depicts death as non-discriminatory and unavoidable. Even an Ascended can perish.

The manner of the Duke’s death challenges the Ascended’s supposed moral superiority. The red cane used to beat Penellaphe is now stabbed through the Duke’s heart. The same cane, Penellaphe thinks, “he’d often stroked lovingly before it whistled through the air, bruising my back and sometimes even splitting the skin” (306). This choice of weapon seems to demand retribution for years of immoral and abusive behavior, making it an ironic symbol. Though it inflicted pain on the main character, it’s the initial antagonist’s undoing. Penellaphe notices that the Duke was killed as if he were a Craven, presenting him as indistinguishable from the blood thirsty monsters and foreshadowing later revelations about the Ascended’s true identities. In this comparison Penellaphe breaks down her previous values, acknowledging that, despite the gods’ Blessing, the Ascended subjectify and abuse mortals, just like the Craven.

In Vikter dying at the hands of a Descenter, Armentrout shows that even likeable characters can perish in unfortunate and tragic situations. Yet, Vikter is awarded more dignity than the other deaths. Despite Penellaphe being too distraught to use her powers on Vikter to ease his pain, she does avenge his one dying regret. Vikter looks over to Lord Mazeen and tells Penellaphe that he has failed her. Alluding to her lessons with the Duke, Vikter acknowledges his complacency in the abuse and pleads for forgiveness. Penellaphe yields Vikter’s sword and avenges herself and Vikter’s dying regret. Penellaphe severs the “hand that held mine down on the Duke’s desk” (321). She then decapitates Lord Mazeen, symbolizing the death of her former self.

Lord Mazeen’s death is both public and done without any dignity, showing that Penellaphe has abandoned one of her most prominent values in her act of vengeance. This section portrays Penellaphe’s liberation from the abuse that came with being the Maiden. She frees herself from the very people who have stripped her of all the individuality and autonomy in her life. In Penellaphe murdering Lord Mazeen, who is both her abuser and an Ascended, the true equalizing nature of death is exercised. She restores equilibrium in her life by taking her destiny into her own hands. Penellaphe’s casting off old values and beliefs is a major shift in her character development and somewhat resolves Penellaphe’s struggle with the duality of her existence. She may now fully become “Poppy” and leave the Maiden behind, a coming-of-age arc that continue throughout the rest of the novel.

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