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47 pages 1 hour read

Casey Cep

Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee

Nonfiction | Book | Adult | Published in 2019

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Part 2, Chapters 7-14Chapter Summaries & Analyses

Part 2: “The Lawyer”

Part 2, Chapter 7 Summary: “Who’s in the Stew?”

Cep provides background history on Tom Radney. Before he was known as a lawyer, Radney was a young, idealistic politician who represented the more liberal face of the New South. He won a state senate seat early in his political career and seemed poised for success. His wife and three young daughters embodied a “Dixie Camelot” (79) explicitly designed to echo the Kennedy political dynasty. Despite Radney’s early promise, his political career was virtually ruined when he brought his liberal Southern politics to the national stage at the 1968 Democratic National Convention.

Part 2, Chapter 8 Summary: “Roses Are Red”

At the 1968 Democratic National Convention, Radney vocally supported Ted Kennedy for president. Radney went on a national TV program and claimed the South could get behind a candidate like Ted Kennedy, a statement that offended segregation-loving Southerners. The reaction to Radney’s statement was swift and violent. Radney, his wife, and his children became the targets of a campaign of harassment and attacks on his home and property. Radney took the threats seriously. He announced that he would not run for reelection or any other political office upon completion of his term as a state senator. The threats subsided.

Part 2, Chapter 9 Summary: “The Fight for Good”

Despite this public statement and his wife’s objections, Radney decided to run for Alabama lieutenant governor in 1970 as a Democrat. He faced many barriers to winning. He was no civil rights activist, but his support for civil rights and integration in his personal life and his public statements doomed him. The demographic reality was that whites, many of them opposed to integration, still outnumbered African Americans in the party. He lost the race and gave up his political aspirations.

Part 2, Chapter 10 Summary: “The Maxwell House”

By the 1970s, Radney had transformed himself into “Big Tom,” a good old boy and lawyer with flashy clothes and law offices that grew bigger and bigger as he put his social skills to work to win cases. People noticed his success and credited the financial part of it to the many lawsuits Radney waged on behalf of Willie Maxwell. In fact, while Radney called his booming practice the Zoo, the community called his law offices the Maxwell House. His opponents did not care for him, but they secured his services if they got into the right kind of trouble. When Willie Maxwell's murderer needed a lawyer, naturally, his family chose Big Tom.

Part 2, Chapter 11 Summary: “Peace and Goodwill”

The case promised to be a blockbuster. The district attorney was an experienced lawyer named Tom Young, who had opposed from Tom Radney many times. Robert Burns’s defense also promised to be the source of much drama. Burns pleaded not guilty by reason of insanity, a plea that was still allowed in Alabama during the 1970s but has since fallen out of favor because it was so subject to abuse.

Radney decided to paint Willie Maxwell as a terrifying voodoo priest who drove Burns, Shirley Ellington’s uncle, insane. Young’s goal was to ensure the confessions made it into the record alongside Burns’s prior criminal record of shoplifting, assault, and the suspicion that he’d killed before. The case came to trial in September and received heavy, sensationalized coverage.

Part 2, Chapter 12 Summary: “Tom v. Tom”

The trial opened on September 26, 1977, and it was just as dramatic as expected. Radney and Young battled over every issue, including whether cameras should be allowed in (they were not), the make-up of the jury, Burns’s prior criminal record, and the question of the confessions. In the end Radney got almost everything he wanted. Once the trial began, Radney used witnesses that Young called to cast Maxwell as a voodoo priest and Robert Burns as a hero driven to murder by Maxwell’s actions. Young lost almost every objection. After a long day of listening to constant objections and emotional arguments, Judge James Avary dismissed the jury, which was sequestered in a local motel for the night.

Part 2, Chapter 13 Summary: “The Man from Eclectic”

The next day of the trial’s biggest development was the testimony of Jimmy Burns, a son of Ophelia Burns. He testified that he had learned at Shirley Ellington’s wake that Willie Maxwell tried to secure the help of Alfonzo Murphy, a man from nearby Eclectic, to murder Shirley. When Murphy testified later, the theory of the case shifted for everyone. All talk of voodoo ceased, and “[e]vil acts that for seven years had seemed supernatural now suddenly seemed all too human” (133). The testimony of ABI agent James Hebbett, who had worked on the James Hicks investigation, corroborated Murphy’s testimony. Radney and Young rested their cases that afternoon, with each leaning into their central points. Radney argued Burns had been driven to murder by the victim, while Young argued that what Burns had done was murder regardless of the victim’s actions.

Part 2, Chapter 14 Summary: “What Holmes Was Talking About”

The jury returned a verdict of not guilty by reason of temporary insanity. Cep contends that this outcome reflected a primitive Southern “belief in the supernatural and belief in vigilante justice” (145). The law had failed the community in allowing Willie Maxwell to go unpunished, so the jury had been forced to deliver what justice they could by letting Burns walk free. Burns’s acquittal was legally sanctioned retribution. The staff at Bryce Hospital evaluated Burns, and he was free just weeks later. Over time the case files and people’s memories and testimony blurred and shifted. No one wanted to remember the case.

Part 2 Analysis

Cep’s ostensible focus is on Tom Radney in this section, but she also brings in more true-crime elements by including dramatic court scenes. These court scenes contribute to her development of the book’s themes because she uses them to offer commentary on justice in the South

Cep hews closely to the true-crime genre in this chapter by focusing on the trial proceedings. Still, the literary aspect of Cep’s writing is also very present, especially in her characterization Tom Radney. People like Tom Radney are historical figures, but they also reflect Southern archetypes (the self-aggrandizing country lawyer, for example) that most people will recognize as subtypes of Western literature. Radney is a very complicated character who embodies multiple archetypes—the innocent, the idealist, the dreamer, the advocate, the magician, the fool. The reference to Radney’s notion of himself and his family as a “Dixie Camelot” (79) signals that Cep is tapping these archetypes to describe Radney and how he imagined himself. This attention to Radney as a Southern archetype is compelling and literary.

Cep isn’t seduced by that story, however. Although Part 2 is titled “The Lawyer,” indicating that Cep will once again focus on character instead of plot, what we get on top of the long character development of Radney is a quick-moving, engaging account of the events before, during, and after the trial. Plot is the focus of this section, especially the back end. Even in the first half, when Cep focuses on how exactly the South and Alabama produced a man like Tom Radney, those chapters serve as exposition for the main event—the trial.

Cep uses all the tools in the literary writer’s box to make the trial exciting. She uses chapter titles like “The Man from Eclectic” to raise interest and create suspense in the reader’s mind. She describes the setting in detail, noting that the courtroom and the outside weather are steaming hot. She describes alternately funny and horrifying antics in and out of the courtroom. She sketches all the players in the courtroom using direct quotes that capture their pomposity or their eloquence. At other times, she uses indirect characterization based on how others respond to characters, with the revelation of Willie Maxwell’s motives being the biggest revelation. We also get the expected descriptions of objections, motions, and legal maneuvering. Ultimately, the chapters about the trial best demonstrate elements of the true-crime genre.

What happens in the courtroom is exciting stuff, but Cep’s descriptions of the dramatics in the courtroom, the marginally ethical behavior of legal professionals, and the self-interest of almost everyone involved cast a poor light on American justice. Willie Maxwell walked because he and his victims were members of an economic and racial underclass, while Burns escaped punishment because of a vigilantism in a Southern culture that could just as easily forgive Robert Burns as it could drive mobs of whites to lynch African Americans.

Cep argues that these outcomes were the result of Southern “primitivism: a belief in the supernatural and the belief in vigilante justice” (144). This observation is one of the many instances when Cep, a Harvard-educated writer originally from Maryland, makes the case for seeing the South as a country distinct from the rest of the United States. Her stance as a writer in this section—a non-Southerner writing about the South and a white person writing about mostly black figures—becomes a lot more transparent here because of the cultural commentary.

The increasing focus on the meaning of justice in the South also paves the way for Part 3, in which Cep explores why someone from inside the South might have felt incapable of telling Willie Maxwell’s story.

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