logo

47 pages 1 hour read

Casey Cep

Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee

Nonfiction | Book | Adult | Published in 2019

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Big Tom’s Briefcase

In Chapter 22 Tom Radney gives Harper Lee a briefcase full of an exhaustive record of Willie Maxwell’s legal adventures. The briefcase is a symbol for the truth about Willie and his motivations. Packed with legal documents related to Willie’s lawsuits and information about his insurance policies, the briefcase allows Lee to unravel to some extent how the desire for insurance money played in Willie’s actions.

Radney owned these materials, meaning Willie’s guilt should have been just as obvious to him. The briefcase therefore symbolizes Radney’s willingness to ignore guilt and crime for the sake of profit by mounting a vigorous a defense for his client.

The briefcase makes one last appearance when Lee’s estate hands it over to Cep and one of Radney’s granddaughters, an event Cep recounts in the Epilogue. These materials are the only publicly available part of Lee’s literary estate, making the briefcase an important symbol for Lee’s incomplete literary legacy.

Horseshoe Bend

Horseshoe Bend is an oxbow lake of the Tallapoosa River. An oxbow lake is what’s left when a meander from a river peters out. In Furious Hours Cep uses Horseshoe Bend as a symbol for the futility of Harper Lee’s attempts to publish anything after To Kill a Mockingbird.

In addition, Cep’s title is taken from a speech Lee gave about how the events at Horseshoe Bend, the site of the defeat of the Creeks by the US military, stymied historian Albert James Pickett, who prematurely ended his history of Alabama at this battle because, Lee claims, the spectacle of the violence at the battle led him to lose “his heart” (252). Cep’s gloss of this speech is that it was an indirect statement by Lee about her decision to stop writing about the sickening violence committed by Willie Maxwell and her decision to stop writing entirely.

Finally, Horseshoe Bend is the name of the motel where Lee stayed while doing research for The Reverend. At the Horseshoe Bend Motel, Lee was in her element as she completed interviews, drank, smoked, and shared meals with friends. Horseshoe Bend symbolizes the centrality of social contact to Lee’s happiness, something she lacked as she struggled to write in her New York apartment.

Go Set a Watchman

Published in 2015 after Lee’s agent assumed control over her affairs, this novel is the deeply flawed but morally complex precursor to To Kill a Mockingbird. The novel symbolizes Lee’s unfulfilled desire to represent Southerners as complicated people who opposed racial violence perpetrated by white supremacists but still endorsed racist ideas. While To Kill a Mockingbird represents the result when Lee collaborated with others to revise her writing, Go Set a Watchman represents Lee’s adherence to her vision without the influence of others. Most critics acknowledge that Go Set a Watchman is an awkward, poorly executed draft, the implication being that collaboration with editors served Lee’s writing process well.

The Reverend

The Reverend is the title Lee assigned to her incomplete and unpublished second book. The book symbolizes the incomplete nature of Lee’s literary legacy and the mystery of why that legacy is so incomplete. The partial and fragmentary nature of Lee’s life as a writer is reflected in what little there is of the manuscript—a few pages that Tom Radney’s granddaughter found in a letter from Lee to Radney. That the pages came enclosed with a letter is apropos, given that most of what people know about Lee’s writing after 1961 comes from the contents of the many letters she wrote.

The Zoo/Maxwell House

Tom Radney named his expanded legal offices the Zoo to indicate the wide range of activities that took place there, while the community named it “Maxwell House” to indicate how the legal fees from Willie Maxwell’s lawsuits against insurance companies made Radney rich. The Zoo symbolizes how even well-intentioned whites like Radney profit from black death.

Alexander City

Alexander City, Alabama, is a small Southern town that serves as the setting for most of the significant scenes in Furious Hours. Alexander City is an important symbol of the South. For example, its courthouse is supposed to be a sign of civilization in the South, but as the trial of Robert Burns makes clear, this Southern civilization is undercut by primitivism and racism.

blurred text
blurred text
blurred text
blurred text