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Kurt Vonnegut Jr.A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Adolf drunkenly steers the Bahia de Darwin out to sea. The ship is believed to have been destroyed in place of the Columbian freighter, so the vessel is now a “ghost ship” (123). The narrator explains that he’s the ghost aboard the ghost ship—Leon Trout, a deserter from the US Marines who found asylum in Sweden and worked as a welder in a shipyard. He was killed when a falling piece of metal cut off his head while he worked on the Bahia de Darwin. He’s invisible but has the power to materialize; he did this once, during the crossing from Sweden to Ecuador, leading to the rumor that the ship is haunted. Leon watches Adolf pilot the ship. Mary comforts the dying Wait, while the other passengers sleep. Adolf, still convinced that the supposed shooting stars are meteorites, steers the ship in increasingly chaotic directions until they’re thoroughly lost. Mary remembers the day she met Roy, when they were hiking through a national park.
Wait interrupts Mary’s memory by proposing marriage again; he has spent much of their journey “proposing marriage intermittently” (126) and Mary tries to comfort him as best she can. She still believes that he’s named Mr. Flemming and that he promises to make her “a very rich widow” (127).
Many years ago, when Wait was 16 years old, he fathered a child with a married woman. Wait knew about the child—a boy “who would grow up to be a good dancer and very musical” (128)—but never thought about him.
Aboard the Bahia de Darwin, the passengers aren’t “uncomfortably hungry yet” (130). Mary and Adolf split their time between piloting the ship and watching over Wait. When the sun comes up, Adolf realizes that they’re far off course. He tries to make an adjustment as he sails toward Baltra, where he believes he’ll be greeted as a hero. He checks on Wait, who informs Adolf that Mary has finally agreed to marry him. His frequent proposals have “worn her down” (132), and she says yes, not expecting to have to deal with the marriage anytime soon. Wait still believes that her surname is Kaplan. Adolf surprises her by announcing that, as captain of the ship, he has the legal authority to marry them. He does so, and Mary and Wait are married, neither knowing the other’s real name.
The narrative reveals that on the island of Santa Rosalia, Hisako’s furry daughter, Akiko, will be entertained by Mary’s stories about romance. Mary tells a story about a widower named Robert Wojciehowitz who proposed to her just weeks after Roy’s death. Mary refused him and burst into tears. Robert, shocked, ran away, chased by Donald the golden retriever, and forced to hide in a tree. He curses his foolishness. Adolf holds a similarly “low opinion of his worth” (134) after causing the Bahia de Darwin to become completely lost. After five days at sea, the passengers become quite hungry. The Kanka-bono orphans kill—and eat—Selena’s seeing eye dog, Kazakh.
Leon, the narrator, speculates about the deaths of Kazakh and Wait with a “wry comment on how little most of us were likely to accomplish in life” (136). He remembers his own funeral, when similar comments were made. Adolf says something similar after Wait’s death, and Mary chastises him for mocking her husband. Below deck, Selena searches for her dog. Mary suggests that they try to use Mandarax as a radio.
Mandarax responds to Adolf’s mayday calls with literary quotes. Mary climbs up into the crow’s nest to search for any nearby island. However, she doesn’t spot “a very queer weather phenomenon” (140) to the rear of the boat. Leon, the narrator, realizes that she can’t see the strange, blue burst of electricity because it’s the blue tunnel into the afterlife. He has seen this phenomenon before and wonders whether his time as a ghost is coming to an end. In the light, Leon sees his father, Kilgore Trout. Kilgore invites Leon to join him in the afterlife and warns that if Leon declines to do so again, he won’t have another opportunity for a million years. Leon hesitates, thinking about why he’s suddenly so obsessed with the passengers on the ship. He appreciates the sudden insight he has into “what life is really like, how it really works, what it’s really all about” (141). Kilgore mocks him. Leon doesn’t like his father, and if anyone else were welcoming him into the afterlife, he might agree to go. He refuses, remembering how his father turned him into “his co-conspirator in driving [Leon’s] mother away forever” (142). Leon ran away from home after realizing that his father was little more than a bitter, failed science fiction author. Like his father, he joined the Marines. Kilgore criticizes Leon for being too much like his mother and believing that “human beings are good animals” (143). Leon asks to see her in the afterlife, but Kilgore ignores him. As Leon is tempted to step toward the afterlife, a cry from the Bahia de Darwin gives him pause. Mary calls out from the crow’s nest. She has spotted land. Leon returns to the ship, turning away from the afterlife and his father.
After setting sail from Guayaquil, Wait continues to suffer heart problems. His mistakes these fatal fluctuations in his heartbeat for love and continually proposes to Mary. His dying mind fuses together his physical problems with his criminal intentions toward Mary (to marry her and take her money), to the point that Wait is no longer sure what’s real and what isn’t. He sincerely believes that he’s in love with Mary, even if this belief is based on the death throes of a criminal mind. The irony of their marriage is that neither one truly knows the other. They’ve known each other quite briefly and don’t even know each other’s names. Mary uses Wait’s criminal pseudonym, Mr. Flemming, while he addresses her by the name Kaplan, written on the clothing she borrowed from someone else. Wait’s lengthy declarations about respect for the Jewish people are based on his confusion and, as in his marriage, his confused mind can’t differentiate between what’s real and what isn’t. He doesn’t know that Mary isn’t Jewish (even when she tells him), and she doesn’t know that he’s a criminal. Their pasts are unknowable to each other, even as they get married. Another irony of their marriage is that this is essentially the final consequential marriage in human history. Society is on the brink of collapse, and humans will soon become infertile. Leon’s narration abandons all humans except those on the ship because they’re the only humans that matter. The last documented marriage in this version of human history is a hollow, loveless ceremony, officiated by a drunken fool, between two people who barely know one another. The marriage is meaningless, a vestigial relic of a world that the characters are now leaving behind.
Adolf is a drunken fool but, quite by accident, becomes one of the most important figures in human history. He’s ashamed of his actions in Guayaquil and worries that—if they manage to return to society—he’ll be judged a failure. Little does he know that soon no society will be left to judge him. His desperate attempts to reclaim some agency and authority are evident in the offer to marry Wait and Mary. He’s a captain of a ship, so he’s legally allowed to do so, but his social awkwardness means that he doesn’t realize that Mary doesn’t particularly want to marry Wait (at least not immediately). Even when he’s trying to help, even when he's trying to show his worth, Adolf can’t help but make a mistake. This foolish figure will be the father for the next generation of humanity, the genetic source for almost the entire species in the future. Adolf fears judgment by human society, unaware that he’ll soon become the key figure in whatever’s left of it.
During Book 2, Leon expands on his relationship with his father. Kilgore was a bad parent, so Leon isn’t keen to accept Kilgore’s offer to go quickly into the afterlife. His decision not to join Kilgore both a condemns Kilgore and demonstrates that despite the very flawed nature of the people in the story, Leon sees potential, a kernel of something redemptive among the characters that he doesn’t recognize in his father. He believes that humanity has a future—despite the seeming mountains of evidence to the contrary—in which it might find redemption for its crimes and missteps. After his miserable childhood and traumatizing adulthood, Leon needs to believe this. He refuses his father’s offer out of a sense of optimism for humanity and a desperate desire to see his species—and, by proxy, himself—redeemed.
By Kurt Vonnegut Jr.
Anthropology
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Challenging Authority
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Class
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Class
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Equality
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Fate
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Guilt
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Laugh-out-Loud Books
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Nature Versus Nurture
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Order & Chaos
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Power
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Safety & Danger
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Sexual Harassment & Violence
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War
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