91 pages • 3 hours read
François Rabelais, Transl. Thomas UrquhartA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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At the grand feast, Gargantua craves salad. While picking lettuce, he accidentally also grabs six pilgrims from Lerne hiding in the greenery. Gargantua almost eats the pilgrims in his salad before they grab onto his teeth to avoid being swallowed. Thinking something is stuck between his teeth, Gargantua picks them out with a toothpick and throws them away. He urinates, still unable to spot the pilgrims, and the copious stream carries the pilgrims away.
Friar Jean is invited to supper and welcomed warmly for his defense of the abbey. The chatty monk jokes around, indulging in a bawdy explanation about why “a damsel’s thighs are always cool” (326): because they are surrounded by water (urine), topped by a dark place (genitalia), and fanned by wind blowing in through the chemise and skirts.
Impressed by Jean’s wisdom, Eudemon wonders why men dislike monks. Gargantua replies it is because monks are lazy and corrupt, but Jean reminds them that he is “never idle” (330). On being asked why some men—like him—have large noses, Jean answers his nose had more room to grow when he was a baby as it was buried in his wet-nurse’s deep cleavage.
After dinner, Gargantua is unable to sleep. Jean asks Gargantua to recite the Seven Psalms with him, which promptly lulls the giant to sleep.
The party rides out to inspect the enemy’s positions after resting. Jean encourages them to be brave, as God and Saint Benedict (the patron saint of fields and farmers) are on the side of the Utopians.
As they ride into a forest, Jean’s helmet gets entangled in a tree and he is left hanging. Gymnaste climbs up the tree and recuses him.
Meanwhile Picrochole, who escaped, is enraged about the defeat of his men. He sends Comte de Rushin for a patrol. Picrochole’s men meet Gargantua and his party and kill Dashon. Jean pursues the men and is taken hostage.
Comte de Rushin bids two archers to guard Jean and turns back toward Gargantua’s party, believing them to have fled. However, Gargantua and his men are hiding and ambush Picrochole’s forces.
Meanwhile, Jean kills his guards and joins Gargantua. Gargantua takes the pilgrims—who had flown out with his urine and joined Picrochole’s men—and Braggart prisoner.
Grandgousier pardons the pilgrims Jean brings back, and bids them to stop “such otiose and useless journeys” (344) or pilgrimages. He sends them off with a horse each and some spending money.
Braggart informs Grandgousier that Picrochole’s aim is to conquer the whole land to avenge his bakers. Grandgousier says the time for such world domination is passed with heroes such as Alexander the Great, and sends him back to Picrochole.
Braggart suggests Picrochole seek peace with Grandgousier. He refuses. Meanwhile, Grandgousier begins to gather his forces.
Gargantua leads his father’s army to battle; Gymnaste advises a quick, sudden attack. Picrochole’s army is defeated. He flees and Gargantua chases him to Vaugaudry before sounding the retreat.
Picrochole flees to L‘Ile-Bouchard. His horse falls on the way and Picrochole kills him in a rage. Grabbing a miller’s donkey and covering himself in a smock, Picrochole disappears and is never seen again.
Showing mercy, Gargantua gives Picrochole’s kingdom to his son in exchange for the councilors who ill-advised Picrochole into war.
Gargantua buries the dead with honor, has the injured treated, and rewards his soldiers with land and gold. The councilors of Picrochole he sets to work in the new printing press in his kingdom.
To reward Jean, Gargantua wants him appointed abbot of Seuilly. When he refuses, Gargantua offers to build him an abbey as per his own design and assigns him his lands in Theleme.
Gargantua grants almost 300,000 gold coins for building the abbey, and more annually for its maintenance. As per Jean’s designs, the abbey is hexagonal in shape, well-lit, and artfully decorated. It is not fenced in, but open.
Above the main gate of the abbey is a lengthy inscription, barring hypocrites, bigots, lawyers, usurers, and other manner of sinners from entering.
Inside the abbey are statues of the Three Graces, fountains, and separate, well-appointed quarters for the men and women.
The nuns and monks dress in elaborate finery; the nuns in sumptuous red, gray, gold, and silver, while the monks wear matching garments of scarlet, black, white, and gray.
Life at Theleme is governed not by laws but by the free will of the individual members. The narrator says people who are free to do as they please naturally aspire toward good acts.
An enigma about God and man’s history is discovered during the digging of the abbey’s foundation; Gargantua believes it is the course and upholding of divine Truth, but Frere Jean insists it is the description of a tennis match.
Chapter 57 refers to two almanacs.
The final section of Book 2 has a more rapid pace than the previous chapters, racing toward a resolution. The previous section has already established Gargantua as a mock-hero and cemented the first and crucial defeat of Picrochole. This set of chapters forms the falling action, providing room for Rabelais to expound on ideas about the clergy, religious freedom, and an ideal society.
These chapters also show why Gargantua is Rabelais’s soundest book in terms of structure, characterization, and plotting. Most loose ends are tied up, including the fate of Picrochole and the pilgrims, and the writer uses little details to maintain and develop characterization. For instance, Grandgousier pardons the pilgrims, in a line consistent with his character. Even supporting characters like Gymnaste are fleshed out, such as when, true to his name, Gymnaste nimbly rescues Jean.
The complex character of Friar Jean is explored in all its shades, continuing the thematic preoccupation with Ridiculing and Reforming Religion. The previous section depicted Jean as brave, but also with a foolish love for wine. This dichotomy continues, such as when Jean indulges in bawdy jokes at Grandgousier’s victory banquet. Jean is able to be silly and crude when company demands, but in battle he turns serious and vengeful, so much so that Gargantua declares that the enemy’s capture of “the Monk [. . .] will be to their harm” (338). In terms of plot devices, Jean becomes a convenient way for Rabelais to infuse more humor in the proceedings. Bawdy and lecherous monks were a staple in medieval and Renaissance literature, so Rabelais’s audience would be familiar with Jean’s type of jokes and characterization. It can also be inferred that Jean serves as a stand-in for Rabelais, who was a Benedictine monk.
Grandgousier and Gargantua’s merciful treatment of the vanquished in battle shows their humanist principles. This section satirizes theories about ideal states and organizations—a prominent idea in the Renaissance. Since Rabelais has already established Utopia as the homeland of the giants, there is an easy segue to describe Utopian ideals. In Chapter 48, when Gargantua addresses the defeated, he narrates the tale of Alpharbal, the previous enemy of Grandgousier. Significantly, he notes that while countries who called themselves Catholic would have “treated him wretchedly” (355), Grandgousier treats Alpharbal with compassion. Alpharbal is eternally grateful in return. This story-within-a-story (the frame tale, a common narrative device with Rabelais) serves to foreshadow Gargantua’s compassionate rule. It also pits Rabelais’s humanism against old-fashioned Catholicism, critiquing the hypocrisy of supposedly Catholic rulers who behave treacherously and violently.
Continuing the theme that the story of Alpharbal begins, the Abbey of Theleme further explores the idea of a perfect polity and rule. Jean refuses to run any existing monastical order, which indicates that no known clerical or governmental organization is perfect. The new order will have to be erected from scratch; hence the attention Rabelais devotes to describing the architecture and spirit of the abbey. The monks and nuns will not be ruled by external dictates, but by one rule, “Do what thou wilt” (373).
The ideal rule is no rule, but this can only be true if the people of a polity are self-governing and naturally good. Therefore, the people participating in the polity of Thelemy will be those raised and bred to be noble, alluding again to The Development of Education and the humanist belief that the right kind of liberal education could lead to the formation of men wise, just, and morally sound. In offering this account of the abbey, Rabelais parodies famous Renaissance works such as Sir Thomas More’s Utopia and Erasmus’s Education of a Christian Prince, reflecting the Renaissance vogue for works centered upon imaginary states and the best way of educating an ideal person or ruler.