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52 pages 1 hour read

Dolly Alderton

Ghosts

Fiction | Novel | Adult | Published in 2020

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Character Analysis

Nina

Nina Michael Dean is the protagonist and first-person narrator of the novel. Nina is a dynamic character who evolves throughout the novel as her experiences throughout one year force dramatic changes in her life. When the novel opens, Nina is an independent and self-assured woman who, through hard work and perseverance, has turned her love of food writing into a successful career. Refusing to conform to society’s expectation that a woman in her thirties should be married and starting a family, Nina ended her seven-year relationship with Joe and spent two years being single, an experience that she found freeing and gratifying. However, Nina’s internal monologue reveals cracks in her confident facade as she watches her close friends enter committed partnerships and start families. Feeling it might be time to restart her search for a partner, Nina decides to use a dating app for the first time, which becomes the inciting incident for the major conflict of the narrative.

Nina meets Max and they fall headlong into a passionate love affair, but four months into their relationship, after pledging his love, Max disappears. Nina’s relationship with Max reflects the pitfalls of dating in the digital age, when people can easily connect and disconnect with each other through online platforms. Max’s “ghosting” negatively affects Nina’s mental health and well-being and makes her question her self-worth. Nina copes with Max’s ghosting by blaming herself and seeking help from Lola, who’s more experienced with online dating. Nina frantically combs the internet, hoping for a sign of life or an explanation for his disappearance. She becomes obsessed with the loss, neglecting other aspects of her life. Moreover, she compares herself to partnered women like Katherine and Lucy and wonders what she is doing wrong. She thinks, “Had I been treating men too much like adults and not enough like directionless lambs?” (176).

Aside from her dating debacles, Nina also struggles with existing relationships. As her best friend Katherine grows her family and becomes more entrenched in suburban life, Nina feels a growing distance between them and isn’t sure how to cross it. Nina and Lola’s friendship is strong, but they often feel ostracized by their friend group for being the only single women. Nina is also dealing with her father’s dementia diagnosis and the strain the illness has put on her relationship with her mother, Nancy. Though Max’s disappearance is devastating, it teaches Nina that although she can’t control every facet of her life, she can invest in her most important relationships. In the end, Nina trades her dating app scrolling for spending time with the great love of her life, her father, and repairing her relationship with Katherine. The novel ends with Nina uncertain about the future of her love life but feeling grateful for her friends and family.

Katherine

Katherine is Nina’s oldest friend and is married to Mark. She has one daughter named Olive, who is Nina’s goddaughter, and during the novel, she gives birth to her son, Freddie. Nina sees Katherine as self-absorbed and overly concerned with her image as the perfect wife and mother. Katherine constantly makes Nina feel as though she is selfish for choosing to remain single, with Nina remarking, “Katherine always made me feel like I was taking part in a competition I couldn’t remember entering” (51). At the onset of the novel, it is clear that Nina and Katherine’s friendship is in trouble when Nina admits to no longer enjoying spending time with her best friend. Katherine is a static character through most of Part 1; however, in Part 2, she becomes a much more dynamic character as the birth of her second child pushes her to her physical and emotional limits.

After an argument, Nina and Katherine stop speaking, but Nina can’t let go of her longest friendship and misses Katherine every day: “She was my only close friend from childhood day I would be the only member left of my triumvirate family and she’d be the one person who could travel into my memories with me” (288). When Katherine shows up drunk at Nina’s apartment, she reveals a different side of her and it becomes clear that much of her personality is a facade. She confesses, “All I am at the moment is a mother. I’m not interesting, I’m not engaged with the world” (307). Seeing Katherine’s vulnerability helps Nina empathize with her friend, and they both recognize the need to work on their friendship. Katherine’s character underscores the struggles of young motherhood and the pressures society puts on women to appear and act a certain way. Katherine’s friendship with Nina reflects how growing up affects one’s relationships. Her relationship with Nina suggests that friendships can devolve if not tended to properly, especially in seasons of transition and growth.

Lola

Lola is Nina’s only single friend. Zany, magnetic, and a hopeless romantic, Lola is the stereotypical rom-com sidekick whose outrageous outfits, hilarious one-liners, and complete lack of concern for societal stereotypes provide comic relief throughout the story. Despite her flamboyance, Lola is also deeply insecure. Unlucky in love, Lola longs for the security of a relationship and the comfort of a traditional family. When Nina creates her first online dating profile, Lola becomes her guide, helping her understand the complex rules of using dating apps. Throughout the novel, Lola cycles through several relationships and experiences the highs and lows of modern dating. She and Nina bond not only through their shared singleness but also when they both experience ghosting from men they thought were “the one.” Nina and Lola often feel like they are watching life from the outside as their coupled friends celebrate traditional milestones like marriage and pregnancy, but they at least have each other. Lola says, “People don’t understand what it’s like to be us” (58).

Unlike her relationship with Katherine, Nina’s friendship with Lola is uncomplicated and effortless. Lola is Nina’s foil, as their personalities are vastly divergent. Nina explains, “she was a pathological people-pleaser—hell-bent on making sure every single person she came into contact with not only liked her but adored her and felt sensational about themselves in her presence” (56). Conversely, Nina is fiercely independent and cares little about how others perceive her. This contrast in personalities makes their friendship work as Nina helps keep Lola grounded and Lola’s relentless optimism helps Nina retain her hope. Lola not only brings color and humor into Nina’s life but also offers companionship, tenderness, and unconditional love.

Max

Nina meets Max on the dating app Linx, and he is her first serious relationship since ending her partnership with Joe. Max is handsome and mysterious, and from the minute Nina meets him, she romanticizes his physical appearance as well as his personality, saying, “He was earthly and godly; elemental and ethereal. Both not of this earth and a poster boy for it” (34). Though Max is attentive to Nina when they are together, he reveals little about himself to her and never introduces her to his friends. Overwhelmed by her physical attraction to him, Nina misses the warning signs that Max is not the right partner for her and quickly falls in love with him. Max is a static character who makes promises to Nina but never fulfills them. He becomes a tremendous source of mental and emotional anguish for her when he disappears with no explanation.

Before meeting Max, Nina is confident and self-assured, but dating Max makes her doubt herself. By proposing marriage on the first date, declaring his love, and teasing her with talk of children, Max emotionally manipulates Nina and undermines her trust in herself. When he returns after his first ghosting, Nina explains her frustration to him: “You decided the entire pace of this relationship then you slammed on the brakes when it suited you. It was like I was just a lucky passenger along for the ride” (266). When Max disappears for the second time and never returns, Nina must accept that he was the wrong person for her and that she missed key warning signs of trouble. Max becomes another ghost who haunts Nina, but he ultimately helps her grow, and she reprioritizes her life after the relationship ends badly. Nina’s experience with Max highlights the complications of online dating culture and the risks associated with it.

Joe

Joe is Nina’s ex-partner, but the couple maintains their friendship after ending their romantic relationship. Joe is a static character who doesn’t change throughout the story. At the beginning of the novel, Nina is overly critical of Joe’s new girlfriend, Lucy, who she finds too eager to lock Joe down into marriage. Lucy embodies all the feminine stereotypes Nina avoids, and Nina feels that Joe has become Lucy’s lapdog, attentive to her every whim and seemingly happy and secure under her control. However, as the story progresses, Nina becomes increasingly nostalgic about her relationship with Joe and wonders why they couldn’t make it work. She concludes that their relationship was more of a friendship than a romance: “We became each other’s portal to comfort, familiarity and security, and nothing else” (87). When she begins dating Max, Joe is jealous, and it appears that a classic rom-com love triangle is forming. However, Nina soon learns that Joe is completely committed to Lucy. Nina serves as Joe’s usher at the wedding, and the event gives her closure on their relationship as she sees that Joe is with the right person for him. Once Max is gone, Nina can better appreciate Joe’s good qualities as a partner, and she can better see Max’s flaws. She explains, “The only time I found myself missing Joe romantically was when I thought about what a good teammate he had been when we were together” (203). Nina’s relationship with Joe represents a formative experience of her youth. By the end of the novel, she is no longer haunted by the ghost of their relationship and instead can look back on it fondly as a part of her maturation into adulthood.

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