logo

52 pages 1 hour read

Raina Telgemeier

Guts: A Graphic Novel

Nonfiction | Graphic Memoir | Middle Grade | Published in 2019

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Pages 70-157Chapter Summaries & Analyses

Pages 70-85 Summary

The next panel shows Raina and her mother walking down the street to a two-story building. They enter an office and sit down. Out of an inside door comes a young woman who introduces herself as Lauren and announces she is going to be Raina’s therapist. Lauren explains that her office is a safe place to discuss anything she wants. Periodically, Lauren will meet with Raina’s parents to describe how things are progressing. She excuses Raina’s mother, leaving Raina sitting on the sofa by herself.

Chewing her fingernails, Raina is quite anxious. When Lauren asks her questions about herself, Raina discovers she has no idea what to say, but “one word Lauren said helped a lot: ‘Try’” (77). They talk about her family. Several cartoon panels show Raina’s anxiety rising, though she cannot describe her feelings. Lauren asks about her brother. This encourages Raina to start talking.

Her mother sits outside in the waiting room, reading until Raina emerges. Lauren says she will see Raina next week. As they walk down to the street, her mother asks how things went. Raina says they mostly talked about her sister and brother. She asks why she must go to therapy. Her mother explains that Lauren wants to help Raina understand herself. She encourages her to try a few more sessions. Raina is not enthusiastic about it.

Several panels show Raina sitting with Lauren. Lauren takes notes, watches Raina play, and observes her drawing. Raina explains that she describes everything in cartoons. She talks about her friends and Michelle. Lauren asks her so many questions that Raina pictures herself as a big question mark. Lauren asks her to discuss her fear of vomiting. This causes Raina to shiver and pull her knees and toes together. Lauren asks, “Does just hearing the word ‘vomit’ scare you” (84), to which Raina replies that it does. Lauren says they will talk about that in the next session. Raina agrees, although she really does not want to.

Pages 86-104 Summary

One day in Mr. Abrams’s class, Jane holds up her hand and says she must leave the room. As Raina watches her leave, she wonders if her friend is vomiting. She remembers they sat together on the bus and shared food during lunch. Raina feels panic as she reflects on her close contact with Jane. When Jane comes back and sits down, Raina watches her closely. Jane turns and asks her why she stares at her. Raina asks if Jane is okay, trying to find out why she rushed to the bathroom. Finally annoyed, Jane snaps, “None of your beeswax, Raina” (89).

Raina says it is getting harder and harder for her to act “normally” at school. It scares her to share her food with others. She gives her food away rather than eating something someone else has touched. Other students realize this and start asking her for all of her food. It makes her nervous to go to the water fountain, knowing that kids will make fun of her because she is so anxious about what she eats and drinks.

On one occasion, Michelle mocks her at the water fountain. Raina shouts, “I hate your guts, Michelle” (92). Raina goes back to class and complains that Michelle is teasing her. Mr. Abrams asks Raina to consider that Michelle may also have some troubles. In the last panel (93), Raina chews her fingernails as she considers her teacher’s suggestion. She decides Mr. Abrams means that, if she is nice to Michelle, maybe Michelle will be nice to her. Watching pensively as Michelle comes back and sits in her desk, Raina decides Michelle needs to be nice first.

On Saturday, Raina goes to Jane’s for a sleepover. At supper, they have a meal that consists of soup, tofu, rice, and meat or fish. As they eat, Raina comments that this is very different from what her family eats. Jane offers her dried squid. Instead, Raina asks for a little more white rice. Jane says Raina should at least try some kimchi. She discovers that she loves kimchi and eats four bowls of rice and six helpings of kimchi. Sleeping on the floor between the beds of Jane and her brother that night, Raina suddenly wakes with stomach trouble. Once in the bathroom, she realizes the problem is just gas. She returns to bed and falls asleep.

The next morning, Raina asks if kimchi causes gas. Jane says it has never caused her to have gas. Riding home with her mother, Raina asks her mother about it. Her mother replies that some foods cause gas and that, in general, eating too much of any food disagrees with your stomach. She advises Raina to avoid any food that she thinks might disagree with her.

That night Raina’s family goes to a salad bar where there is a variety of food. Initially excited, Raina begins to worry about how the foods will react inside of her stomach. She passes over beans, cheese, potato salad, and cabbage. Ultimately, she sits down with nothing more than lettuce, croutons, and Italian dressing as everyone in her family stares at her.

Pages 105-113 Summary

As she sits disconsolately in Lauren’s office, Raina begins an exchange with her about her fear of eating. Raina says she is not afraid of eating but of what the food will do inside her after she eats. Lauren asks her to list the foods that she can enjoy without concern. In listing the foods that will not disagree with her, Raina also mentions foods that others in her family do not like. Lauren points out that Raina seems to worry about things other people eat and says, “You realize that you only have control over yourself right? There are many things you simply have no control over” (107). The counselor explains there are many fears people have for no logical reason. Lauren encourages Raina to learn to control her fears.

Raina thinks about the things that she worries about. She focuses on going through all the activities of a single day without getting sick. The next morning, she shouts “[V]ictory” at the top of her voice. Speaking again to Lauren, she says she overcame her fear of eating artichoke hearts and asks if that means she is completely well. Lauren tells her that Raina’s personal issues are not like a physical illness that gets cured and forgotten. Rather, Raina needs to continue working on her anxieties.

After going to see her therapist, Raina gets a pass to go back to her classroom and sits down beside Jane. Her friend asks her why she is so often late for school. Raina hesitates to explain that she goes to a therapist because Jane might think she is “crazy.”

Pages 114-120 Summary

Raina notices she is not the only one who asks to leave class abruptly, as several other girls excuse themselves. This is a mysterious trend she observes. She asks her friend Dina why she does not go home if she feels bad, to which Dina replies that Raina is not mature enough to understand what’s going on. Raina also notices that there is not as much general conversation in the girls’ restroom as in the past. She feels isolated from some of the other girls, who seem to share a common secret. Raina says, “The boys had not gotten the memo yet. But it seemed like the girls were slowly forming a secret club...to which I was not invited” (117).

Raina’s mother explains puberty is likely the reason for the girls’ secretive behavior. This causes Raina to ask herself if puberty is to blame for her stomachaches and sudden panic attacks.

Pages 121-127 Summary

Raina recognizes that her parents seem to pay too much attention to her. They tell her that they have met with Lauren to discuss her situation. They explain that is how child therapy works, to which she responds that she is not a child. Her father says Lauren thinks Raina could use a little more space because she has shared a bedroom with her sister—and now her brother—from the time of their births. Her parents put up a dividing rod across their bedroom and pull a curtain across to create a private space for Raina. Now her bedroom is part of her parents’ bedroom.

At first, the arrangement seems to work out just fine, until she hears her father’s nighttime snoring. The next morning, she is wide awake and harried from listening to her father all night. When she asks if she can move to the sofa, her mother tells her that her grandmother is going to live with them for six months. The idea that six people will now share a tiny two-bedroom apartment adds to Raina’s anxiety.

Pages 128-139 Summary

This portion of the narrative deals with Raina and her best friend, Jane. Jane comes to the crowded apartment to visit Raina. Quickly, they go upstairs to her room, where Raina shows Jane the comics she has drawn and encourages Jane to draw with her. Jane insists she cannot draw. Raina suggests that Jane write the story and Raina do the illustrations. They decide to base their comic strip on their little brothers and the kids at school. As Raina’s mother drives Jane home, Will behaves badly in the microbus. The girls are glad he does because his behavior becomes source material for their comic.

Then, the next day, everybody sits downstairs as Raina’s dad turns on a big game on TV. Raina goes upstairs, puts on her headphones, and draws cartoons about the family. Raina’s mother brings her the telephone, saying that Jane has called. Jane is upset, so Raina’s mother takes her to see Jane. Her friend tells Raina she is moving to the suburbs near the airport. While Jane feels this is disastrous, Raina sees the possibility of many new, good things, beginning with more space and new friends. While Raina is happy and excited for Jane, her friend agonizes because she doesn’t want to go.

As the two girls sit on the playground disconsolately eating their lunches, Michelle comes to them and asks them why they’re so gloomy. She asks if it is puberty and then says, “Oh, wait...obviously not” (139). Raina runs her hand across her chest as if to check for any changes.

Pages 140-157 Summary

Michelle gives her in-class presentation, demonstrating how to make a healthy Waldorf salad. She displays the ingredients, including apples, celery, walnuts, and mayonnaise. When she mentions mayonnaise, Raina makes a loud sound of displeasure, stopping the presentation. Mr. Abrams tells Michelle to continue as he takes Raina into the hall. He tells her to be respectful of the foods others prefer. Michelle hands out little samples of Waldorf salad to everyone in the class. Raina knows she should sample it. She touches it to her tongue and decides not to eat it. The other students eat the salad and applaud Michelle. Raina also applauds.

Riding the bus after school, Nicole asks Raina why she did not eat Michelle’s salad. She asks why Raina gives away her lunch so often. They wonder if she has an eating disorder, which she denies. Another girl, Dina, says that Raina is just a weirdo. When they get off the bus, Raina consoles Jane by reminding her she will not have to go to school with any of these mean kids next year. Instead, she will get a fresh start. Jane replies, “I don’t want a fresh start. The idea of leaving makes me want to puke” (147). The mention of vomiting fills Raina with anxious thoughts.

In the next panel, Raina discusses Jane’s move with Lauren, saying her best friend will be gone. Raina complains that some kids are mean to her. She picks at her fingernails as she talks. Lauren asks if she experiences bullying. Raina replies that she mostly gets teased. Lauren asks Raina, on a scale of 1-to-10, how much the teasing bothers her. Raina says it makes her stomach hurt and is about five on the scale. When her stomach begins to hurt, she thinks she will lose control, causing her to rise to 10 on the scale: “When I’m in this space I feel like I can’t get out. […] I feel like I won’t survive it. […] I can’t control anything” (151-52). Lauren shares some tools that allow Raina to control her fear: She concentrates on her feet touching the floor and just breathes. When Lauren asks Raina if the situation would improve if Raina explained her situation to her classmates, Raina responds that she does not want to appear childish by saying she is afraid of vomit. Lauren ventures that pretty much all Raina’s friends are afraid of something.

Pages 70-157 Analysis

The first section of the narrative introduces most of the key characters, describes the various settings of Raina’s world and reveals how her fearful response to an overactive stomach turns into a full-blown panic disorder. This second section continues to develop those thematic elements. It describes Raina’s efforts to understand herself, her physical and emotional issues, and how she can cope with and perhaps overcome the aspects of the problems over which she has control. In this section, the author introduces one final important character, Lauren.

Telgemeier begins the second section in a secretive manner. The reader walks down the street with Raina and her mother without knowing where they are going. They walk into a strange building and sit alone in a lobby where an attractive young woman greets them. She introduces herself as Lauren, explains what will happen, and excuses Raina’s mother to wait in the lobby. Many images of their counseling sessions appear in the second and third sections of the narrative. The drawings reveal a growing relationship in which Lauren comes to know Raina well, understanding her fears and coping mechanisms. Raina eventually comes to trust Lauren’s judgment and follow her advice.

The various settings of Raina’s world continue to expand in this section. Raina’s home grows even more crowded with the addition of her grandmother, who is waiting for a retirement community to open. To create personal space for Raina, her parents cordon off part of their bedroom for her, forcing her to endure her father’s horrible snoring. The challenges of fifth grade deepen as some girls in Raina’s grade form an impenetrable clique. Raina discovers that these young women have crossed into puberty, which only deepens the mystery she feels and creates more unanswered questions. This section also delves into the nature of friendship. Raina and Jane bond even deeper when they combine to create comic strips. Soon their friendship comes under threat when Jane tells Raina her family is moving to a different part of the Bay Area.

The second section places all of Raina’s personal issues from the first section under the microscope. With Lauren’s help, Raina recognizes that her fear of vomiting is illogical. She also realizes that her intestinal trouble and anxiety form a feedback loop, the stimulation of either making the other worse in a continuous cycle. Though her anxiety will not quickly heal, she learns there are steps she can take to cope with and eventually manage her panic disorder. Mr. Abrams offers a cryptic bit of information to Raina about Michelle when he takes Raina aside and suggests that Michelle may have struggles going on in her own life. This insight coincides with a comment from Lauren about Raina’s friends. Raina is concerned that she might stand out negatively among her peers; in fact, Nicole and Dina call her out on the school bus, asking if she has a food disorder and suggesting that she’s just weird. Mitigating against their comments is Lauren’s observation that virtually all of Raina’s friends have things they desperately fear. Thus, the author suggests that those who attack others or make cruel comments often do so because of their own insecurities. This section portrays Raina working diligently toward Overcoming Life Issues as a Child.

Readers may note the author’s ironic use of the word “guts” in this section. After a schoolyard confrontation between Raina and Michelle, Raina screams at her antagonist that she hates her guts. This is one of the two uses of the word in the narrative. Ironically, while readers might assume that the title, Guts, refers to Raina’s intestinal issues or her courage in battling the problems she faces, both uses of guts also refer to Michelle’s guts. As revealed in the third section, Michelle also has intestinal issues, though hers require surgery. When Raina says she hates Michelle’s guts, she refers to a situation that Michelle also detests.

As in the first section, Telgemeier’s illustrations add a great deal of clarity and emotional weight to the narrative. Some of the best examples of this come from the artist’s depictions of Raina visiting Lauren’s office. In the earliest sessions, Raina appears isolated, shivering, and chewing on her fingernails. As the sessions progress, the drawings emphasize the counselor’s office, which is spacious, neat, and calming. Just as Raina comes to trust Lauren, the images of the therapist’s office glow with tranquility. Thus, when Raina intentionally summons up the demons of panic disorder in Lauren’s office setting, the reader recognizes that Raina is encountering and controlling this issue in a safe, trustworthy location.

blurred text
blurred text
blurred text
blurred text