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Alan GratzA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At different points, comic book references allude to the friendship between Frank and Stanley, their childhood innocence, the ideals of heroism, and anti-Asian racism. A shared love of comic books cements the friendship between Frank and Stanley, despite their differences. When they feel their friendship is in danger, they each try using comic books to relieve the tension between them. Comics also symbolize childhood innocence and its loss during the Pearl Harbor attack. When Frank sees his house destroyed by debris from the explosion on the Arizona, he realizes both his comic book collection and his own comic scripts are lost—along with his former life.
Comic books also symbolize the ideals of heroism. The boys borrow traits from their favorite comic book heroes to form an image of what a true hero looks and acts like. Stanley argues that, like Superman, a true hero works to help and protect others, even at the expense of their own safety, and even when a situation does not affect them personally. Comic books symbolize strength and invincibility, particularly for Frank, who compares the battleship Utah to comic book heroes; he imagines that the ship is invincible and therefore safe. Safety is especially important to Frank, who is afraid of everything.
However, Frank realizes that many of the comic books he loves also symbolize the larger problem of anti-Asian racism. Depictions of Asian characters in comic books reduce them to stupid and monstrous villains with ugly faces, buck teeth, and cartoonishly broken English. This inspires the boys to challenge racist expectations of what heroism looks like and to make Arsenal Japanese American.
The phrase “just one” assumes importance throughout Part 2. Ginny first evokes this when asking Frank to help her save at least one sailor. She states that they (meaning herself and Frank, and presumably others as well) owe it to both the sailors and their families to help where and when they can. However, Frank understands that her feelings stem from grief, guilt, and helplessness over the death of Brooks. Because she couldn’t help Brooks, she wishes to help another sailor in his stead. Even though Ginny, Frank, and Stanley help many sailors on the beach get to safety, Ginny feels it is not sufficient. She begs Frank to help the wounded submariner, Joseph Kowalczyk—“just one [...] this one” (143). Ginny’s request triggers Frank’s guilt and shame, as he feels he is responsible for Brooks’ death. He is moved to act, fights his fear, and adopts Ginny’s call of “just one” as well.
“Just one” becomes Stanley and Frank’s rallying cry during the second wave of the Pearl Harbor attack. The need to save just one sailor spurs Frank into action, with he and Stanley saving not only Joseph but Patrick as well. These two wounded sailors fulfill Frank’s (and Ginny’s) need to save Brooks. “Just one” also alludes to the boys’ heroism, such as when Patrick calls Frank and Stanley heroes in the hospital. The boys are determined to help the two sailors despite the risk of death; this reinforces the argument that a real hero helps others when needed, no matter the danger involved.
The comic book superhero that Frank and Stanley create symbolizes their personal ideal of both a hero and an American. He combines the best aspects of other comic book superheroes the boys love while avoiding the racist undertones that often mar them. Other superheroes are explicitly white and their villains are often racist caricatures of Asians. In contrast, the Arsenal of Democracy embodies the true diversity of America by being explicitly Japanese. Though the bonus comic situates Arsenal in a fictional setting, the character himself is Japanese American, combining the “white” first name Brooks (in honor of Brooks Leonard), with the Japanese surname Yamashiro.
As Frank states, the character looks like Stanley, who is just as American as he is. This Japanese American superhero leaves the safety of his peaceful island to help fight an evil dictator in fulfillment of Stanley and Frank’s belief that a real hero helps others when needed, no matter what. Arsenal symbolizes their shared ideals of bravery and self-sacrifice, as well as American diversity, tying together the themes of heroism and American identity.
The Arsenal of Democracy represents hope. Prior to the Epilogue, the novel ends grimly, with Frank and Stanley’s separation. Stanley at this time feels hopeless, believing that people would shun a Japanese-appearing superhero. The comic shows that Stanley and Frank succeed in subverting racist expectations of what heroes look like, and believe in themselves enough to do so. It also is a testament to their enduring friendship.
By Alan Gratz