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50 pages 1 hour read

Peace Adzo Medie

His Only Wife

Fiction | Novel | Adult | Published in 2020

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Themes

Intersection of Tradition and Personal Desire

Afi Tekple’s arranged marriage to Eli Ganyo places her character at the Intersection of Tradition and Personal Desire. Afi agrees to marry Eli, a man she does not know, because she wants to please her mother and repay Aunty Ganyo for her kindness to her family. Following tradition makes her feel as if she is “balancing [the] two families like a basin of water, which was full to the brim, on [her] head” (4). Afi has dreams, hopes, and goals of her own, but at the beginning of the novel, her responsibilities to Aunty and Olivia trump her personal desires. The arranged marriage therefore limits Afi’s autonomy over her future. At the same time, following these cultural and familial duties reaffirms Afi’s role as a young Ghanaian woman. Therefore, Afi tries to quell her own dreams to satisfy tradition throughout the first weeks and months of her marriage despite her discomfort and dissatisfaction. Though she tries throughout the novel to find a way to balance conforming to tradition with fulfilling her personal and professional needs, Afi eventually concludes that she must reject tradition to seize happiness.

Throughout Afi’s marriage to Eli, she becomes increasingly emboldened. The more trapped and alienated she feels by her family and relationship, the more she chases her desires. Her recollected conversation with Mawusi in Chapter 2 foreshadows these attempts. She tells her cousin that she is not just going to sit in a house in Accra waiting for her husband; she wants “to attend a fashion school” to learn “to design and sew” specialty clothing for the wealthy class (25). Afi takes the first step toward pursuing these personal desires by articulating them to her cousin. This conversation shows that though Afi has accepted a traditional role as a wife in an arranged marriage, she is using it as an opportunity to pursue personal goals that were out of reach for her in Ho. However, the more energy she devotes to her own wants and needs, the more she compromises her traditional wifely role. Her family wants her to devote herself to caring for Eli and maintaining his household. Afi has no interest in sitting at King’s Court and waiting for her husband to give her the attention and affection she deserves. Thus, from the start, Afi stands up for herself to her husband, mother, mother-in-law, and even her friends.

Though Eli, too, breaks with tradition by supporting his wife’s professional goals—even encouraging her to attend school and open her boutique—when her personal needs conflict with the privileges that tradition affords him as a man, he leverages tradition to prioritize his personal desires over hers, pushing to have both Muna and Afi as his wives. When he fails to be willing to sacrifice any desire of his to support hers, Afi breaks with tradition and divorces Eli. Although her friends and family fear that subverting tradition will alienate Afi from the Accra and Ho societies, Afi’s boldness and courage ultimately allow her to realize what she wants for herself and her son. She thus learns how to resist entrapping traditions while maintaining relationships with her family and fighting for autonomy over her life and body.

Dynamics of Arranged Marriage

The novel’s inciting incident is Afi’s marriage in absentia to Eli Ganyo, placing the Dynamics of Arranged Marriage at the center of Afi’s story. Eli’s absence from the wedding ceremony in Chapter 1 foreshadows the unequal gender dynamics at the heart of the patriarchal tradition of arranged marriage and the ways that those dynamics will ultimately compromise Afi and Eli’s relationship. Though Eli, like Afi, agrees to the arranged marriage to satisfy his family’s expectations, he is not compelled to give up his desires or transform his life to the extent that Afi is. Because he is a man, he can send Afi a simple apology “for having to miss [the] wedding” due to a vague “last-minute change of plans” (13), and have another man attend the wedding as a surrogate. Meanwhile, Afi must give up her life to move to a new city, where she waits for her elusive new husband to make an appearance in her life. Mawusi and Olivia doubt that the Ganyos will leave Afi alone in Accra, but Afi’s fears are realized as soon as she arrives at one of Eli’s residences. Her new marital arrangement requires her to abandon her hopes, dreams, frustrations, and longings and to adapt to her husband’s needs. The arranged marriage demands that she silence her own identity to accommodate Eli’s. For these reasons, Afi’s union with Eli threatens to limit her experience of the world and her understanding of herself.

Afi rebels against the expectations of her arranged marriage when she starts to stand up to her husband, in-laws, and mother. Afi’s first act of rebellion occurs in Chapter 9 when Afi leaves Accra, moves back to Ho, and refuses to leave until Eli brings her back to his primary home. She knows that her obstinance could “cost [her her] marriage” and her husband but refuses to bend even when Aunty and Olivia demand that she return to Eli. According to the expectations of her patriarchal society, it is Afi’s job as the wife to please her husband, not to demand any sacrifices or emotional satisfaction from him. Afi has learned the dynamics of her arranged marriage throughout her first weeks with her husband in Accra, but she chooses to defy those expectations in the hope that she can build a less traditional, more personally fulfilling relationship with her husband. She has fallen in love with Eli and therefore wants their marriage to be different. She wants their relationship to transcend the strict cultural prescriptions of arranged marriages. As she tells Evelyn in Chapter 9, Afi is not “one of those women who are able to live with another person in their marriage, those women who proudly say that they are the farm, and the other woman is only a garden” (175). She worries about disappointing her mother, angering her mother-in-law, and losing her husband. However, she worries more about losing herself to the marriage. She tries to reinvent the relationship as best she can. When it proves impossible to transform the dynamics of her arranged marriage, Afi finally chooses to leave the institution rather than compromise herself any further.

Empowerment of Women

Afi’s business pursuits, marital rebellions, and close relationships with Mawusi, Sarah, and Evelyn illustrate her devotion to the Empowerment of Women in defiance of her traditional, patriarchal Ghanaian society. Afi agrees to marry Eli at the start of the novel because she wants to make her mother proud and repay her mother-in-law for her generosity. However, Afi doesn’t like “being the key to other people’s happiness, their victory, and their vindication” (4). Marrying Eli means abandoning her own desires and sensibilities to play the part of the obedient, dutiful wife. Over time, this arrangement becomes increasingly stifling for Afi. Less than a week into her time in Accra without Eli, Afi decides to start attending Sarah’s sewing school, Sarah L Creations. The fact that clothing design is Afi’s calling is significant: It is both a creative pursuit that allows Afi to express herself and a path to financial independence from her husband and his family. This decision is a symbol of Afi’s desire to seize autonomy over her life, her identity, and her future. Sarah encourages Afi’s preexisting independence and inspires her to want and do more for herself. Afi faithfully attends sewing school and builds her boutique dream throughout her fraught marriage. Sarah’s and Evelyn’s characters are constant reminders that she can claim her desires and empower herself. By befriending other women with similarly autonomous lives, Afi learns how to exercise her agency in her own life.

Afi proves herself capable of an independent, liberated, and accomplished life when she leaves her husband and maintains her business. After months of waiting for Eli to choose her over Muna, Afi decides to end the relationship. Her decision is an act of defiance and self-empowerment. Indeed, whenever Afi stands up to Eli, confronts him about hurting her, and articulates her needs to him, Afi is claiming her voice and her mind. Like Evelyn, Afi decides that she is not “going to waste [her] life on a man who lets his mother tell him who to marry” and who “doesn’t want to be serious with” her (239). Afi genuinely loves Eli, but because Eli has proved incapable of valuing her, Afi lets the marriage go. She values her power and independence more than she does Eli’s comfort. Although Mawusi worries that divorce will compromise Afi’s reputation and business, Afi courageously faces these challenges. She does not want to spend her life “fighting to be seen and chosen” by Eli and instead devotes her energies to establishing herself in the artistic and business worlds (274). She is inspired on her journey by the empowered women around her, particularly Evelyn and Sarah, and in turn, she inspires her mother to claim her empowerment by escaping from her dependence on Aunty Ganyo. Thus, Afi’s story illustrates the way that women can support and encourage one another to escape the confines of patriarchy and forge their own paths in the world.

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