67 pages • 2 hours read
Riley SagerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Maggie rereads the sleepover chapter of the Book. She can’t afford to believe the sleepover is real, because then everything else in the book would be true. She’s tempted to leave her mother a message asking if she knew about the body in the ceiling. She looks at the Polaroids again. In the pictures of Petra, she wonders if she’s posing for Ewan. The photo of Petra looking at the ceiling where her body would be hidden is chilling.
Maggie notices that she doesn’t have the bandage or scar on her cheek in some of the pictures. Now she wonders when the cut actually happened. The Sound of Music begins playing upstairs and the chandelier is lit. She takes a knife and goes to the study, where she finds Buster on the desk.
She calls Alcott, who comes and searches the house. Alcott doesn’t believe it was an intruder. As they talk, she’s confused when Maggie suggests the Book might be true. Alcott asks her to stop because she’s in danger of following her father down the path that hurt the town and the Ditmers. After she’s alone, Maggie takes the record player outside and breaks it with a sledgehammer.
Ewan and Jessica wait for Maggie to leave her appointment with Dr. Lila Weber, a child psychologist. Ewan recalls that Jessica’s pregnancy with Maggie accidental pregnancy and that Maggie’s birth was difficult: The cord was wrapped around her neck during the delivery.
Weber tells Ewan and Jessica that Maggie has a hard time distinguishing what’s real from what’s imaginary. She believes Maggie truly thought there were ghosts in the room at the sleepover. Ewan knows that doesn’t explain the doors opening and closing or the noise under the bed.
That night they tell Maggie about the Carvers. Maggie says Hannah already told her. When they show her a newspaper article about the tragedy, Maggie points at the picture of Katie Carver and says she’s the girl she sees in her room. She also says that Curtis Carver is Mister Shadow.
Maggie waits with the knife, jumping at every noise. The only way she can think of to escape the reporters is to get a ride with someone. Even though she’s nervous about his prison record, she calls Dane. They meet near the crumbling wall, out of view of the reporters, and he drives her to Weber’s office. When she asks him about his time in prison, he’s honest. He says he was drunk during the fight, regrets what he did, and served his time. He didn’t tell her because he didn’t want to be judged. Maggie says that now they’ll have to be in a strictly boss-and-employee relationship. He lets her out at the office and resigns. When he asks her if she’ll need a ride back, she wants to say yes but declines.
Weber tells her that they only had the one session mentioned in the book. She believes Maggie returned to see if the Book was true. She also thinks it’s relevant that Maggie became a designer: She looks for the stories of other houses. She thinks Maggie’s return to Baneberry Hall is an attempt to rewrite the story. Weber also tells her about their single session when Maggie was a child. She doesn’t believe Ewan made up the ghosts or their names. She says Maggie truly believed in them. Weber says that what Ewan wrote about their session is true.
Jessica starts teaching summer school as Ewan and Maggie go to the farmers’ market. When they get home, a bell rings three times. Ewan is with Maggie, so she obviously isn’t doing it. It’s the bell from the Indigo Room. On his way back to the kitchen, every bell rings. Maggie says Mister Shadow was there and wants to talk to Ewan.
That night, he takes out the Ouija board and tells Jessica they should contact Mister Shadow. He admits he thinks the house is haunted. She’s reluctant but agrees. He asks if a spirit is there, and the answer from the board is YES. The temperature drops. The spirit says, via the board, that it used to live there. Its name was Curtis Carver, and Mister Shadow is what Maggie calls him. He repeats the word CAREFUL three times, and then the planchette moves to GOODBYE.
Maggie screams upstairs. When they enter her room, the armoire is open. She says Mister Shadow was there.
During Maggie’s conversation with Alcott, she’s more vulnerable than ever as she admits her doubts: “I sound like the me my father wrote about. I’ve become the Maggie from the Book” (250). Maggie feels paranoid and naive, but she’s also frightened, highlighting the book’s theme of The Corrosive Effects of Secrets and Guilt. The flaws in her own memory worry her more with each discovery, and it doesn’t help that Dr. Weber affirms that Maggie believed in the ghosts. If Maggie is actually the Maggie from the book, then her father’s perspective on other things might be true as well. Alcott doesn’t argue with her. Rather, she suggests that Maggie might follow her father’s portrayal of her in unforeseen ways, including being a further detriment to Bartleby. This underscores the book’s theme of The Value and Burden of Family, as Maggie grapples with the effects of the Book’s impact on not only her family but the community while also trying to find the truth and heal from the trauma of her family’s past.
The parallels between Maggie’s visit with Dr. Weber as an adult are difficult for Maggie to process. Dr. Weber tells Ewan and Jessica—according to House of Horrors—that Maggie believed in Mister Shadow, Miss Pennyface, and the girl. However, she tells the adult Maggie the same thing. The last thing Maggie expected from Dr. Weber was to hear that everything Ewan wrote about Maggie’s belief in the imaginary beings was as real as anything else was to Maggie. This heightens the confusion surrounding one of the book’s primary themes: House of Horrors and Maggie’s Search for an Identity. Dr. Weber also provides Maggie with the concrete idea of rewriting her story, which foreshadows Maggie’s literal act of writing in the novel’s final pages.
In addition, Maggie’s visit to Dr. Weber allows her the time to talk with Dane as he drives her to the appointment. She’s overly harsh when she confronts him about his time in prison, although she doesn’t seem concerned with her moderate hypocrisy. It isn’t cruel of her to be surprised by his criminal record, but Maggie knows what he means when he says he didn’t want to be judged for his history. Regardless, the revelation changes their relationship, and he resigns.
Ewan’s recounting of the Ouija board scene is another trope of horror fiction: the communication with spirits via séance or other occult means. It unfolds beat by beat as if it comes from a novel or screenplay writing workshop, down to the revelation that Curtis Carver is apparently Mister Shadow. This could be read as an eye-rolling cliché—or as the work of someone who is familiar with the genre, and knows the conventions of skilled, propulsive storytelling, a clever meta-device that Sager is using as well.
By Riley Sager
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