49 pages • 1 hour read
Bolu BabalolaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Kiki is the protagonist and first-person narrator of the novel. As such, the novel is shaped through her experiences, and the novel’s voice, including its precise diction, is expressive of Kiki’s identity as a young Black woman. The first-person narration makes Kiki the reader’s companion into her world, but also allows the novel to create dramatic irony and suspense, as Kiki often reveals herself when she is not self-aware. This is essential to her role as the novel’s romantic heroine.
Kiki is a young woman starting her second year at Whitewell College. She has an edgy look, with her hair in long twists or braids, a nose ring, and form-fitting clothes. Her mother and father emigrated individually from Nigeria and met and married in England, where Kiki and her young sister were born and raised. They frequently visit family in Lagos, and Kiki is proud of her Nigerian cultural and heritage, including her ability to speak Yoruba, her parents’ native language. Her African roots are foundational to her identity, and she sees herself as set apart from, and often oppressed by, the white culture around her.
Kiki is loving and loyal to her family, taking care of her younger sister when their mother was undergoing treatment for cancer. Though she feared losing her mother, Kiki felt she needed to remain calm and unemotional to reduce the burden on her parents, so became accustomed to repressing her feelings and blocking people out. She viewed both Nile and Rianne’s actions as a betrayal, so when she moved to Whitewell, Kiki decided to limit her interactions with others so she couldn’t be hurt like that again. She identifies as a self-appointed “fuckboiologist and mandemologist” (10), using her platform to try to protect other women from being used by callous young men.
Kiki’s character arc throughout the novel is a journey of learning to let go of past hurts, forgive people who hurt her, and form new relationships with trust, vulnerability, and self-knowledge. Where she kept her interactions with Zack a secret because she didn’t want anything real with him, Kiki initially only opens up to Malakai because she believes doing so can help her show and win her the internship, and she can hide behind the excuse of fake dating. Kiki demonstrates that she can be judgmental, hypocritical, narrow-minded, selfish, and self-pitying, but she also has many soft and appealing qualities. Malakai says she has “the sharpest, sweetest mouth and the biggest heart” (343) and is “[s]oft and tough and shy and bold,” and beautiful (343). Her friends believe Kiki has the power to bring people together, and after she decides to use her show to help others as well as be honest about her own choices and motives, she ends the book in a loving and committed relationship with Malakai, considering a position of leadership in the ACS, and awarded the internship she wanted from NYU.
Malakai is Kiki’s love interest and the second protagonist of the novel. He is described as “tall, dark, and handsome, like he walked out of a nineties rom-com” (17). He has a muscled body, deep brown skin, and wears a gold chain. Kiki calls him “a very well crafted, perfect uni boyfriend. Artisanal” (45). At their first kiss, Kiki notes he had “a smile so bright [she] felt like [she] could see [her] future in it” (64). She compares his looks to Morris Chestnut, an American actor. The novel plays on generic assumptions here to make it clear that Malakai is the love interest despite the narrative twists. That these comments are given through Kiki’s first-person voice demonstrates that she is highly attracted to him.
Malakai’s parents are also from Nigeria, and his father spends time there with his business. Learning about his father’s infidelity—after his father’s mistress approached Malakai—shattered Malakai’s trust in his father. He still longs for his father’s approval, however, and is upset that his father thinks Malakai’s love and interest in film making is irresponsible. His father’s betrayal led Malakai to an episode of depression, where he lost interest in school, and he wasn’t supported by his girlfriend, Ama, who instead scolded him for his behavior. In transferring to Whitewell, Malakai is looking for a new start. He is also looking for companionship, but in not being clear to the girls he was dating, he created the unhappiness, jealousy, and competitiveness that leads Kiki to assume he is a “fuckboi.”
Malakai isn’t a “Wasteman,” however, as the reader sees quite early. He is a loyal, sincere, emotionally mature young man, and he is honest about what he wants and what he feels. He is always straightforward with Kiki, though he occasionally lets her believe otherwise of him, because she is so quick to jump to judgment. He doesn’t guard his heart, however, and eventually tells Kiki know how he feels. He is a sensitive and caring boyfriend, with a good sense of humor. He is always supportive, letting Kiki set the pace of their relationship, helping her goals by contributing to her show and trying to protect her from Zack. Though he isn’t able to repair his relationship with his father, Malakai takes a chance on opening himself up to Kiki, confessing publicly that he loves her and is ready for a real relationship.
Aminah is a supporting character, accomplice and mentor to Kiki. The also helps the novel to explore Black female, particularly Nigerian, identity and culture in the UK, widening the novel’s presentation through her differences to Kiki and Malakai.
Aminah is a second-year marketing student at Whitewell. Aminah’s parents run a Nigerian snack food business called ChopChop and went to a British boarding school in Lagos, then a private boarding school in Sussex. Her parents are Christian and Muslim, so she likes to say she is “biregligious.” Kiki says Aminah could have easily been “Supreme of the Naija rich bitches” (13) but she “rejected all expectations and presumptions” (14). Aminah is a devoted friend and occasional source of humor and sheds light on Kiki’s perspective, letting her know when she is being self-centered or lying to herself. Aminah is a lively personality, a devoted friend, and the life of the party. She knows what she wants and goes after it, as shown by her conviction that Kofi is the man for her. Aminah’s view of relationship provides perspective for Kiki, as Aminah knows she wants to be with Kofi but believes she has to play coy and make him pursue her so he doesn’t take her for granted. Aminah and Kofi together provide an analogue and comparison to Malakai and Kiki.
Zack serves as the antagonist of the novel, another version of Nile, a man who wants Kiki and then turns on her when she rejects him. Zack is very good-looking, ambitious, vain, and completely self-centered. His only good attributes are his looks. He has a very fit body, hazel eyes, and caramel skin; Shanti describes him as “rich, light-skinned, and looks like a Calvin Klein model” (210), and Kiki describes him as “fully a prick, fully a snack” (35). He has one white, English parent and one Nigerian parent and went to a boarding school in Sussex where he had only white friends, which suggests his identification with Black culture might not be strong or sincere.
Zack claims he seeks reconciliation in his dealings with the Whitewell Knights; as he says in his video, “I myself am of mixed-raced heritage, being both Black and white, and I consider myself a real emblem of what can happen when we put our differences aside” (305). Kiki, however, realizes that Zack simply wants power, admiration, and respect, and does not have any scruples about how he achieves it. She reflects that he uses people, and her “feelings were just a tedious obstacle to maneuver around till he reached his goal” (268). Zack doesn’t listen when Kiki tells him no, and it comes to light that he has harassed and blackmailed other women with revealing photos and threats of exposure. Kiki thinks, “He was addicted to power and ownership, and it made him a perpetually unsatisfied monster” (289). Zack turns out not to have any nuance or redeeming qualities; he is purely the villain, and at the end of the novel, he is kicked out of Whitewell in disgrace.
Simi is an older student at the university and a former president of the ARC. At first seeming an antagonist but later an ally, Simi’s role is to provide evidence for Kiki’s increasing willingness to engage with others and her growing sense of community over competition, especially with other young Black women. In this respect, Simi is one of a number of female characters who provide this role: Shanti Jackson and Chioma “Chi-Chi” Kene are also versions of this type: beautiful, influential, confident young women whom Kiki admires and envies. Shanti is “leader of the London Gyaldem, acrylics long, patience short, hair premium Peruvian, attitude premium south London” (45), and her domain is makeup and beauty tips. Chioma is “head of the Incense and Almond Milk Babes,” whom Kiki thinks of as “the Vegan Cupcakes” (46). She has waist-length, dirty blonde-brown faux dreads and a nose piercing. Shanti and Chioma initially present as rivals for Malakai’s affections, girls he was interested in along with Kiki, but after Kiki is able to see them as people and not representatives of Blackwell elements that she needs to control or influence, the young women become friends. Simi reveals that she, too, saw similarities between herself and Kiki, and was hard on Kiki to try to toughen her up so she could succeed Simi as a “Boss Bitch.” Simi, in the end, is both accomplice and mentor as she lets Kiki use the AfroWinter Ball, her event, as a platform to expose Zack, proclaim her love, and reconcile with Malakai.
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