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45 pages 1 hour read

Helena Fox

How It Feels To Float

Fiction | Novel | YA | Published in 2019

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Pages 227-291Chapter Summaries & Analyses

Pages 227-291 Summary

Biz and Jasper frolic like “two merpeople” (234) in the ocean, and later, Biz takes lots of Polaroids. As the images develop, she sees one in which her father is surfing in the background. The photo speaks, and her father tells her he loves this beach, that he and Biz’s mother used to come there, and how much he loved her then. Jasper and Biz walk along the surf, talking quietly and wandering along the beach. On the back of the motorcycle on the way home, Biz decides she needs to find her father, to return to places that meant much to him, reclaim him. She begins to think of a road trip with Jasper.

When Biz gets back home late, she tells her mother about the day at Cunjurong. Her mother remembers a day she spent there with Biz’s father years earlier, although Biz already knows.

Jasper and Biz leave together for Sydney, Biz deciding that the city where her parents first lived would be the best place to start. As they head to the city riding along the ocean, Biz, still fixated on death, worries they might die in an accident. By noon they arrive at the apartment where her parents lived when her mother was pregnant with her. Biz recognizes the corner building overlooking the ocean from old photos. Jasper and Biz walk around the outside, and Biz takes pictures. Biz considers actually knocking on the door of the flat but decides not to. Jasper leaves her alone and waits for her down by the ocean. As Biz remembers stories her parents told her about their time in Sydney, she begins to cry. Her father, however, does not appear to her. She feels disappointed. This did not work. She heads down to the sea to find Jasper.

Next, Biz decides she should go to Temora, a town more than five hours inland, where her father grew up. Her mother objects and cannot understand why Biz is doing this instead of finding work and getting her life back on track: “Time only ever goes forward…You can’t undo anything, ever” (250). But Biz is determined. Sylvia offers Biz her old car to make the trip, but Biz decides to take the train. She only has $32, and she decides to sell the digital camera her mother gave her for $1000. She wants to send an email inviting Jasper to come, but her alter ego, “Dark Biz,” mocks her for thinking Jasper would take off school to go with her. Instead, Biz just sends a text telling him she is leaving for Temora. The night before Biz departs, her mother barely talks to her. Biz cannot bring herself to tell her mother she is leaving the next day. Biz makes a lasagna dinner. She wants to explain why she needs to go to Temora, but she says nothing.

Biz departs in the morning. She watches the ocean as the train pulls along. The ocean is stunning—the morning sun stepping on the waves “like a goddess” (265)—and Biz snaps photos. She feels herself floating above the train, above the ocean. During the long train ride, Biz talks herself out of turning around. She gets an urgent message from her mother asking where she is, but Biz does not answer. At this moment, Biz is not even sure who she is: “My body is not even slightly the same body I had when I was born” (272). She feels reborn—when she is stunned to see Jasper waiting for the train at Moss Vale.

The reunion is invigorating for Biz, and she shakes with unexpected joy. “Here we are” (276), she says triumphantly as they share a muffin Jasper packed. They board the train and continue west. They talk happily about being co-runaways, “two villains” (279).

They arrive finally at the Cootamundra station and step off the train into the fierce heat of the Outback. They head to a vegan restaurant for lunch. Biz is intrigued by a wall of framed photos, as each image speaks to her, each telling her its story. The voices overwhelm her, and she rushes out of the diner. Biz wants to explain to a concerned Jasper about the visits from her father, about hearing photos talking to her, but she says nothing.

As they wait on the platform for the connecting bus to Temora, Biz reluctantly decides to call her mother, who has left dozens of messages. She assures her mother she is fine and tells her she is heading to Temora. Her mother begs her to be safe. Jasper and Biz board the bus and head into the Outback.

Pages 227-291 Analysis

This section focuses on Biz’s decision to go to Temora and visit the farm where her father grew up. For months now, her father has been more and more of a blur than a presence. Biz knows she needs to take possession of her past as a strategy for recovering her future. To do so, she must separate her father’s life from her own. As long as he continues to follow her, Biz will take refuge in floating.

The section also juxtaposes how Biz and her mother view the past. Biz’s decision to explore her father’s past annoys her mother. For her, digging into her father’s past only alienates Biz more from living in the moment and planning her future. Biz mocks her mother’s assumption that somehow after finishing the photography course and finding a friend in Jasper that now Biz is on her way to being healed, that going into the past is counter-indicated: “In your humble and oh-so-expert opinion I am not healed enough?” (249), she asks her mother. She lets her mother know that her apparent emotional steadiness is an act; she still feels the same kind of fragmented panic she believes her father felt when he was overwhelmed by the responsibilities of being a father and husband. In a moment of rage, Biz blames her mother for acting the same way around her father. Ignoring his pain, his need for help “when he was fucking screaming for it” (250). Biz sees the trip to Temora not as a flight into a fantasy world but rather as the only avenue toward authentic healing.

While Biz’s interactions with her mother only frustrate her, Biz’s time with Jasper reassures her. Before Jasper appears at the train station, Biz fights her fears, symbolically suggested by her gnawing hunger and how the sea taunts her. As the panicky emails from her mother accumulate, Biz begins to float above the train. Seeing Jasper, however, immediately anchors Biz in the moment. Suddenly re-engaged, Biz calls her mother and symbolically stops running from her mother’s concerns and complicated emotions. As Biz transfers from the train to the bus, as she moves into the intimidating vastness of the Outback, her world symbolically opens up “like a big, flat flower” (291). The section ends with Biz anchored to the moment, assured of the love and support of her mother, reunited with her best friend, and ready to face whatever awaits her.

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