59 pages • 1 hour read
Teresa DriscollA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As a psychological thriller, I Am Watching You aligns with modern thriller conventions, focusing on the psychological depth of its characters and the suspense driven by their hidden fears and desires. The novel derives its thrills as much from the tortuous psyche of its characters as it does from its twist-filled plot. The narrative pays close attention to the internal monologue of characters such as Ella, Henry, Sarah, and Matthew, exploring what powers their actions. For instance, the narrative grounds Sarah’s refusal to leave the club with Anna in her complex past and her compulsions, such as Sarah’s desire to fit in with the larger world. Similarly, Henry’s secretiveness is revealed to be the consequence of his struggle to balance his identities as a father, farmer, and a man committing infidelity. Another feature of the psychological thriller genre that the novel exhibits is a focus on the pathologies of its antagonists. The novel pays close attention to Tim’s disordered thinking in first-person interludes, where he admits to loving the power that he feels over the people he stalks.
The novel also pays attention to the heightened emotions of its characters, including fear, grief, guilt, and paranoia. Propelled by these exaggerated emotions, characters often carry out extreme actions, such as when an overwhelmed Henry contemplates shooting himself. The motif of watching adds to the ominous, claustrophobic atmosphere of the narrative, intensifying the feeling of paranoia. This is especially apparent in Ella’s point-of-view chapters, where she wants to lose herself in her floristry but is jolted into fear by Tim’s silent stalking. Thus, the external threat of violence mirrors the psychological terror and turmoil of the characters, a critical feature of the psychological thriller genre.
Set in contemporary England, the novel taps into modern societal fears about crime and the safety of young people, reflecting broader anxieties about trust and the impact of past actions on the present. As young people become more independent and are exposed to an ever-widening range of influences, including social media, parents have to strike a fine balance between being permissive and overly protective. Ella’s response to Anna and Sarah aptly sums up the anxiety to strike this balance. Ella admires the girls for their independence, yet, as a woman and the mother of a teenager, is only too aware of the ever-present threat of gendered violence. This dual response manifests as Ella’s exaggerated focus on the girls and heightened anxiety about their well-being. However, the irony of the situation is that the threat to the girls turns out to be neither their sexual expressiveness nor the strangers they have just met. The threat is one of the girls’ friends, a young man Ella does not actively recall till the very end of the novel. The familiarity of the threat reflects the fact that many of the crimes against women and children are carried out by people known to them.
The novel also gently satirizes the tendency to pathologize people based on certain markers, such as Ella’s suspicion of Karl and Antony because they are reformed convicts carrying all their belongings in large black garbage bags. The police too fall into the same trap, assuming guilt, rather than innocence, as the default, based on certain biases. The portrayal of police in the novel highlights concerns about the lacuna in police investigation as well as about unfairly harsh police practices.
Appearance Versus Reality
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Fathers
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Fear
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Grief
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Guilt
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Mental Illness
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Mortality & Death
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Psychological Fiction
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Safety & Danger
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Sexual Harassment & Violence
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Truth & Lies
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