59 pages • 1 hour read
Teresa DriscollA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sarah is released from the hospital. At her home, she wonders why Lily, her sister, has not replied yet to her Facebook message. Sarah has not seen Lily in three years. Lily left home around the same time their parents’ marriage abruptly ended. Sarah senses Lily told her mother something ominous about their father, but when she questions her mother, Sarah’s mother avoids the topic as always. Lily used to want to go to art school. Now, Sarah has gathered from social media, she lives in a religious commune with dyed-pink hair. Sarah leaves Lily another message, stating that she fears their father has something to do with Anna’s disappearance.
Matthew and his wife, Sally, have a baby girl. An awestruck Matthew cannot stop staring at his wife and daughter. Now that he is a father, Matthew feels his line of work affects him differently. For instance, now he feels a greater pang when he sees Anna’s pictures on Facebook, and he experiences a twist in his gut every time he thinks of the pain of her mother, Barbara. Back home, he gets a call from Melanie congratulating him on his perceptiveness in the Anna Ballard case. Matthew has no idea what Melanie is referring to but pretends to be in the know so Melanie can tell him more later. They agree to meet at a café; Matthew tells Melanie about his new daughter.
After Henry calls the police demanding to speak to Melanie Sanders, they pay him a visit, find him armed with the shotgun in the barn, and arrest him for suspicious behavior. Henry is locked up in prison and questioned aggressively by the DI from London. The DI also tells Henry that his story of being asleep in the car has fallen apart. The witness who spotted his car near the railway station says the car was empty. When the DI asks Henry about his connection to Sarah, Henry begins to panic.
Sarah reminisces about Anna. Both she and Anna were heavily into musical theater in secondary school, dreaming of being Broadway singers. Their camaraderie over music turned competitive after year nine, as they began auditioning for the same parts at school. Anna was the better singer, and in year 11, she landed the part of Fantine, a heroine of Les Misérables, the theatrical adaptation of Victor Hugo’s novel. Sarah got a part in the chorus. Anna offered to withdraw from the play, but Sarah hid her disappointment and encouraged her friend to go ahead.
Sarah feels Anna’s casting was a trigger for her to start dating. At first, she enjoyed her newfound sexual powers, but soon she felt humiliated since she was shamed in school for sleeping around. Students spread ugly rumors about her, such as Sarah performing oral sex on two boys at a party. Sarah began to be called a “slag,” an offensive, sexist term, openly. Though Anna defended her friend, Sarah admits to herself that all the rumors were true.
The watcher chooses his targets carefully. He only watches those whom he intensely loves or hates. Right now, he has had to stop watching his target for a bit, which makes him antsy. He is being patient though, pretending to appear calm and above suspicion. He is good at putting on an act.
Emily loses her pregnancy. Luke feels relieved but also sad and guilty. The episode leads to depression, and Ella keeps him out of school till he recovers. Ella goes to the shop at dawn, telling Luke she cannot miss her current assignment, as Tony is away for work. Ella gets into the shop, feeling a sense of trepidation, but soon loses herself in the wedding arrangements, snipping off gerberas into tasteful, simple bouquets. Again, she hears the sound of the door rattling. She asks if it is Luke. When she gets no answer, she says she will call the police. She can hear a car drive away and spots Luke’s plastic map magnifier, which he used during a popular hike, near the door. Fearing it was Luke at the door, she decides against calling the police.
In his cell, Henry becomes obsessed with a lone, annoying fly. He recalls how he has always hated the way the insects bothered the cattle on his farm. Determined to do something, he removes his sock and uses it as a catapult against the fly, aiming to flick the insect dead. The sock flies out of his hand, kills the fly, and lands in the toilet, the splash attracting the attention of the custody sergeant. The sergeant takes away Henry’s sock too, leaving him barefooted in the cold cell.
Lily finally replies to Sarah and agrees to let Sarah stay with her for a few days. She collects Sarah from Tintley railway station and brings her to the large house she shares with other members of her commune. Lily calls their mother to tell her Sarah is safe. Sarah notes that Lily studiously avoids mentioning the message about their father. Lily appears very skinny, buried in her voluminous clothing. She tells Sarah she goes by the name Saffron now. Sarah broaches the subject of their father and his possible involvement in Anna’s disappearance. Just then a large man called Moon walks in and touches Lily possessively, telling her that if she tells Sarah the truth, he might not stay with her. Lily tells Moon she and Sarah are having a private family conversation, but Moon continues to pressure her to end the talk.
Melanie and Matthew meet at a café. Melanie tells Matthew she is fed up with the police force and its bureaucracy. Henry wanted to speak to her, but the DI grew insecure about what he saw as his case, marched over to the Ballard farm without Melanie, and barged in on Henry. He frightened Henry so much that the man accidentally pointed his gun at the DI. Henry was then arrested. The DI is not letting Melanie meet Henry. He has also issued a media blackout on the case. However, the new information that has come in is bound to leak to the press and cause a stir.
Henry meets the hostile DI in the presence of his solicitor. The alibi Henry has given—that he was actually out with his lover April—has checked out. April has corroborated Henry’s version of events. Henry feels relieved, but just then the DI is called away for an urgent call. The DI tells Henry not to relax too soon, as new information has come up in the case. Henry will be told more about it “on the journey” (168) back home.
When Lily finally convinces Moon to leave, Sarah tells her about their father’s abuse. Lily tells Sarah that their father often abused her as well. She told their mother about the sexual violence, but she refused to believe Lily. Sarah and Lily’s parents insisted Lily was lying and needed to see a psychiatrist. Lily told them that if her father did not leave the house, she would report him to the police. This is the reason their father eventually left. Their mother blames Lily for the divorce. Lily wishes she had reported the matter to the police right then, so Sarah could have been protected. The commune members know everything that happened and are protective of Lily. They are wary about her revisiting the topic of the abuse, as it tends to make Lily spiral into sadness.
Sarah tells Lily that the night Anna disappeared, their father texted her suggesting the girls meet him at the swanky hotel at which he was staying for work in London. She showed Anna the text. Later that night, Anna called Sarah saying she was afraid and wanted Sarah’s father to accompany the girls from the club to the hotel.
An important thematic element in the novel is the unreliability of appearances. Characters in the novel often form snap judgments on others based on their class, appearance, situation, and other such external factors, yet their expectations ultimately get overturned. For instance, Ella assumes Karl and Antony are dangerous because they have just been released from prison and carry large black garbage bags filled with their belongings. She assumes Sarah is not as nice a girl as she thought because of Sarah’s sexual encounter with Antony. Similarly, Sarah assumes her sister is being brainwashed by a cult because Lily has taken on a name like Saffron and wears bracelets and flowy clothing. When Moon asks Lily if she wants to talk to Sarah about their father, Sarah thinks he is trying to control her. However, each of these assumptions is ultimately proven wrong. Karl and Antony are innocent in Anna’s case, Sarah is a much nicer person than Ella assumed, and Moon has Lily’s best interests at heart. Thus, the text suggests that people should not judge each other on surface criterion, but rather, dig deeper for nuance.
The chapter in which Sarah discusses her sexuality is important because it shows how young women are constantly policed for their sexual behavior, thematically supporting The Pervasive Threat of Violence Against Women. Sarah notes society’s hypocrisy here: At first, her sexual expression makes her popular with the boys in school, but soon “the grubby flip side emerged” (141). Boys start spreading nasty stories about her and even share pictures of Sarah on social media. Sarah observes that even Tim and Paul begin to distance themselves from her, possibly because they judge her. Further, Sarah internalizes the twisted attitudes toward female sexuality, stating that all the rumors were true, her tone suggesting she has confessed to a crime. Later, Sarah will refer to herself as a “slag,” the crude, offensive term used for her at school. The bullying to which Sarah was subjected in school illustrates the dangers of contemporary surveillance culture. With people constantly recording and sharing images and moments, the concept of privacy is heavily eroded. Moreover, digital media can be misused to surveil people without their permission or, as in Sarah’s case, to bully them. While this doesn’t directly result in violence, this culture creates an environment that permits such violence and removes the element of safety that male-presenting people often feel in public spaces, regardless of sexual history.
Henry’s arrest is presented as an absurdist, tragicomic nightmare, highlighting both the inefficiency of the police, as well as the dilemma of people tormented by larger-than-life forces. The sequence in which Henry kills a fly with his sock and has his socks taken away adds bleak humor to the plot. Though Henry sees the fly as an enemy, ironically the fly is also emblematic of him. Both Henry and the fly are insignificant creatures in the larger scheme of things. Henry’s decision to call the police so he can explain his death by suicide backfires. The police decide he is dangerous and arrest him. The ripple effect of Henry’s decision again highlights the theme of The Unintended Consequences of Everyday Decisions.
A prominent feature of this section is an emphasis on secrets and lies across nearly all of the characters. Henry has been lying to his family about his affair with April, while Sarah has kept her trauma a secret. Luke does not tell his parents about Emily’s pregnancy until push comes to shove, and Ella does not tell Tony about her engagement of Matthew’s services. Thus, all these characters engage in secrets and lies, especially with their families. The narrative explores the impact of the secrets: For instance, Henry’s secret has devastating consequences for his relationship with Anna and his psychological health. One of the last things Anna says to him is that he disgusts her, since she has discovered his affair. The fact that Henry recalls her statement on a loop shows the extent to which it has affected his psyche. Ella does not tell Tony or Luke about the feeling someone is stalking her till the very end of the novel, which can potentially land her in dangerous situations. This lack of communication or deceit, present throughout the novel, builds upon the tense atmosphere, and it also introduces questions to an already complex murder mystery, keeping the reader engaged in solving the crime.
Appearance Versus Reality
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Fathers
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Fear
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Grief
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Guilt
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Mental Illness
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Mortality & Death
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Psychological Fiction
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Safety & Danger
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Sexual Harassment & Violence
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Truth & Lies
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