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88 pages 2 hours read

Maya Angelou

I Know Why The Caged Bird Sings

Nonfiction | Autobiography / Memoir | Adult | Published in 1969

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Introduction-Chapter 3Chapter Summaries & Analyses

Introduction Summary

The memoir opens with a young Maya reciting a poem during the Easter service at the Colored Methodist Episcopal Church. She can't remember more than the first few lines, and instead of conjuring up the rest of the poem, she thinks of the dress she is wearing. As her grandmother was sewing it for her, Maya had hoped that it would transform her and make her look like “one of the sweet little white girls who were everybody’s dream of what was right with the world” (2). But when Easter morning came, Maya realized that the dress was merely “a plain ugly cut-down from a white woman's once-was-purple throwaway” (2). Wearing it, Maya feels deeply self-conscious and has an impression that everyone's gaze is fixed on her skinny legs. Nevertheless, she believes that one day she will wake up from this “Black ugly dream” (2) and appear as her true self, beautiful and blond. Then Maya thinks that this sudden transformation will make everyone understand why she avoided acquiring a Southern accent and using the common slang. In Maya’s eyes, she was “really white” (2), and it was her cruel fairy stepmother who turned her into a big Black girl.

As the minister’s wife tries to prompt Maya to remember the poem, she realizes that she needs to relieve herself. The girl quickly repeats the words of the poem, jumbling them together, and rushes out of the church. On her way out, Maya trips over someone’s foot, but as she tries to say something, her need to urinate becomes so strong that it feels as if “a green persimmon, or it could have been a lemon, caught [her] between the legs and squeezed” (3). Maya urinates as she runs outside, and she feels great freedom, even though she is aware of unavoidable repercussions.

The introduction ends with an observation that a Southern Black girl’s awareness of her being different only exacerbates her already precarious position. 

Chapter 1 Summary

At the age of three, Maya and her brother Bailey, a year her senior, have to go on a train journey from Long Beach, California, to Stamps, Arkansas. Their parents have recently divorced and decided to send the children to live with their paternal grandmother, Momma.

The new town welcomes them “warmly, but not too familiarly” (6). The children live with their grandmother and uncle behind the Store—“always spoken with a capital s”(6)—a grocery store Momma opened after running a mobile lunch counter. Momma's workdays begin early: She wakes up at four in the morning and says a simple prayer, thanking God for yet another day.

Since the Store is located in the heart of the Black part of the town, it becomes a way station for cotton pickers. At daybreak every morning, wagons come to get the workers and “carry them to the remains of slavery’s plantation” (7), and in the soft glow of sunrise, young Maya sees the cotton pickers’ cheerful, hopeful mood as they stumble into the Store to buy food for the day. They believe that by working hard they will make enough money to live a decent life, yet when they return after a long day of toiling in the field, Maya recognizes their disappointment and anguish. In the harsh afternoon heat, the workers seem exhausted and distraught, knowing that their chances to get out of debt only diminish and that after a short night's rest, they will have to come back to the same drudgery. This observation will later cause Angelou to speak out against a stereotype of cheerful singing cotton pickers. 

Chapter 2 Summary

While living with Momma, Maya is often disciplined by Uncle Willie, her father's brother, who has a disability. When he was three years old, his babysitter accidentally dropped him, and the left side of his body became paralyzed. Since Uncle Willie has to use a cane to walk and has a speech impediment, neighbors and local children often make fun of him, but he ignores their mockery. In Maya's eyes, he is “proud and sensitive” (11) and tries not to let his disability rob him of his dignity.

One day, after Maya comes home from school, she sees Uncle Willie in the Store pretending to two customers that he is not disabled. The visitors are unfamiliar to Maya, and she later learns that they are school teachers from Little Rock. Uncle Willie makes an effort to stand up straight without a cane and acts as if he runs the Store, and when Maya comes in, he immediately sends her outside to play. When one of the strangers asks if he has any children of his own, Uncle Willie tries to create the impression that his hands are full because he takes care of his elderly mother and his brother’s two children. After the customers leave, Uncle Willie grabs his cane, “hand over hand, like a man climbing out of a dream” (13). Maya realizes that Uncle Willie was tired of being disabled, “as prisoners tire of penitentiary bars and the guilty tire of blame” (13), and at this moment she feels strangely close to him. 

Chapter 3 Summary

For Maya and Bailey, days are busy and filled with chores. After school, they have to feed the chickens and help in the Store. Maya soon becomes skilled at weighing and measuring and enjoys spending time in the Store, calling it “[her] favorite place to be” (16). She especially loves being there in the mornings, when it is filled with the warm glow of the rising sun, while by the end of the day the Store seems to her “tired” (16), with “its job half done” (16).

In the evenings, Momma, Uncle Willie, Maya, and Bailey usually open a few cans of sardines and some crackers and enjoy a quiet dinner together. During their evening meal, Uncle Willie doesn’t “stutter or shake or give any indication that he had an ‘affliction’” (16).

Late one day, as Maya and Bailey are doing their evening chores, Mr. Steward, a former sheriff, comes to the Store to tell Momma that Uncle Willie should "lay low" that night. Considering himself above other people in Stamps, Mr. Steward doesn't make an effort to explain anything and only says that a Black man "messed with a white lady" (17), so the Ku Klux Klan, or "the boys" (17) as he refers to them, might come to the Store later that night and look for Uncle Willie.

Maya resents Mr. Steward for his self-righteousness, but Momma takes his warning seriously and hides Uncle Willie in a vegetable bin, where he spends the whole night under “potatoes and onions, layer upon layer, like a casserole” (18). The Ku Klux Klan doesn’t come to the Store that night, but Maya realizes that if they did, they would have found Uncle Willie and lynched him. 

Introduction-Chapter 3 Analysis

The opening chapters of the memoir, and especially the introduction, foreground Maya's feeling of displacement. Although she is in familiar surroundings, she feels like an outsider. As a member of a small Southern Black community, Maya realizes that her race and origin largely determine her selfhood, yet she sees herself as different. Though she is too young to be aware of the history of racial discrimination, she nevertheless understands that society values whiteness and thus imagines her alter ego as a pretty, blue-eyed girl with long blond hair.

The simple lines of a children's poem she is reciting on the Easter morning, "What you looking at me for? I didn't come to stay..." (1), repeated several times in the introduction, echo the position of Maya as the subject of her autobiography, the person readers will be "looking at" throughout the whole book as she grows and changes. The words "I didn't come to stay" (1) suggest that Maya begins a quest for a place where she belongs, struggling to overcome her feeling of displacement.

Maya's longing for others to see her differently is perhaps what ultimately draws her to her Uncle Willie. As a Black man with a physical disability, he is marginalized and mocked, and yet he maintains his dignity, setting an example for young Maya. Even as a child, Maya recognizes in him a desire for others to perceive him not as a disabled but as "a whole Mr. Johnson" (13), unburned by social and physical limitations. The episode in Chapter 2, when Uncle Willie hides his disability from two out-of-town customers, who come into the Store, foregrounds his yearning to project a different picture of himself. Although Maya recognizes his deception, her own quest for self-identity is what makes her refrain from judging him, and she sympathizes with him instead.

Yet even a "proud and sensitive" (11) man like Uncle Willie is justifiably afraid when a former sheriff, Mr. Steward, warns them about the Ku Klux Klan coming to their house. The way he gives this warning—by talking to Mrs. Henderson and not addressing Uncle Willie directly—is also revealing. In Mr. Steward's eyes, a Black man with a disability is deprived of all subjectivity and thus can be easily ignored or treated like a child. Maya resents Mr. Steward for acting as if he is doing them a favor, and she resents the injustice they have to experience as Black people, even though there's nothing she can do to protect her family.

The only antidote to their social vulnerability is the Store, and Maya portrays it as a welcoming, safe space. In these early chapters of the memoir, Maya often uses personification to describe the Store and the town of Stamps. In Chapter 1, she mentions that the town accepted them "as a real mother embraces a stranger's child" (6), and in Chapter 3 describes the Store as being "tired" (16) in the evenings. Such personification suggests that after moving to Stamps, Maya feels lonely and isolated. The move to a different part of the country and the ensuing loneliness only exacerbate Maya's feeling of displacement and make her even more acutely aware of her position as a Black woman in an era of racial segregation. 

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