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39 pages 1 hour read

Tim O'Brien

In the Lake of the Woods

Fiction | Novel | Adult | Published in 1994

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Symbols & Motifs

Magic

The motif of tricks and magic recurs through the novel. John’s interest in magic begins when he is a child as a way of coping with his father’s abuse, alcoholism and eventual suicide, and continues throughout his life. The magic tricks he learns earn him the admiration of others, and soon he internalizes the mirror that he practices his magic tricks with. These psychological mirrors help John to cope with feelings and situations that he finds unbearable.

 

In Vietnam he acquires the nickname Sorcerer, as a tribute to his ability to perform magic tricks. Again, John internalizes this magical name, creating Sorcerer—an alter-ego to help him overcome the feelings of powerlessness and rage that result from his experiences of war. John brings Sorcerer home with him, and Sorcerer remains with him until his death.

 

O’Brien uses magical terms for other characters, including Kathy, and he has Tony Carbo in particular describe John’s personality and the political machine in terms of magic tricks. Ultimately, all of reality becomes something of a magic trick, or a series of illusions that people must decide the meaning of for themselves.

Snake Swallowing another Snake

The creepy image of one snake swallowing another snake is an image John Wade associates with his love for Kathy. He originally sees this image in Vietnam and reports it in a letter to her. In the same possessive vein, he frequently comments that he loves her so much that he wants to be inside her, not sexually, but literally—holding her beating heart in his hands or swimming in her blood. These images clearly indicate obsessive love, and are meant to foreshadow the possibility that he could kill her, in order to possess her completely.

The Lake of the Woods

The Lake of the Woods is nearly a character in its own right, but it mainly operates as a symbol for the end of the line: the last stop. It also functions as a symbol of the unfathomable and the unknown. Lake of the Woods is O’Brien’s “heart of darkness,” in a deliberate echo of Joseph Conrad’s novel of that name. The journey to the unknowable center is the ultimate human journey. In O’Brien’s novel, John Wade’s journey into the heart of the Lake of the Woods is a journey into the center of his own heart—wild, unknowable, impenetrable, and inescapable.

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