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82 pages 2 hours read

Dan Brown

Inferno

Fiction | Novel | Adult | Published in 2013

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 51-60Chapter Summaries & Analyses

Chapter 51 Summary

Langdon and Sienna seek out a copy of the Divine Comedy to look up Busoni’s clue and eventually locate a small chapel nearby known as the Church of Dante. The man in the Plume Paris sunglasses continues to follow them.

On the Mendacium, the provost recalls his primary objective had been to protect Zobrist from Sinskey, but he had failed to do so, and Zobrist had died by suicide rather than face capture by Sinskey. The provost recalls Knowlton’s concerns about Zobrist’s video and realizes he must make a decision.

Chapter 52 Summary

Langdon and Sienna enter the Church of Dante, which is also the final resting place of Beatrice Portinari, the unrequited love of Dante’s life. Her grave is now a mecca for Dante fans and star-crossed lovers. Langdon borrows an elderly woman’s smartphone and uses it to search the Internet for the correct canto. He finds a passage about Dante’s ”baptismal font” (230). Langdon suddenly realizes he knows where this font is and tells Sienna they must go to the Gates of Paradise.

Chapter 53 Summary

Langdon and Sienna make their way to the Piazza del Duomo, the square against which sits the famous Il Duomo. Langdon leads them to another building nearby, the Baptistry of San Giovanni, an octagonal structure that Langdon notes would be the architectural toast of any site were it not placed next to Il Duomo.

He draws Sienna toward one of the entryways into the Baptistry, a huge golden gate adorned with heavenly scenes and creatures crafted by Lorenzo Ghiberti and nicknamed by Michelangelo as the Gates of Paradise.

Chapter 54 Summary

The gilded Gates are themselves guarded by a wrought iron fence and are not commonly used as doors. The Baptistry itself is still closed. While the crowd is distracted, Langdon and Sienna climb the fence and push the gates open, realizing that Busoni has left them unlocked.

The man in the Plume Paris sunglasses watches them and hears the Gates being barred from the inside.

Chapter 55 Summary

Langdon and Sienna enter the Baptistry and admire its architecture, including the famous baptismal font dug into its central floor, but they realize the famed historical font has been covered and lies unused. Langdon heads back to the Gates and locates a basin nearby that likely functions as a current font. He removes the font’s covering and finds Dante’s death mask staring up at him.

Chapter 56 Summary

Langdon and Sienna carefully inspect the death mask and notice that the plaster on the inside looks newer than that of the face. Looking closer, they see a message carved into the material of the inner forehead: PPPPPPP. Sienna is disheartened, but Langdon points out that to Dante scholars the message is as clear as day.

Meanwhile, the man in the Plume Paris glasses bribes a guard outside the Baptistry to allow him into the tourist entrance early.

Chapter 57 Summary

Langdon explains that the PPPPPPP message is linked to the second part of Dante’s Divine Comedy, called Purgatorio, or Purgatory, in which Dante details sinners’ afterlife struggles to climb Mount Purgatory and reach Paradise. Each sinner, upon arriving at Mount Purgatory’s base, would have seven P’s written on their forehead to indicate the seven peccata, or sins. When each sin was overcome, a P would be cleaned from the forehead, and the sinner would reach the next level of the mountain. Langdon notes that the Ps are written into a fresh layer of acrylic gesso, which is water soluble, and he uses the water of the font to begin blotching it off.

Chapter 58 Summary

After completely removing the gesso, Langdon and Sienna reveal a hidden message written in nine revolutions of symmetrical clockwise Archimedean:

O you possessed of sturdy intellect, observe the teaching that is hidden here…beneath the veil of verses so obscure. Seek the treacherous doge of Venice who severed the heads from horses…and plucked up the bones of the blind. Kneel within the gilded mouseion of holy wisdom, and place thine ear to the ground, listening for the sounds of trickling water. Follow deep into the sunken palace…for here, in the darkness, the chthonic monster waits, submerged in the bloodred waters…of the lagoon that reflects no stars (255).

The mention of Venice is particularly intriguing to Langdon as it is the city in which Dante contracted the disease that killed him. Before they can decipher the riddle poem, the man with the Plume Paris glasses enters the room and calls out to Langdon by name.

Chapter 59 Summary

The man introduces himself as Dr. Jonathan Ferris and claims to have originally transported Langdon to Florence the day before. Langdon and Sienna quickly explain Langdon’s amnesia and point out the man’s broad rash. Dr. Ferris explains it is merely contact dermatitis stemming from his use of soy-based Italian soaps, which he is allergic to. He promises to explain more as he helps them reach Venice.

Chapter 60 Summary

Langdon phones his publisher and requests access to a private jet flight to Geneva. The publisher calls the jet company and connects Langdon with a representative, who agrees to book the flight. However, after hanging up, the representative realizes Langdon’s passport has been flagged, and she immediately contacts the local authorities.

Back in Florence, it is revealed that Sienna suggested the call as a shot at misdirection, hoping to lead Brüder and any other pursuers away long enough for the trio to catch a domestic train to Venice.

Chapters 51-60 Analysis

Inferno concludes Langdon’s time in Florence with a visit to the Baptistry of San Giovanni, where Dante Alighieri was baptized in the 13th century. By having Langdon and Sienna locate his death mask within a baptismal font, the novel symbolizes its focus on the partnership that exists between birth and death.

These chapters also constitute one of the densest sections of the novel in terms of their inclusion of elements of Dante’s life. Langdon and Sienna locate the death mask in the same baptistry where Dante began his life, via a door (the Gates of Paradise) directly inspired by the Divine Comedy, and make a pit stop at the Church of Dante, where his unrequited love Beatrice Portinari was buried.

Chapters 51-60 also contain the highest percentage of focus yet encountered on Langdon and Sienna, with little to no time spent with Brüder, Sinskey, or the provost. This allows the novel to focus on the relationship between the two characters, especially their effectiveness in working together, and create a bridge between the first and second halves of the novel. The events of these chapters will also later be revealed to be the first moments in the adventure when Sienna has gone entirely rogue following her killing of Vayentha, thus her actions in these chapters are committed without any guarantee of protection from the Consortium. Additionally, by pulling focus away from Brüder, Sinskey, and the provost, the novel sets these pursuers up to more dramatically re-enter the novel later.

Chapter 58 also presents Zobrist’s riddle poem, the most direct map to his Inferno “gift” thus far. The way this riddle is discovered as well as the intentional imagery of its presentation are also staples of the Langdon series. While the riddle might have been read out or even written linearly, the novel makes a point of presenting it as written in “nine revolutions of symmetrical clockwise Archimedean,” the meaning of which Langdon immediately links to Dante’s Inferno. This assists the novel in making the subtle argument that Prof. Robert Langdon—and only Prof. Robert Langdon, an art history professor from Harvard University specializing in historical symbology—could possibly decipher this puzzle.

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