76 pages • 2 hours read
Thanhha LaiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The ship travels down a river toward the sea. Conditions are difficult as they try to escape undetected; no lights or cooking means that initially refugees must rely on the food stashes they brought with them. Once Hà’s moldy rice from home is gone, she notices the good smells of sardines and sesame of the family near them, but Mother will not allow her to ask to share. When Hà must use the bathroom, she sees the bright, clean facilities of the captain’s cabin.
Once the vessel is at sea and heading toward Thailand, refugees get three servings of cooked rice and a cup of water each day. The captain says rescuers are looking for them. Brother Quang tutors younger students after the first week, and Brother Vũ, inspired by his love of Bruce Lee, teaches them kicks and punches. Hà takes their instruction but dreams of tasty food and simple pleasures she misses like napping and wearing “clean nightclothes / smelling of the sun” (82).
There are no bathrooms; refugees must relieve themselves behind a sheet off the side of the boat. There are no showers; even taking that into account, however, a terrible stink begins to emanate from Brother Khôi. Soon Brother Vũ discovers the dead body of the chick in Brother Khôi’s pocket. Brother Khôi cries out in grief and goes up to the deck to calm down with Brother Quang.
At the two-week mark of their refugee voyage, the passengers watch a flag-lowering ceremony that symbolizes the official end of the country of South Vietnam. Some passengers are in tears or crying out. Hà takes Brother Khôi to an empty spot at the ship’s rail; she lets the dead chick, tied up in Mother’s handkerchief with her mouse-bitten doll, fall into the water. Khôi seems to accept this burial for his beloved chick, but Hà laments her action once the doll is gone.
One night the captain fears discovery by the Communist Army, and all sit in dark silence without engines. The captain decides to continue to Thailand on one engine only, and so downsizes the rice and water rations due to the slower pace. Mother points out one evening to Hà that the moon doesn’t change, and that perhaps Father sees it as well wherever he is.
An American ship finds them and begins to tow the vessel. The American sailors carry food onto the refugee ship. More food arrives from the refugee ship’s own holds, as there is no need to ration now. There is enough water now for Hà to bathe. Soon Hà sees land in the distance; small boats take the refugees from the ship. Hà is fascinated by a sailor’s blond, fuzzy arm hair and pulls one strand, earning a smack from Mother and rapid translated excuses for her behavior from Brother Quang. The sailor just laughs and Hà smiles.
On the island of Guam, the family sees many refugee tents and a common eating area. Brother Vũ volunteers to help serve the corn beef hash; he also manages to take a whole large can of fruit cocktail for Mother, Hà, and the brothers, which everyone in the family prefers to the other refugee food options.
Refugees in the camp take language lessons in the day and have free time in the evenings. Movies play on white sheets at night, and Brother Quang helps to translate. Brother Vũ continues to help with cooking tasks. The food is bland but cases of pungent fish sauce, nuóc mâm, help. Mother is willing to sell the amethyst ring that Father gave her to buy materials to make shoes and clothes, but Brother Quang won’t let her.
On America’s Independence Day, each refugee family must decide where to go. Uncle Sơn invites the family to come to Canada with him, his wife, and his children. Mother considers Paris, but a stranger in the waiting line suggests America because of the college scholarships available there for “smart” students. Mother chooses America.
After Guam, the family arrives in another camp in Florida to await a sponsor. Sponsors choose other families who can then leave the camp, but according to Mother, “a possible widow, / three boys, and a pouty girl / make too huge a family / by American standards” (107). Mother changes their papers to denote they are Christians. A man from Alabama comes to the camp seeking one young Vietnamese man with an interest in mechanics. Mother convinces him that he should not only sponsor Brother Quang but the rest of them as well. Because the man wears a cowboy hat and boots, Hà assumes he is a cowboy, and is excited to see his horse.
Though Mother makes the decision to leave Saigon for the safety and future of the children, an atmosphere of confusion and disorientation surround the family as they board the navy vessel. Conditions become cramped and claustrophobic as more refugees squeeze onto the ship. Chaos surrounds the family when they follow Uncle Sơn to disembark for a different boat, then return to the same boat. When the refugees eventually use the decks of the vessel, they must take turns with its use. Long days of boredom prompt Mother to arrange activities for others led by her sons.
Anticipation, worry, and exhaustion test everyone’s patience. First, Hà and her family members wait to safely escape the river; then they must take care to avoid running out of food. In the Guam camp, when Mother thinks of selling the amethyst stone, Quang steps into a leadership role to change Mother’s mind. He can see her desperation and knows she would regret the loss.
Part 2 of the novel makes up the early rising action of the plot. Rising action events are often complications or discoveries that change the direction of the plot or highlight a moment of characterization. Complications in Part 2 include the diminishing food rations before the Americans save the refugees and the question Mother faces on a place to settle. Discoveries include the dead chick found in Brother Khôi’s pocket and the news that scholarships are available in America for scholars.
Indirect characterization is clear in Part 2 of the book as well. From Brother Khôi’s reaction to losing his chick, the reader can infer from his grief that he is nurturing and loving. The reader can also infer that Mother is optimistic about Father being alive when she speaks about the moon shining down on both him and them, wherever he is.
Hà observes and reports through verse most of the events of Part 2 without direct reaction or personal comment. Occasionally, however, the reader can infer developing traits and emotions in Hà; for example, she tries to soothe Brother Khôi by sending the dead chick to its burial at sea wrapped in the comforting arms of her doll. As soon as the doll is gone, though, she regrets the sacrifice. Later, in the “tent city” in Florida, Hà sees Mother’s and Quang’s worry over obtaining the sponsor they must have in order to leave, but Hà does not share the worry: “I don’t mind being here. / My hair is growing / as I’ve become dark and strong / from running and swimming” (108). This implies that Hà can let go some of the trauma of the journey and enjoy simple activities as a 10-year-old should.
Lai loads the minds of readers with imagery that is both clearly visual and symbolic in carefully chosen places. On Guam, for example, in the moment that Mother must choose their destination, Hà reminds us that it is Independence Day, “when fireworks will explode / in honor of America’s birth” (105).
By Thanhha Lai
5th-6th Grade Historical Fiction
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Asian American & Pacific Islander...
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Diverse Voices (Middle Grade)
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Family
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Fiction with Strong Female Protagonists
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Juvenile Literature
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Novels & Books in Verse
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Vietnamese Studies
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