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53 pages 1 hour read

Nadine Gordimer

Jump and Other Stories

Fiction | Short Story Collection | Adult | Published in 1991

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Stories 12-14Chapter Summaries & Analyses

Story 12 Summary: “Spoils”

A White man lets out a noxious fart. His wife suggests he become a vegetarian to improve his health, and he dismisses the idea. The man thinks of the daily atrocities in the world: murders, kidnappings, starvations. That’s how the world is, his wife says, but he feels her words are vacant and simple.

They attend a weekend event for his employer at a private game reserve. The man thinks of his coworkers, the various roles they play, and knows he is the playful heckler of the group. The party includes drums and fire pits, and the man drinks heavily. He flirts with a young female coworker, then converses with an ex-political prisoner. They discuss crime. The ex-political prisoner sympathizes with common criminals, believing their actions stem from years of oppression. The man disagrees, seeing no justification for violence. Sounds rustle out in the dark. The group debates what’s causing the noise. A Black staff member, Siza, tells them it’s lions: The lions caught a zebra, and now they’re eating.

The group excitedly goes to look for the lions. Siza gets a truck, and they pile in. They find the pride and watch them eat. The females stare back at them while their cubs feast. Afterwards, the group returns to the main building. The man’s wife describes the sight as unreal, but the man feels differently. It’s real, so real, what they just saw. His wife goes to sleep, but the man goes outside and sleeps under the stars. A sense of disconnect overwhelms him.

Members of the group return to the hunting site the next day, guided again by Siza. The zebra isn’t there. The lions moved it to stop vultures from eating the rest of their meal. Siza finds part of the zebra nearby covered by brush, and the group marvels at the size of the zebra’s organs. Nearby, they find another mound of zebra body parts. The man watches different types of beetles break down the zebra carcass and take it away, fulfilling a natural cycle of life and death. Siza cuts off a piece of the zebra’s liver to take home and eat. He handles the liver piece carefully, mindful of his audience: “The black man is wrapping the portion in newspaper, he knows he mustn’t let it drip blood on the white people” (179). Siza knows the lions will allow him to take a piece since he found the zebra, but he only takes a small portion. If he takes too much, the lions will seek revenge and take one of his children.

Story 13 Summary: “Safe Houses”

A middle-aged White man, a leftist with a long history of political activism, returns to South Africa. He enters the country legally but is wary of being arrested for his views and actions. He goes to public events and tries to blend in: “Perhaps this is freedom? Something secret, internal, after all? But philosophizing is another danger, in his situation, undermining the concept of freedom for which he has risked discovery and imprisonment yet again” (184-85). He takes a bus and sits next to a well-dressed woman with expensive jewelry. Her car broke down, and she’s taking the bus home, something she hasn’t done in a long time. She lives in the nearby suburbs but doesn’t know which stop to get off on. She also doesn’t have a bus ticket for the attendant when he comes by. The leftist gives her an extra bus ticket and helps her reach her neighborhood. She wonders if she can trust him. She takes comfort in his being White, like her, so she invites him over for a drink. Her house is extravagant, spacious, and staffed with helpers.

Her name is Sylvie. Her sons are away at boarding school, and her husband travels for work. The man makes up a persona for himself. He gives his name as Harry and says he’s a construction engineer. They exchange information, and Harry starts to come over more often. They eat, drink, and converse. They swim in her pool. When they get out, Harry embraces Sylvie, pressing himself against her. She holds onto him, and then they break apart. Harry apologizes and prepares to leave, but Sylvie invites him to stay. They have sex that night, and an affair begins. Harry visits nightly. So much of their lives are still unknown to each other, but they are content to let those mysteries linger.

Harry stops visiting Sylvie. Other activists are being interrogated, and he’s seen his other aliases mentioned in the paper. He tries to find a safe place to stay, but the government is closing in on him, so he visits Sylvie one last time. Her husband is coming home, but they can have one more night together. They make love again, the passion and intimacy still strong between them. She wonders what his story is, what he might be running away from, but he knows she’ll never guess he’s an activist. Harry flees to a small town but is caught soon after. He looks forward to seeing his other comrades in prison. He wonders if Sylvie will learn what happened to him, but he doubts it. She doesn’t read the papers. She thinks she’s safe and disconnected from the world in her house.

Story 14 Summary: “What Were You Dreaming?”

A young Black man tries to hitch a ride. He sees White people drive by and doubts anyone will stop for him. Too much crime has occurred over the years, and he feels White people don’t trust Black people anymore. He’s surprised, then, when a nice car pulls over with a young White driver and an elderly White woman: “And I’m careful what I say, I tell them about the blacks, how too many people spoil it for us, they robbing and killing, you can’t blame white people” (214). The woman is friendly, and she strikes up a conversation. The young Black man is from Cape Town but was forced to move away because of apartheid. He’s traveling to Pietersburg for work and hopes to send money back to his family. He lies at times, hoping to sound more sympathetic. It works, and they offer to take him all the way to Pietersburg. They’re more trusting than he expects. They leave their things in the backseat with him, and they offer other rides along the way.

The Black man falls asleep, and the driver and elderly woman talk about him. The driver, originally from England, is surprised at the way the Black man speaks about other Black people. The woman doesn’t classify him as Black: “Oh no he’s not. Couldn’t you see the difference? He’s a Cape Coloured. From the way he speaks English—couldn’t you hear he’s not like the Africans you’ve talked to?” (218). She gives her driver a summation of South African politics, the complicated mixture of different races, and the dehumanizing nature of segregation policies. The woman knows the Black man lied about some of his background but understands he feels pressured to do so to be treated with kindness.

They double-check the Black man is still sleeping. They talk about his missing front teeth. Rumors say young Black women get their teeth removed to perform oral sex, and the woman teases that maybe he did the same. The two joke about sexual stereotypes regarding Chinese women, Black women, Jewish women, and Black men. The elderly woman also considers the man lost his teeth in an accident or a fight. They reach Pietersburg and wake up the Black man. He sits up, startled, and thanks them profusely, making sure to be overly polite. As he leaves, the woman gives him some money. He hasn’t eaten since yesterday, and she’s glad he can buy some food. She’s glad, too, that it’s Sunday. The bars are closed, and he won’t be able to spend the money on alcohol.

Stories 12-14 Analysis

In Stories 12 and 13, Gordimer utilizes the same settings and narrative structures to continue developing her themes. “Spoils” takes place in a safari park, an environment she’s referenced before and used as the primary setting in “The Ultimate Safari.” As he spends time in the reserve, the man in “Spoils” grapples with feeling disconnected from a natural order. When the man sees the beetles swarming the zebra’s carcass, he witnesses a cycle in which everything has a role, but he is absent from it. Instead, he struggles to communicate with others, especially his wife, and at night is overcome by feelings of isolation and disconnect: “Between the beasts and the human load, the void. It is more desired and awful than could ever be conceived; he does not know whether he is sleeping, or dead” (173). The earlier story “The Ultimate Safari” showed a young girl forced to adopt animalistic behavior to avoid being seen by White tourists who would turn her in. “Spoils” gives the perspective of a White tourist, depicting an unhappy man who lacks fulfillment. The stories show people of different races and classes suffering in the same locales, indicating that the world they live in is corrupt and damaging.

“Safe Houses” takes place in a privileged house, like “Once Upon a Time,” “Some Are Born to Sweet Delight,” and “Comrades.” Over the course of the collection, revolutionaries have made their way into these privileged spaces, and Harry does so again in “Safe Houses.” His romance with Sylvie carries authentic emotions, showing how people of different political opinions share a common need for intimacy and love, creating more nuance in Gordimer’s depictions of revolutionaries and privileged people. “Safe Houses” also adds to Gordimer’s critique of security. Sylvie lives a life closed off from most of her neighbors. She wants to feel safe, and she thinks she is safe, but Harry’s intrusion into her life proves it’s impossible to shut the world out. Both “Spoils” and “Safe Houses” take place in familiar settings, but new perspectives allow the stories to add fresh details and commentary.

Story 14, “What Were You Dreaming?,” shows moments of kindness in the racially divided world Gordimer has established. The Black man is surprised when he’s offered a ride by White people and ecstatic when he’s taken all the way to Pietersburg. The elderly woman recognizes the harsh reality of what apartheid has done to Black people, forcing them to move out of their homes and grapple with exploitive labor practices. She gives the driver, and the reader, new details about apartheid, listing specific pieces of legislation: “She has explained Acts, Proclamations, Amendments. The Group Areas Act, Resettlement Act, Orderly Movement and Settlement of Black Persons Act” (219). Gordimer thus gives the reader specific information to research to learn more about apartheid and makes the world of the story more developed and real. At the same time, the woman knows she’ll never fully understand the extent of the Black community’s suffering: “But why burden us? Why try to explain to us? Things so far from what we know, how will they ever explain? How will we react? Stop our ears? Or cover our faces? Open the door and throw him out? They don’t know” (220).

Additionally, while the elderly woman doesn’t mistreat the Black man in the car, she nevertheless generalizes non-White people into stereotypes when she makes sexual jokes with the driver. When she gives the man money at the end of the story, she also assumes he’d spend the money on alcohol if a bar were open, another example of her being disrespectful and assumptive as to the kind of man he is because of the color of his skin. Lastly, the woman and her driver never learn what the Black man is dreaming about. They don’t know because they’re incapable of knowing his true inner self. “What Were You Dreaming?” features kindness and empathy, giving the collection moments of hope for a better future, while also showing how change can be slow and incremental because of human beings’ limited perception.

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