53 pages • 1 hour read
Nadine GordimerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
A small community, the Teraloyna, live on a remote island. Sailors arrive on the island and teach the Teraloynas to fish using spears. The sailors don’t leave, becoming part of the community. Later, goats overrun the island, their origin unknown. The Teraloynas hunt the goats to control the population, but the goats can access parts of the island they can’t reach and cause irreparable environmental damage. The Teraloynas leave the island and emigrate across the world. Their racial makeup has already changed since the sailors arrived: “And so when we left we had among us only a child here and there who was raw-faced and blue-eyed; we were coloured neither very dark nor very light” (99-100). Over time, their cultural ways are lost as they spread across the world, and their appearances continue to change.
The goats deplete the island’s resources, then die of starvation. The island slowly returns to a new state of normalcy. Various countries consider claiming the island as their territory, and an unnamed country eventually takes control. Meteorologists start traveling to the island, finding it an ideal place to study the weather. They bring two cats and feed them leftovers. Meanwhile, the Teraloynas continue to integrate into other cultures. Their lineage becomes a mixture of skin tones, eye colors, and ethnic and racial associations. A dark-skinned Teraloyna is treated with disdain, and simultaneously a fair-skinned Teraloyna clashes with Black protestors.
The cats breed. Their offspring overwhelm the island, multiplying into the hundreds. The meteorologists try poison and viruses but can’t regain control of the island, causing a crisis. They are questioned for not neutering and spaying their cats and confess their neglect: “It was simply out of mind; out of the mainland” (105). Young White soldiers are assigned to the island to eradicate the cats with firearms. Among the soldiers is a fair-skinned, blue-eyed descendent of the Teraloyna, who eagerly waits for the opportunity to slaughter the cats.
Marais Van der Vyver, a White landowner, accidently shoots one of his Black farmhands, Lucas. Marais reasons that gun accidents happen every day, but he also fears the political repercussions, knowing the story will be used by anti-apartheid activists. Marais tells the press he’ll take care of Lucas’s family and insists the two held no animosity: “He was my friend, I always took him hunting with me” (112). The police open an investigation to ensure there was no foul play. Marais takes Lucas’s body to a police captain, who offers him brandy. Marais weeps for his fallen friend, and the police captain feels embarrassed to see Marais cry over a Black man.
Marais recounts the events leading up to Lucas’s death. His regular hunting rifle was being prepared, so Marais took his late father’s, assuming it was unloaded, and placed it in the passenger seat of his truck. He picked up Lucas, who jumped in the backseat, the rifle pointing at his head. Marais hit a pothole and the gun, loaded, went off, shooting Lucas in the head and killing him.
Marais buys Lucas an expensive coffin. During the funeral, Lucas’s family mourns, as does Marais, but they do not acknowledge each other. Marais sees Lucas’s son, who is far too young to comprehend what has happened. Marais knows most White families wouldn’t bring a small child to a funeral: “Blacks expose small children to everything, they don’t protect them from the sight of fear and pain the way whites do theirs” (115). The ceremony continues, and Marais reflects on his final moments with Lucas. They were excited to be hunting together. He remembers approaching Lucas’s body and carrying his bloodied corpse. Unbeknownst to anyone besides Marais, Lucas was Marais’s son.
A Scandinavian man, Nils, works at a science institute with his wife, Teresa, who is Black. Nils comes home one evening and learns Teresa’s family, including her aging mother, have been arrested by the police for their association with revolutionaries. Teresa knows her brother, Robbie, is active in political revolution, but he wonders why her mother needed to be arrested, too. Teresa resents her mother for her meekness and acceptance of the poverty they grew up in, but she is still distraught at the thought of her mother in prison. Nils, a devoted partner, listens to Teresa intently. He offers her a sleeping pill, but she refuses, having always abstained from narcotics and alcohol: “he had always privately thought this came subconsciously from her background, where people of one colour were submitted to the will of those of another” (127). Nils tells their coworkers about the incident, and they act sympathetically. Underneath their kindness, however, he senses they thought this would happen to Nils because he married a Black woman.
Teresa learns her family is being detained under Section 29—a law that bars them from having access to lawyers and relatives. Teresa worries, fearful her mother’s health will decline in prison. She consults a civil rights attorney, Fatima, and pursues all legal avenues she can. To Nils’s surprise, Teresa seeks help from people she normally disagrees with ideologically and politically. Trying to free her family dominates Teresa’s life, and she starts sleeping at different houses out of fear of being arrested, too. The couple becomes emotionally and physically disconnected. As Teresa’s actions become more mysterious to Nils, he worries she’s having an affair.
Nils comes home one evening after work and finds a note on the fridge from Teresa. She’ll be away for a few days. Nils drinks whiskey and takes sleeping pills to cope with his anxiety and paranoia but sleeps uneasily. Several days pass, and Teresa returns home. She’s happy again. Her mother has been smuggled out. She avoided telling Nils what was happening out of fear he’d try to stop her. Seeing his wife again, Nils intuits his wife isn’t having an affair. Still, she left him for her family: “He saw it was true that she had left him, but it was for them, that house, the dark family of which he was not a member, her country to which he did not belong” (140).
A man on a plane observes a mother with her two children, a newborn baby and a 13-year-old son. The mother and son’s beauty strikes the man, but he notes the baby looks different from them. The family departs in the middle of Africa, where an attempted coup occurred recently. The man stays on the flight and can only imagine what their lives are like. The point of view shifts to the 13-year-old boy. His family is from Europe. His father, an economic attaché, is currently stationed in Africa. The boy traveled with his mother to Europe so she could have her baby at a better hospital. The boy always wanted siblings growing up, but around the time his mother finally gets pregnant, he notices a silent tension between his parents. They hardly speak, and they stop going to the beach together, something they always did as a family.
The father travels constantly for work, and he leaves again. The boy and his mother return to the beach. The boy sees his mother’s bare breasts and notices they’re growing with her pregnancy. He listens to the baby kicking in her belly. They share a happy moment, but the boy still feels the absence of his father. The image of his mother’s breasts causes the boy to have sporadic sexual dreams. Other times, he dreams that his newborn sibling is in a fishbowl and he is the sole person to care for it.
The mother gives birth. Her son is the first person to see the baby: “I ran ahead and I was there before anyone—nurses don’t count, it’s not theirs” (148). The mother and son notice that the baby has black hair and doesn’t look like them. Days later, they take the plane back to Africa. The boy remains attentive and helpful throughout the flight. When they land, his father approaches them. The boy feels joy but also doesn’t look directly at his dad. Meanwhile, the father dwells on an affair he had and the tension it caused in his marriage. He regrets that his wife became pregnant during that same time, when their relationship had no passion or joy, but the affair is over now. The father believes the new baby will make the family whole again. He approaches his family at the tarmac, elated, but notices that his son now regards his mother and sibling as if they are his own wife and child.
Stories 8-11 feature dramatic narratives that critique domestic life in South Africa. “The Moment Before the Gun Went Off” begins as a hunting accident between friends but becomes even more tragic—a father’s accidental killing of his own son. Marais’s mourning is subdued. He can’t confide in anyone because of Lucas’s secret parentage. When the police captain sees Marais crying over Lucas, he doesn’t console him, but turns away in embarrassment. Because of the racist world they live in, Marais can’t fully express his emotions and heal. “Home” centers on a couple that is also biracial, Nils and Teresa. Nils is a caring husband, but he can’t fully comprehend Teresa’s anxiety because he has never had to worry about being treated differently for the color of his skin. He offers emotional support but fails to help Teresa find ways to free her mother. His primary anxiety comes from his wife’s imagined affair, whereas Teresa’s drive comes from wanting to save her mother. Nils believes he is doing everything he can, but he fails to deeply consider Teresa’s family’s position as Black people in a racially tense South Africa. He also fails to respect his wife as an equal because of her gender, leading to the collapse of their marriage.
In “Home,” Gordimer shows how even characters with good intentions can fail if they remain blind to other’s perspectives. “A Journey” continues the motif of familial drama with the story of the boy and his pregnant mother. Here, a father’s absence and extramarital affair push his family away. By the time the father is ready to commit to his family again, it is too late, showing that, sometimes, wanting to change isn’t enough if one has already caused too much damage. Story 8, “Teraloyna,” depicts the collapse of a family on a larger scale. The Teraloyna, initially a small tribe on a tiny island, spread out across the world. They lose their culture, and descendants end up on different sides of the racial divide. The loss of their history comes from personal failure, as they stop practicing their traditions, but also from the dominance of larger societies. Their story becomes another cautionary tale of how history can be erased through familial negligence and cultural domination. Once again, Gordimer imbues her story with conflicts seen in earlier stories, filling them with issues involving race, class, gender, and erasure, and shows how no family can get away unscathed.
The stories continue to remind the reader of the normalized racism present throughout South Africa in the 20th century. In Story 8, a fair-skinned Teraloyna fights without mercy against Black people. As he fights, he thinks, “Pick them off. They’re all black. There is no time—it is no time—to distinguish the bystanders from the revolutionaries” (106-07). In Story 9, Marais treats Lucas with kindness, but the world they live in is still dominated by racism. After he gives his testimony of the accident, some argue Marais’s statement will do nothing to appease members of the Black community: “Nothing satisfies them, in the cities: blacks can sit and drink in white hotels, now, the Immorality Act has gone, blacks can sleep with whites… It’s not even a crime any more” (114). While steps have been taken in the right direction, Marais keeps Lucas’s heritage a secret to everyone, showing the path to equality is long and hard-fought.
Nils and Teresa in “Home” represent progress in that fight for equality. They are racially different, are married, and work at the same science institute. Nevertheless, Nils detects judgment from his peers when Teresa’s family is arrested: “they could have predicted this sort of disaster, inconceivable in their own lives, as a consequence of his kind of marriage” (127). Within the family in Story 11, race isn’t discussed, but the world they live in creeps in. The boy and his mother travel to Europe for her delivery because of civil unrest in central Africa, unrest caused by racial and class strife. The airport they fly to and from was inoperable not long before their journey. At the end of the story, the father recognizes that their African home will face more turmoil as he waits for his family: “After that, in this country, the boys may be abducted by the rebel army or drafted beardless into the President’s youth labour corps” (155). In some stories, the characters grapple with apartheid and war directly. Even in the ones focused on interpersonal issues, the racist and tumultuous world the characters live in is never far out of sight.
By Nadine Gordimer
African American Literature
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African Literature
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Class
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Class
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Historical Fiction
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Nobel Laureates in Literature
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Safety & Danger
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Short Story Collections
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South African Literature
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Women's Studies
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