logo

17 pages 34 minutes read

James Weldon Johnson

Lift Every Voice and Sing

Fiction | Poem | Adult | Published in 1900

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Further Reading & Resources

Related Poems

The Star-Spangled Banner” by Francis Scott Key (1814)

Like “Lift Every Voice and Sing,” “The Star-Spangled Banner” is a poem that became an anthem in the 20th century. The poem, which Key wrote to commemorate the Battle of Baltimore during the American Revolution, relies on dark and light imagery and a call to the audience to see the past as inspiration for the present. Key refers to Black, self-emancipated people who fought for British forces as the “slave” (Line 21). Where James Weldon Johnson advances the idea that there is a long history of Black struggle for liberty, Key uses the presence of Black fighters on the British side as proof that the British lack honor.

I, Too” by Langston Hughes (1926)

Written during the Harlem Renaissance (the flowering of Black poetry and art during the early 20th century), “I, Too” is another poem that identifies Black Americans’ love of freedom as something they have in common with other US citizens. The speaker relies on resilience and optimism about the future to deal with racism.

A Change Is Gonna Come” Sam Cooke (1964)

Cooke’s 1964 song is an anthem of the Civil Rights Movement of the 1960s. Cooke relies on Biblical imagery to represent the struggle for civil rights. Like in “Lift Every Voice and Sing,” the speaker in the poem/lyrics is buoyed by their faith that the future will be better than the present.

little prayer” by Danez Smith (2017)

Smith published “little prayer” in Don't Call Us Dead: Poems, a collection that imagines a reality in which Black life rather than Black death is central to the culture of the United States. “little prayer” is also a poem that relies on Biblical imagery to represent the hope that sustains the Black Lives Matter.

Further Literary Resources

Preface to The Book of Negro American Poetry by James Weldon Johnson (1922)

Johnson argues in his preface that the “world does not know that a people is great until that people produces great literature and art. No people that has produced great literature and art has ever been looked upon by the world as distinctly inferior.” Johnson’s work before and during the Harlem Renaissance—including “Lift Every Voice and Sing”—is designed to gain greater recognition of Black excellence and creativity.

Perry, a scholar of African American studies, traces the history of “Lift Every Voice and Sing” to make the argument that Black song and the struggle for Black liberation are inextricably linked.

Curtis provides historical context to explain why “Lift Every Voice and Sing” is an anthem for Black Americans. That context includes the composition history of the poem as a song, Black Americans’ fight for civil rights, and Johnson’s work with the NAACP. Curtis argues that Black Americans stand for the song to honor “the 20 million Africans who were captured and brought to America during the slave trade and of those who fought and died for freedom against segregation, Jim Crow laws, lynchings, discrimination, and voter suppression” (49).

In this BBC article, Benn includes a detailed history of the origins of “Lift Every Voice and Sing” and the evolution of its cultural significance over time.

Listen to Poem

The glee club at HBCU Morehouse College performs “Lift Every Voice and Sing” in 2019.

blurred text
blurred text
blurred text
blurred text