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49 pages 1 hour read

Louisa May Alcott

Little Men

Fiction | Novel | Middle Grade | Published in 1871

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Chapters 1-5Chapter Summaries & Analyses

Chapter 1 Summary: “Nat”

Nat Blake, a young traveling musician whose father recently died, arrives at the Plumfield School for Boys. He has been sent by the matron Mrs. Jo’s brother-in-law, Uncle Teddy, who discovered Nat living in a damp basement, neglected by his guardian Nicolo because of illness. Uncle Teddy believes the boy is a talented violinist and hopes Mrs. Jo can help Nat regain his strength and earn a living from his music.

Nat is grateful for the hospitality and charmed by the people at Plumfield School. He meets some of the other students—Ted, Demi John, Daisy, George, and Rob. That night, Nat plays a beautiful tune on the fiddle for them, and they are all enthralled with his musicianship, and ask him to play more. Nat is overcome with emotion at their warm welcome.

Nat notices that the school is unusual and has few rules. The boys are allowed to play boisterously, slide down banisters, and have pillow fights on Saturdays. Mrs. Jo tells him that by giving the children the freedom to play and be happy, they will "learn how to help themselves and be useful men” (12).

Chapter 2 Summary: “The Boys”

The narrator gives some background to each of the students who live at Plumfield School. Franz, Mrs. Jo’s nephew, is a German 16-year-old raised to be kind and respectful. Emil, whom the boys call Commodore, is a wild and adventurous boy who is preparing to become a sailor. Demi John, the Bhaers’ nephew, is good-looking and intelligent but remains humble about his appearance and talents. Demi was sent to Plumfield so the society of other children could toughen him up and foster practicality to counter his strong imagination. He is protective and loving to his female twin, Daisy. She’s gentle and sweet and likes to play with dolls and do domestic tasks.

Rob, Mrs. Jo’s son, is a restless and chatty boy who manages to stay out of trouble despite his high energy. Teddy is the youngest, an affectionate child who stays close to Mrs. Jo. Adolphus, or Dolly, is a dutiful boy who has a stutter. Dick is a cheerful boy with a humpback and a good sense of humor. Jack is clever but greedy; Ned is naive and clumsy; George is sallow and lazy. Billy is an intelligent boy who has suffered a nervous breakdown from his father’s rigorous academic program, and now has learning challenges, so Mr. Bhaer asks the boys treat Billy with kindness. Tommy is a sweet but mischievous boy who causes trouble by playing pranks around the school and often injures himself in the process.

The relationships between the boys are essential to their learning. Mr. Bhaer emphasizes that the practical curriculum includes “self-knowledge, self-help, and self-control” (24), which they are taught to practice with each other.

Chapter 3 Summary: “Sunday”

Nat wakes up and has a hearty breakfast with the other boys. He learns that on Sundays, each boy performs a particular set of chores in the morning according to their age and ability. Then the older boys attend church in town. Nat, because of his illness, stays at Plumfield with the younger children. Aunt Jo shows Nat her “Sunday closet” in which she keeps a “conscience book” (27) in which she records each boy’s actions during the week. She explains that whether their actions are good or bad, she will help each boy improve his behavior and willingness to do good. She loves all the boys and hopes to nurture care and softness in them. Nat is touched and wishes to please her.

In the afternoon, all the children go on a walk outside for exercise and to appreciate the beauty of the natural world, which they are taught God has created. Too weak for a long walk, Nat stays home with Tommy, who shows him the boys' collection of animals in the barn, which they call their menagerie. There, Nat discovers farm animals, rodents, amphibians, and birds. Jack even has a worm farm for fish bait that he sells to the other boys. Crestfallen that he can’t afford an animal, Nat strikes a deal to work as an egg hunter for Tommy to save up to get his own pets.

That evening, Mr. Bhaer tells the boys an allegorical tale about gardening from which they must learn a lesson. They are each asked to choose a personal quality they want to nurture within themselves like a crop in a garden. Before bed, Demi tells Nat the story of Jesus Christ, whom Nat has never heard of before. Mrs. Jo reflects that Nat is already improving after one day of kindness and nurturing.

Chapter 4 Summary: “Stepping Stones”

Nat is ashamed that he is uneducated and illiterate, and behind the other boys academically. Mr. Bhaer comforts him by reminding Nat that his difficult childhood has given him qualities the other boys lack, such as his even temperament and a desire to learn. The other boys promise to help Nat with his studies, and they all admire his skill on the violin. Demi reads to him, and Nat eventually becomes an avid reader. Because his illness precludes him from studying full time, Nat spends much of his time working in the garden. He also has a talent for carpentry and is given a lathe to make small wooden pieces to sell. In the summer, he plays his violin for picnickers to earn money to help improve his circumstances. Mr. Bhaer supports his endeavors but warns him to only accept work in places that are morally upright, so as not to be tempted to sin.

Nat’s worst character default is that he tells lies to protect himself, which he learned to do out of fear of his father’s temper. Mr. Bhaer decides that if Nat is caught lying, Nat will be forced to cane Mr. Bhaer for his sins, rather than receive the punishment himself. When Nat lies again, Mr. Bhaer demands that Nat strike him six times on the hand. Afterward, Nat holds Mr. Bhaer’s hand and cries, determined not to lie again, and remembers this lesson every time he holds Mr. Bhaer’s hand.

Chapter 5 Summary: “Patty Pans”

Daisy complains that she is not allowed to play football with the boys—she is tired of sewing and playing with dolls. She asks Mrs. Jo to make ginger snaps in the kitchen with Asia, the cook. Mrs. Jo promises to get Daisy a new toy to play with, but when they go to town, she secretly procures the pieces to build Daisy her own small cooking stove and mini kitchen to cook real food for her dolls and the other students.

When the surprise is revealed, Daisy is overjoyed. She wants to play immediately, so Mrs. Jo helps her cook her first meal for her dolls and Tommy. Daisy is sent to the kitchen to get ingredients from Asia, and the dog Kit acts as the butcher boy, delivering small steaks for Daisy to cook. Daisy wants to invite her twin brother Demi to her tea party to cook for him and offers to cook for the other boys as well. Mrs. Jo decides that Daisy’s cooking will be a good behavior treat for the boys. When the boys discover Daisy’s new “Patty Pans” playset, they want to use the stove to melt things or as a steam engine. Mrs. Jo declares that the boys cannot use Daisy’s cooking set without her express permission.

Chapters 1-5 Analysis

The opening chapter, told using a third-person limited narrator, introduces the Plumfield School and its residents from the perspective of the young orphan Nat, an outsider who becomes in this way a stand in for the reader. In Nat’s eyes, Plumfield is welcoming and cheerful, and he is soothed by “the pleasant hum of young voices and felt that it was hardly possible that the light and warmth and comfort within could be for a homeless ‘little chap’ like him” (1). The scene he walks into is intimate and domestic, in which the children play with each other, and everyone is friendly to him. A haven from his early childhood experiences of poverty and loss, Plumfield is portrayed as a home rather than a traditional school. Through Nat’s perspective, Alcott establishes the importance of family life as a model for social harmony.

The private, domestic school is set apart from the disciplinary and orderly factory-style education institutions common at the time. The children are encouraged to play and act boisterously. Nat sees the other children running and sliding on banisters and having pillow fights before bed. Mrs. Jo refers to her policy of letting the children run amok on the weekend in a tender and prayerful tone, saying “Dear little souls, do let them have one day in which they can howl and racket and frolic to their hearts’ content” (7). Her reverent attitude to the children’s need for freedom conveys respect for the children’s autonomy, rather than controlling them through punitive measures, which was common in 19th-century schools. Her belief in their innate goodness and need for nurturing introduces the novel’s theme of The Development of Morality in Children.

Punishment for poor behavior is also treated differently at Plumfield. Moral lessons are prioritized over academic lessons, and Mr. Bhaer reverses the traditional punishment of caning students on the hand when he demands that Nat strike him instead. This makes the punishment emotional and psychological rather than physical. Whereas Nat’s lying was the result of fear of his father’s physical abuse, he now changes his behavior because he feels guilt and shame every time he sees Mr. Bhaer’s hand. The students are also given moral advice through Mr. Bhaer’s allegorical sermons. The use of this biblical technique aligns the school’s teachings with Christian values and the teachings of Jesus. When Demi, described as a “missionary in a nightgown” (43), imparts the lesson of Christ’s love to Nat, it symbolizes the success of the Bhaers’ educational methods in raising their nephew as a kind and loving person.

The Plumfield method focuses on growing natural talents and remedying the shortcomings of each unique child, depicting Education Nurturing Individual Talents and Personalities. This idea is emphasized through the motif of gardening, which conveys the “cultivation” of the students at Plumfield. Despite its unconventional methods, the wider community accepts the school’s practices as effective, something the narrator confirms using the metaphor of “flourishing” plants: “in spite of many dark predictions, the school flourished, and manners and morals were insinuated, without the pupils exactly knowing how it was done” (7-8). Part of ensuring this flourishing is recognizing and appreciating each student for their skillset and interests. Nat is encouraged to pursue his musical talent on the violin, and Dan is transformed through the Bhaers’ encouragement of his interest in the natural world. The twins Daisy and Demi are encouraged to develop conventional male and female skills to round out their holistic education. Daisy is interested in domestic tasks like cooking and sewing, so Mrs. Jo invents the miniature kitchen called “Patty Pans” to help Daisy learn how to cook for a family. Daisy represents the ideal woman; her incipient adolescence is depicted through floral imagery, as she has “all sorts of womanlinesses budding in her” (19). Her twin brother Demi, who possesses intellectual acumen, is encouraged to toughen himself and become more traditionally masculine by interacting with other boys. His parents are characterized as wise because they recognize Demi’s potential weaknesses and have the foresight to send him to Plumfield; they are shown to be good parenting because they encourage their child’s intellectual gifts, but also want to “balance them with useful knowledge and healthful society” (18). The novel depicts the goal of education as the formation of well-rounded and productive members of society.

The other essential element of a good education in the novel is the relationship and love bond between a parent and child, which is the model for the teacher-student relationships at Plumfield. Mrs. Jo’s affection for the children in her charge is reiterated through her tender interactions with them. Nat’s immediate closeness with her is highlighted through their physical intimacy: She holds him close like a son, giving him “a kind hand and a motherly look, which made Nat’s lonely little heart yearn toward her” (5). Mrs. Jo’s Sunday “conscience book” is another symbol of her attentiveness to the development of each child, and an example of motherly moral guidance. She seeks to bond with each student as a way of influencing their hearts and minds to goodness, hyperbolically stating, “I never saw the boy yet whom I could not get on capitally with after I had once found the soft spot in his heart” (28). Alcott portrays parental love and its impact on moral development as necessary to support young people, reasserting the value of a domestic model of education.

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