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Content Warning: The source text references multiple deaths by suicide and deals with the psychological effects of trauma, loss, and grief. It also uses stigmatizing and potentially offensive language to refer to people experiencing mental illness.
Jules Larsen, 25, wakes up in pain in an unfamiliar place. Voices surround her. They tell her that she’s at a hospital. A man named Bernard explains that she’s been hit by a car outside the Bartholomew. Jules begs not to be sent back there.
Jules arrives at the Bartholomew, one of the oldest apartment buildings in Manhattan, after responding to an online ad seeking temporary tenants. She meets with a woman named Leslie Evelyn, who conducts her interview and tour. Jules immediately feels out of place. The Bartholomew is “one of [New York’s] most storied addresses” (6). Jules’s favorite book, Heart of a Dreamer by Greta Manville, is set here. Her sister, Jane, read it to her throughout her childhood.
Leslie lays out the Bartholomew’s ground rules. The people of the Bartholomew believe that an occupied building is most functional. The previous 12A tenant died, and they need someone to fill the space for three months. As a temporary tenant, Jules will be paid $1,000 a week to occupy apartment 12A. However, she can’t have guests, talk about the residents, or bother them. Jules is excited about the apartment and the opportunity.
Leslie asks Jules about her living, work, and relationship situations. Jules’s administrative job recently laid her off, and she has been staying on her friend Chloe’s couch since her ex-boyfriend Andrew cheated on her. Leslie also asks about Jules’s family and medical background, and Jules says that she’s an orphan and in good health. Leslie runs through a few more details about the Bartholomew’s reputation and residents and offers Jules the job.
Chloe is skeptical of Jules’s Bartholomew arrangement. She insists that she can give Jules money and housing until she finds a different setup. Jules declines Chloe’s offer, recalling her father’s beliefs about second chances and that she’s taken care of herself since her parents’ deaths.
Jules wakes in the hospital again. Her wrist is bandaged and she’s wearing a neck brace. She’s relieved to remember that she’s not at the Bartholomew.
Jules packs her bags, says goodbye to Chloe, and takes a cab into Manhattan. She recalls her breakup with Andrew on the way. He didn’t protest when she told him to get out of the apartment after finding him with another woman. The next day, she vacated their shared space and relocated to Chloe’s. She hasn’t talked to Andrew since.
At the Bartholomew, the door attendant, Charlie, greets Jules. Leslie gives her the keys to 12A and explains a few more temporary tenant rules. Jules must not open any mail for 12A, change the apartment, or post about the building online. She’ll be paid at the end of each week.
Jules meets another apartment sitter named Dylan on her way upstairs. Leslie informs her that as of right now, there is another sitter, Ingrid Gallagher. Jules is relieved and grateful when she enters 12A.
Jules settles into the apartment. She names the gargoyle outside her window George and props her copy of Heart of a Dreamer and a family photo on the nightstand. The picture was taken two years before Jane went missing and four years before Jules’s parents died. Jules runs her hand over the image of the Bartholomew on her book and thinks about her family.
Chloe is upset when Jules tells her she can’t visit. The friends argue, and Chloe is suspicious because the Bartholomew arrangement “seems too good to be true” (43). The friends agree to disagree. Jules starts looking for jobs, her money running low and her credit cards maxed out.
Jules continues to worry about money. She’s still waiting on her unemployment check and won’t be paid for apartment-sitting until the week ends. She cleans the apartment to feel like she’s working, then snoops around to discover who lived there before. Jules doesn’t find any family photos or clothes, but does come across another copy of Heart of a Dreamer and some magazines addressed to Marjorie Milton. Jules notices that the flowers on the wallpaper look like faces. She hears a sound coming from the other room and finds a dumbwaiter in the kitchen. Inside are a poem and a welcome note from Ingrid. Jules writes back and returns the dumbwaiter to 11A.
On the elevator, Jules encounters actor Marianne Duncan with her dog, Rufus, as well as a tenant named Mr. Leonard, who has heart trouble. In the lobby, Jules is shocked to see Greta Manville. Greta is displeased when Jules introduces herself and compliments her book. On the way to the grocery store, Jules notices a missing poster and thinks of Jane.
Jules buys a week’s worth of cheap groceries, recalling the knockoff brands her family ate growing up. Back in the Bartholomew’s lobby, Jules and Ingrid collide, scattering Jules’s groceries and cutting her arm. The tenant in 12B, Dr. Nick, rushes to Jules’s aid, taking her to his apartment and tending to her wound. When he notices Jules studying his ouroboros painting, depicting a snake swallowing its own tail, he explains its meaning. Jules asks Nick about his time at the Bartholomew while he checks her vitals. His apartment has been in his family for years, he tells her. He took it over after his parents died.
Jules receives an email from Chloe about the Bartholomew’s dark history. She ignores it and tries unpacking but accidentally tosses her keys down a heating grate. Charlie stops by to bring her replacement groceries and helps her retrieve the keys. He says it’s common to lose things in the grates. After he leaves, Ingrid invites Jules to meet in Central Park.
At the park, Ingrid apologizes for hurting Jules’s arm. The women sit on a bench and discuss their lives. Ingrid reminds Jules of Jane, and Jules tells Ingrid about her. After Jane’s disappearance, Jules’s parents tried to find her, but the longer she was gone, the more Jules thought she was dead. Now she isn’t sure, but Jane didn’t resurface for their parents’ funerals. The conversation turns to the Bartholomew. Both women accepted the arrangement because they need money. Ingrid also admits that she’s been lonely since the former 12A sitter, Erica Mitchell, left. Jules agrees that they should get together regularly.
Jules takes a bath, makes dinner, and drinks some wine. Time passes with nothing else to do. Jules strikes several matches and holds them close to her hand. A nearby sound interrupts her. Then she hears a scream that sounds like Ingrid. She races to 11A, and when Ingrid opens the door she insists she’s fine. Jules, however, believes she’s lying.
Dr. Wagner introduces himself to Jules. He examines Jules and asks to hear her story. Jules explains that she ran into oncoming traffic trying to escape the Bartholomew.
Protagonist Jules Larsen’s introduction to the Bartholomew in this first section of the novel sets up Lock Every Door’s major themes. At 25 years old, Jules has no family, home, boyfriend, or job and is fully dependent on her friend Chloe, providing the background for the theme of the Psychological Effects of Isolation and Loneliness. Jules’s acceptance of the apartment-sitting arrangement offers her potential stability and self-sufficiency. When she reports to the storied Manhattan address, the setting of her childhood favorite book, Heart of a Dreamer, she starts to wonder if the fantasies of her youth are possible. At the same time, Jules feels out of place at the Bartholomew, because of the class disparity between herself and the Bartholomew’s established, well-to-do, and famous tenants, setting up the theme of Wealthy–Vulnerable Power Dynamics. Jules has no reputation or financial stability, compounded by her social isolation, and she enters the Bartholomew as an outsider, beholden to the building’s rigid rules. As a result, she’s compelled to accept as true what the Bartholomew’s residents tell her about life in the building, setting up the theme of Pursuit of Truth in a World of Deception. Jules’s outsider status places her in a vulnerable, powerless position, setting up the novel’s central conflicts.
Flashbacks throughout these opening chapters reveal the tensions surrounding Jules’s economic and social background and establish her character’s fears and anxieties around the power dynamics of wealth. When Leslie interviews Jules in Chapter 2, for example, Jules’s narrative account shifts to the past. Jules’s narration reveals the details of Jules’s fraught past, though she doesn’t share her entire story with Leslie. In particular, flashbacks to Jules’s breakup, her sister’s disappearance, and her parents’ deaths underscore Jules’s social isolation. Her lack of a job and home further destabilize her. She has no network, save Chloe, upon which to fall back and therefore feels compelled to take care of herself, no matter the risks. Further, in Chapter 8, Jules’s trip to the grocery store inspires another series of flashbacks related to her economic instability. Her bag of cheap, off-brand groceries reminds her of her childhood poverty, and on her walk back to the Bartholomew, she reflects on her embarrassment at eating “the poor-people version” of the foods her childhood friends ate (58). This passage provides insight into Jules’s relationship with money, clarifying her reasons for accepting the Bartholomew position despite the building’s eerie history, stringent rules, and elitist inhabitants.
Jules’s connection with Ingrid Gallagher leads her to confront her loneliness and its effects. In Chapter 10, for example, Jules and Ingrid confide in one another during their outing in Central Park. Jules’s openness compels Ingrid to divulge how living at the Bartholomew impacts her emotionally and psychologically. In particular, she identifies the Bartholomew’s rules as a source of isolation, saying that at times “it feels like solitary confinement” (79). Because Jules and Ingrid are socioeconomic equals, they are more comfortable opening up to one another. Their parallel economic situations equalize them and thus allow connection and understanding. Jules is initially reluctant to admit her loneliness to Ingrid, however, returning to her apartment after her afternoon with Ingrid and actively pretending she is not lonely. Her connection with Ingrid puts Jules’s isolation into perspective, making her realize she needs a friend at the Bartholomew. For this reason, when Jules suspects that Ingrid is in trouble in Chapter 11, she feels desperate to help her new friend.
The section also sets up the mysteries that encompass the rest of the novel, forcing Jules to wade through many lies in pursuit of the truth about Ingrid and the Bartholomew. These mysteries augment the narrative tension and further destabilize Jules, whose childhood experience with her sister’s disappearance predisposes her to anxiety over the missing Ingrid. For example, Jules believes that she heard noises in her apartment and that Ingrid is in trouble. The author sustains this first mystery when Jules doesn’t find any answers in Ingrid’s apartment. Jules’s fear of losing her new friend increases the tension and foreshadows conflicts in the coming chapters.
By Riley Sager