60 pages • 2 hours read
Vladimir NabokovA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Humbert’s plan for Lolita is simple. Hoping that Lolita has not yet heard of Charlotte’s death, he calls Camp Q to say that Lolita’s mother is ill and he will be picking up Lolita. He plans on giving Lolita vague updates on her health as they travel until finally he will announce that Charlotte has died. Lolita is on a hiking trip when he calls the camp (mirroring the lie he had told the Farlows, which Humbert thinks might be a result of fate’s intervention). Humbert goes to Parkington, where the camp is located, and purchases presents for Lolita based on the measurements he memorized from examining her belongings. He wires the Enchanted Hunters hotel to book a room for him with two twin beds.
Humbert breaks from the narrative to complain about prison. He has written a hundred pages and is unsure if he can go on. Humbert places the date of the point in the narrative at roughly August 15, 1947 and then writes “Lolita” over and over again, asking whoever publishes the text to fill an entire page with her name (which the publisher does not do).
Humbert retrieves Lolita from Camp Q and notes she does not look as pretty as he had recalled. He decides he will be a father figure to her but then suddenly recognizes her as his Lolita again and casts aside those virtuous impulses. He tells Lolita her mother is in the hospital, and they speed off in Charlotte’s sedan. Lolita asks if she can call Humbert “Dad” and then says she’s been “revoltingly unfaithful” to him because he has “stopped caring” for her. Then she flirts with him and asks him to kiss her. While they kiss, a police officer stops and asks them if they have seen a speeding blue sedan pass by. They have not. They proceed to Briceland and the Enchanted Hunters hotel.
In room number 342—the same room number as their house address, no twin beds are present. The twin room has been taken, and Humbert is unable to procure a cot for Lolita. They will have to share a double bed, and Lolita giggles and says that sharing a bed is incest. Lolita tells Humbert he kisses wrong and shows him how to do it but then grows bored. They go to the dining room downstairs, and Lolita notes that someone there looks like Clare Quilty, the celebrity playwright whose picture she marked “H.H.” Humbert shows her a sleeping pill, which she is eager to take due to its color. While she grows drowsy in the hotel room, she tells him she’s been “such a disgusting girl” (123). Humbert says that can wait and locks her in the room.
Humbert says once again that he had not planned on taking Lolita’s “purity” when he picked her up—he merely wanted to fondle her sleeping body. He notes that her purity may have been damaged by a sexual encounter with another young girl at camp. Additionally, he recognizes that Annabel and Lolita are not the same and admits he should have known that “pain and horror would result from the expected rapture” (125) of his actions, adding that he would do things differently if he could. Humbert is excited that she is finally his and that he will soon be able to touch her.
Downstairs, Humbert wanders through the various public spaces of the hotel. Outside, on the terrace, he encounters a man sitting in a chair in the darkness who seems to accuse Humbert of doing inappropriate things with Lolita, whom he claims is his daughter. But when Humbert asks him to repeat himself, the man corrects what he says to say something innocuous that sounds vaguely similar: “you lie, she’s not” becomes “July was hot” (127). The man asks Humbert and Lolita to join him for lunch the next day, but Humbert declines, as Humbert plans on leaving with Lolita in the morning. On the way back to his room, he accidentally steps in the middle of a photo being taken in the lobby.
Back in Room 342, Lolita is drowsy, but the sleeping pill is not strong enough to lull her into sleep. She keeps saying the name “Barbara.” Humbert crawls into bed next to her but makes no sexual advances, even as he stays awake all night, unable to sleep due to the noises of the hotel and his own arousal. Lolita nudges next to him in the morning while he pretends to sleep. She asks if he had sex when he was her age, and he truthfully says no. Humbert states that she seduces him, and they have sex. He says that she sees sex as just something children do in a matter-of-fact way, since children do not understand what adults do. Humbert says to the reader he’d rather not describe the act of sex with her, as he would prefer to explain the “perilous magic of nymphets” (134).
Humbert states he must “tread carefully” lest the reader fall for Lolita. He then describes the changes he would make to the Enchanted Hunters hotel so as to make the hotel more naturally romantic for his first sexual encounter with Lolita.
Humbert explains various parts of his sexual experience with Lolita. He justifies his actions by citing legal doctrines from the church that allow a girl of twelve years of age to marry. And he notes that an old magazine from the prison library explains how the “stimulating temperate climates” (135) of America help girls to mature by the age of twelve. He also reminds the reader, his jury, Lolita had another lover before him.
After they have had sex, Lolita tells Humbert of her earlier sexual experiences. He asks her which of her classmates, whose names he memorized, she has experimented with, and she says most of them have experimented amongst themselves but not always with her. At camp, she would guard the bushes on Lake Climax’s Willow Island, where her friend Barbara would have sex with Charlie Holmes, the son of the woman who ran the camp. Eventually, she grew curious and also had sex with Charlie. The girls would take turns with Charlie, and Lolita says it was fun but, to Humbert’s delight, she held “Charlie’s mind and manners in the greatest contempt” (137). Humbert gives Lolita the gifts he purchased and tells her to wait in the lobby and not speak to strangers. He asks the hotel desk clerk if his wife has called. While leaving, he notices a man who resembles his Swiss uncle, Gustave Trapp, staring at Lolita while she reads a movie magazine. The man seems to be the same age as Humbert.
Humbert is concerned about how to keep what they’ve done secret but also wishes to do it again. Lolita seems uninterested in him and even accuses him of rape, but Humbert is not sure if she is serious. At a gas station, she complains of pain and accuses Humbert of having torn something inside of her. She wants the number of her mother’s hospital, but he says Lolita cannot call her, finally admitting to her that Charlotte is dead.
In a town called Lepingville, Humbert buys Lolita toys, candy, clothing, and comics, as well as a box of sanitary pads. They get two separate rooms at the hotel, but he hears Lolita crying. She comes to his room at some point in the night because she “ha[s] absolutely nowhere else to go” (142).
Humbert’s odd grief after Charlotte’s death, as evidenced by his desire to be “mawkish for the nonce” (109) and the fact that he is “so tired of being cynical” (109), suggests that he can now be analyzed as a self-aware and calculating wrongdoer. In this section of the book, Humbert no longer appears like a moral person trying to do the right thing. In lying to Lolita about her mother and by kidnapping her, his actions are no longer justifiable despite his efforts to rationalize them with allusions to history and references to a girl’s sexual maturity. In describing Lolita’s sexual experience prior to their relationship, he implies that the trouble Lolita caused was due to her own desires; Lolita is not like Annabel, his perfect virginal nymphet. To Humbert, Lolita’s lack of innocence makes his actions less reprehensible.
Humbert robs Lolita of her agency and voice as her words are always filtered through his own narrative. As well, Humbert has proven to be a liar at worst and a fantasist at best throughout the text, and he wants the reader to trust his version of events. Thus, it is highly suspect that he claims that she seduces him, for instance. Even if Lolita is as flirtatious as he suggests, she is not old enough to understand her actions and to give consent. Humbert recognizes she is still a child and notes she does not understand sex the way an adult does; in some ways, he treats her like a child, telling her not to talk to strangers and buying her toys, candy, and sodas in Lepingville.
Humbert also seems to guard aspects of their story from the reader. He does not describe the actual sex he has with Lolita, despite providing excessive detail on everything else up to that point. This discretion helps make the text appealing to readers like John Ray, who notes in the Foreword that the text lacks the sordid characteristics of pulpy novels. It also implies that either Humbert is aware that he has done something wrong and seeks to hide details that reveal his guilt, or even that Humbert is protective of his memories.
This section of the novel introduces Clare Quilty, who becomes Humbert’s antagonist and his shadowy twin. Quilty resembles Humbert and communicates to him literally from the shadows on the terrace. The next morning, when Humbert sees him staring at Lolita, he does not recognize the same man he saw only in shadow the night before. The confusing conversation Humbert had with Quilty is a conversation between Humbert and his conscience; he imagines Quilty accuses him of wrongdoing.
In this section, Nabokov makes several plays on words and place names. Camp Q mirrors the name Quilty, and Lolita loses her virginity at Climax Lake. Briceland, the location of the Enchanted Hunters, may refer to the Forest of Brocéliande, the enchanted forest from the legends of King Arthur. The name of Lepingville may be a play on the word “lepidoptera,” the scientific order of butterflies that fascinated Nabokov. The address of the house in Ramsdale, 342 Lawn Street, draws attention to the most cliched element of the idyllic American house: the front lawn. Both the house and the room number at the hotel is number 342, which implies something fateful about their tryst.
By Vladimir Nabokov